Archives for 2021 January-February Issue

Ranch Life Reality

By late fall, snow had already started falling in southwestern Wyoming. Even though she still had gardening to do, that snowfall was a joy to Amanda Cowan. “The elevation is about 7,500 feet, so it’s really hard,” she says. “The sun rays are high, and the wind never stops, but I do feel so blessed. I moved around before I got married; then I came to Wyoming. It gets 30 [degrees] below [zero], but this place is so amazing. I get to work on the ranch every day and paint. I’m so blessed.” The ranch is Myers Ranch, a sprawling
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The Studio of Nancy Cawdrey

Many people are working from home these days, but few of them have a setup as enviable as that of Whitefish, Montana, painter Nancy Cawdrey. All she has to do is wake up, descend two flights of stairs, and she’s in a 1,000-square-foot studio where she can work on her latest oil or watercolor painting or on one of the vibrant silk paintings that have become something of a trademark during her two-decade career. “My studio is in my house,” Cawdrey says. “It’s a little bit like the European thing, where you work on the ground floor, live on the
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Talent Times Three

It’s always exciting when we feature artists and their art for the first time within the pages of Art of the West. That is just what we are doing on the following pages, as we share with you the words and works of three contemporary Western artists: David Frederick Riley, Gregory Strachov, and Jeremy Winborg. While their journeys and subjects differ, what they share is a love of creating art. Riley evolved from painting portraits to wildlife in muted tones. Strachov is fascinated by rocks, finding a beauty in them that most of us wouldn’t see. Winborg captures the strength
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Capturing Nature’s Stories

Alone, on top of a high, open Montana hill in the darkness, Mia DeLode stood in her sheep wagon, watching as the band of wooly animals she was protecting from predators was bedding down for the night. Then the first lightning sizzled and cracked. The sky roiled. A second bolt spiked and jagged, fracturing the clouds with an explosive roar on its way to the ground. It was followed by another and another. “The crashes of blinding light [were] impossible to sleep through, impossible not to think the next bolt will strike too close,” DeLode says, recalling her days as
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Life is an Adventure

Ethereal, evocative, and touched with a bit of mystery, the figurative imagery and cityscapes crafted by oil painter and pastelist William Schneider are beautifully rendered. They draw viewers in, eager to learn more about the person or locale he depicts. Although Schneider enrolled as an art major at the University of Illinois in 1965, after 18 months he switched his major to psychology with a minor in business. He did so, he says, because he was playing in a successful rock band that was touring the Midwest six nights a week, making it difficult for him to get up in
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A New Chapter

TD Kelsey wants to be a painter. He’s been sculpting for more than 40 years, and his award-winning works are in the permanent collections of museums that include the C.M. Russell Museum and the National Museum of Wildlife Art. He has monuments placed at the Saint Louis Zoo and the historic Stock Yards in San Antonio, Texas, among dozens of other locations. Kelsey loves sculpting. It’s a medium that has allowed him to capture the essence of the animals he loves so much, especially horses. It has helped him to create a career, make lifelong friendships, and travel the world.
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