When Randy Van Beek sees a landscape that he wants to paint, he grabs his camera and his outdoor painting kit. He then alternates between painting a small study that captures the light, colors, and emotions of the place and looking through the lens of his camera to compose the scene. “The adrenaline just starts rushing through me when I look through the camera lens,” he says. “With your eyes, you’re taking too much in, and there’s no way to communicate all of it. But with the camera, I find the little slices that are the most interesting. It’s all
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