If you ask Phil Epp how he developed the style that has come to define his sky-filled Southwestern landscapes, he’ll shrug and admit that it’s not something he can easily explain—nor something he fully understands himself. It started with his childhood love of cowboy art, horses, and the view from his bedroom window in his childhood home in Nebraska. Then it merged with painters he was introduced to in college—from Picasso to Jackson Pollock—and to the work of color field painters, like Mark Rothko, who used large areas of unbroken, flat colors on their canvases. Read the full article in
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