Archives for 2020 January-February Issue

Winter Wonderland

Winter Wonderland

December 13, 2019 | by

Something magical, almost mystical occurs with a snowfall. It brings with it great joy, which is readily apparent when you watch a young child seeing snow for the first time, or attempting to swallow the flakes as they fall. They also seem compelled to lay down in it, swinging their arms and legs to and fro as they create snow angels. Snow evokes a myriad of emotions. It can carry with it a sense of peace and wellbeing that for some involves sitting inside by a fire and watching the snow gently falling outside. On the other hand, it can
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‘My Art is About Messages’

‘My Art is About Messages’

December 12, 2019 | by

Oreland C. Joe is committed to three things in life: his family, his art, and encouraging young Native Americans to preserve their culture. “The most valuable lesson one could ever learn in any field,” he says, “is to give your success back to the children and the community.” That is exactly what Joe is doing through a foundation he started in 2018, but more about that later. Joe has earned great acclaim for the artwork he creates, which includes paintings, stone carvings, bronze sculptures, and jewelry. He has won more awards than we have space to list here, and his
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‘How I Got Here’

‘How I Got Here’

December 12, 2019 | by

During a visit last October, Susan Lyon made three admissions. The first is that she never considered herself a natural artist. She hadn’t impressed anyone with her drawings as a child. She wasn’t the student who was always chosen to illustrate the school yearbook cover or design the hallway mural. Later, while studying at the American Academy of Art in Chicago, Illinois, Lyon noticed that some of her classmates seemed to be able to see spatial relationships and copy them perfectly. For her, it was a struggle. “I wasn’t someone who had ever been very confident in drawing,” she says.
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Mixing It Up

Mixing It Up

December 12, 2019 | by

As has often been said, timing is everything. This was especially true in the case of Utah artist Jason Rich. As he’ll tell you, the stars aligned, and his time as a career artist came quickly—before he had even finished his college education. But let’s step back and follow the route that took Rich to his art career. His father, an elementary school teacher, owned a small horse farm in southern Idaho, where he raised and trained horses to sell. One of five siblings, Rich was the only one who worked alongside his father, growing not only to love—but to
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Joseph Alleman Perfectly Imperfect

Joseph Alleman Perfectly Imperfect

December 12, 2019 | by

There’s only so much time you can spend driving, trying to find that perfect barn,” says Joseph Alleman, whose very livelihood depends on the quality of barns he’s able to locate and depict. Sometimes he renders them in dense, saturated watercolor; more often, he uses oils to achieve the opaque surfaces and clean lines for which he’s known. Driving in search of those barns, Alleman recites the inner monologue that kicks in as the mile markers pass: “I’ve got to get out of the car. I’m wasting too much time. Let’s just stop here and make the best of it.”
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The Studio of Mary Ann Cherry

The Studio of Mary Ann Cherry

December 12, 2019 | by

Given the diverse range of her talents and commitments—oil and pastel painter, workshop instructor, novelist, and current President of the Women Artists of the West—it’s not surprising that Mary Ann Cherry loves the opportunities she enjoys by having two working studios. She does the majority of her creative work in a studio at the family home she shares with her husband Bob. Situated on two acres at the edge of the Snake River, just a few miles north of Idaho Falls, Idaho, that studio is informal, with a rural feel that is somewhat of an extension of the outdoors. “When
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