On some level, Linda Lillegraven has been drawn to the wide-open spaces of the Western landscape for most of her life. She remembers visiting national parks with her family when she was a child. When they’d stop at an overlook and get out of the car to take in the view, she’d see her dad’s face light up. “He’d say, ‘This is God’s country,’” Lillegraven says. “The enthusiasm he had, the love and reverence—he really loved the big open spaces, and I think I caught that from him.” The idea of painting those spaces didn’t occur to her, however, until
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