William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Archives for 2022 July-August Issue
Drive and Determination
Crouched behind a wooden fence, tail down, ears perked, heart racing, he watches. His auburn fur blends into the fall grass and vines, a perfect camouflage from the danger galloping across the field, as horses, dogs, and riders in red coats are leaping, yelping, scrambling—all searching for him. A seasoned adversary, he knows not to move a muscle. He stays perfectly still, his eyes watching for clues to his next move—his chance to change his fate. Outfoxed is a spellbinding story of being hunted told by Ezra Tucker with acrylics on a three-foot board. He paints animals with so much
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Tom Petrie on Charlie Russell
For 53 years, The Russell Exhibition & Sale has been a staple of the Western art world. The premiere fundraiser for the C.M. Russell Museum in Great Falls, Montana, The Russell offers consigned major historic and contemporary Western artworks for sale. This year, The Russell returns with incredible artwork, in a new location, the Montana ExpoPark in Great Falls, from August 18 through 21 and introduces ‘The Suites at The Russell’ which features more than 100 artists displaying miniature galleries to showcase and sell their work. Tom Petrie is a former chairman of the C.M. Russell Museum Board of Directors
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Anything is Possible
“It’s incredible how magical the desert is when you go with the intention of self-reflection,” says Colorado artist Anna Rose Bain, who began a tradition of taking solo trips to the California desert when she was struggling with severe adrenal fatigue just before the start of COVID. “I found that I was getting burnt out at least twice a year, to a point where it was affecting my health and my relationships,” says Bain, who balances painting with raising two young children and practicing CrossFit, a high-intensity fitness program. “I started going to the desert to recharge and meditate and
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Boundless Talent, Boundless Energy
Star Liana York’s energy knows no bounds. Neither does her talent. She’s not only been creating award-winning sculptures for more than four decades, she also owns and runs a ranch with her husband and operates an Airbnb. After competing in horse events and breeding and training horses for many years, she has set that aside. There are, after all, only so many hours in a day, most of which York fills with creating magnificent sculptures that have earned her countless awards and are treasured by collectors. York’s monumental sculptures are placed at sites throughout the country that include the Smithsonian
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A Burning Obsession
As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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“I Paint What I Love”
The vibrant images of Douglas Aagard’s landscapes radiate a joy that conveys his love for everything from flaming red and gold leaves in the fall to the azure blue of a meandering stream to the lushness of a mountain valley. He loves it all and captures it brilliantly. The 54-year-old artist was born in Utah but grew up near Corvallis, Montana, in the shadow of the Bitterroot Mountains. “Evenings were my favorite time of day because I could watch the changing colors of the valley as the sun set behind the mountains,” he says. During summers at his grandparents’ sheep
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The Studio of Len Babb
In the almost-darkness just before sunrise, a retired cowboy emerges from his house and silently walks the short distance to a small, tidy log building with a sheltered porch. He takes a seat near the handmade door, easing his old bones onto a bench created from a split log. There, with Oregon’s high desert spread out before him and the sun coming up pink beyond the distant dark mountains, he makes his preparations for the day. Once inside, he builds a fire in the little, round wood stove in the corner, warming his hands before the flames. In the thin
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