With the celebration of the Cowboy Artists of America’s 50th anniversary, one has to wonder if the founding artists—Joe Beeler, Charlie Dye, John Hampton, and George Phippen—could have envisioned what the organization would become and that it would still be going strong five decades later. Those four men, along with dozens of others who were invited to join the prestigious organization over the years, were committed to creating authentic representations of life—and work—in the American West and to doing so with the highest of artistic standards. Four members of the CAA—John Coleman, Martin Grelle, Bill Nebeker, and Jim Norton—recently took
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Archives for Terpning, Howard
For the Love of Art
While many great gallery owners and artists make our business special, we chose to visit with a few of them and ask them to share thoughts about what they do. John Coleman (Arizona) 1804, The Newcomers Bronze 37″ High Morgan Weistling End Of Harvest Oil 34″ By 50″ Morgan Weistling Emmie’s Rose March/April 1999 Howard Terpning (Arizona) Among The Spirits Of The Long-Ago People Oil 42″ By 40″ Frank Johnson Night Time In The Canyon Oil 24″ By 18″ Bill Anton (Arizona) Branding At Red Bluff Oil 16″ By 20″
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Honoring the Master: A Retrospective
I take my work very seriously, but I don’t take myself seriously. Take awaymy paintbrush, and I’m no different than anyone else. Howard Terpning (Arizona) Medicine Man Of The Cheyenne Oil 48″ By 40″ The medicine man held a very important position in any tribe. He was, in effect, a combination doctor and minister, or priest. He knew about the healing properties of plants, and he knew the ceremonies, chants, and songs that wielded magical powers for the benefit of individuals, or the whole band. Howard Terpning (Arizona) Cheyenne At The Disappearing Creek Oil 50″ By 40″ In the 19th
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