Renowned artist Thomas Blackshear II is no stranger to commercial work. Before diving into the Western art world, he was an illustrator with companies such as Hallmark, Lucas Films, and Anheuser-Busch on his resumé. In the fall of 2019, he got a phone call from the manager of The Killers, a popular alternative rock band that wanted to use his work for its newest album. It was a project unlike any Blackshear had ever experienced. The Killers is an American band that originated in Las Vegas, Nevada, in the early 2000s. Almost 20 years and six albums later, it has
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Archives for 2020 November-December Issue
Faith and Perseverance
Kevin Red Star has been painting scenes of Native American life for more than 50 years. Described as a master artist, visual historian, and an ambassador for his native Crow culture, his paintings have earned spots in several prestigious collections that include the Smithsonian, the Denver Art Museum, and the Heard Museum. Red Star’s works extend far beyond the United States, however, and are included in the collections of museums in China, Belgium, Japan, and Germany. His paintings also have earned a myriad of awards, including the 2018 Montana Governor’s Art Award for lifetime achievement and the 2018 James R.
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Young Talent, Old Soul
Brittany Weistling was thrilled when she was invited to be a guest artist at the 2012 Masters of the American West Fine Art Exhibition and Sale. That meant her paintings would be exhibited outside, rather than inside, the main gallery, but that was just fine with her. Weistling’s paintings sold, validating what the show’s officials already knew: Her talent deserved to be showcased during the event, which is conducted each year at the Autry Museum of the American West in Los Angeles, California, and features works by some of the country’s top Western artists. What made the experience remarkable was
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Human Symbolism
There’s often a moment during Mark Kelso’s design process when he discovers something familiar in what he is painting. For example, while working out the design of a piece that showed two bison in rut, violently going after each other, Kelso recognized the same intensity he experiences while practicing martial arts. Seeing that helped him to reframe the design. Instead of painting full bodies of both bison, he zoomed in to focus on their huge, colliding heads. “You can see the slobber flying, their tongues lolling, their eyes rolling back,” Kelso says. “It captures the intensity that I saw in
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Sharing the Magic
In mid-August, David Yorke had just returned from his annual pilgrimage to the Shearer Ranch outside Wall, South Dakota, where he had spent three days sketching and photographing local cowboys and Native Americans as they reenacted scenes from the past. He has participated in the event for the past 20 years, normally joining 49 other artists for the retreat that ranch owners Grant and JoDee Shearer have hosted since 1987. This year, thanks to COVID-19, only about a dozen artists participated in the event. In an effort to avoid the risks of getting the virus while flying, Yorke opted to
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Responding to an Angel’s Tap
Jake Gaedtke has told this story before, but it’s worth retelling because of the impact it had on his life. When he was in second grade, Gaedtke and his classmates took a field trip to a museum in Detroit, Michigan, where he was so mesmerized by the paintings there that he lost track of the rest of his class. He eventually found them— and he found his destiny. “That was when the angel of art tapped me on the shoulder,” Gaedtke recalls. “Looking at those paintings, I knew that was what I wanted to do.” It would take some time—and
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Beyond the Known Pathway
Whether he is depicting a day in the life of a pioneer family, working cowboys, dedicated ranch hands, or snow-covered fields, Grant Redden brings authenticity and a sense of immediacy to each scene. He does so as he continues to master his craft and seek ways to touch what he describes as “a raw nerve of emotion that is inside each of us.” Collectors eagerly seek out Redden’s paintings, and he has earned many awards and honors, including becoming a member of the prestigious Cowboy Artists of America (CAA) in 2012. “Membership in the Cowboy Artists of America has been
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The Studio of Len Chmiel
“It’s a good life, being an artist,” Len Chmiel says as he admires the view from the front porch of his studio. “There’s no other job I’d like … other than maybe a landscape designer.” Fortunately for Chmiel, his extensive acreage in picturesque Hotchkiss, Colorado, affords him the opportunity to do both. Besides creating award-winning paintings, he is also a gardener, winemaker, beekeeper, archaeologist, ranger, and wrangler of a small flock of chickens. Oh, and he also frames his own paintings. Chmiel’s studio, an 800-square-foot structure he designed himself, is the centerpiece of his 23-acre property, which sits atop a
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