Archives for 2022 September-October Issue

Taking Art to a New Altitude

Wagner Skis in Mountain Village, Colorado, has taken its custom skis to a new level. The company, established in 2006 at the base of Telluride Ski Resort, designs, manufactures, and sells custom skis and snowboards. “We design everything from the shape of your ski and snowboard to the flex pattern, side wall structure, everything,” says Heather Baltzley, Wagner’s creative director, who has been with the company since 2008. “We cut out and design every aspect so each wood core is built for each ski, each pair of edges are shaped for each pair of skis, et cetera…” Lauren Poppie is
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Preserving and Promoting Cowboy Arts: Traditional Cowboy Arts Association

When a group of Western craftsmen got together in 1998 to form the Traditional Cowboy Arts Association (TCAA), they had a shared goal: to preserve and promote cowboy arts. Those arts fall into four disciplines: saddlemaking, bit and spur making, silversmithing, and rawhide braiding. The TCAA has more than met its goal, as its members have taken impressive steps to pass on the knowledge and skill of cowboy arts to the next generation through education programs and workshops. In 1999, it partnered with the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma, to host its first annual exhibition
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Nature and the Human Soul

In some ways, personally and professionally, Sally Vannoy’s life might seem like a fairytale. She married the man of her dreams in a beautiful setting in Glacier National Park, was accepted into the Society of Animal Artists as a Signature Member on her first attempt, and has seen her works hang beside original Charles M. Russell paintings at the famous Triple Creek Ranch. As in many classic stories, however, the heroine had to leave her comfort zone in order to reach her potential. “I had the most amazing childhood and family life growing up,” says Vannoy, who grew up with
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Beauty Abounds

Three years ago, artist Howard Friedland and his wife Susan Blackwood—also an artist—moved from Bozeman, Montana to Bella Vista, Arkansas. The couple had lived in Bozeman since getting married in 1998 and loved everything about it—especially the spacious studio they shared in their home there. But they had grown weary of the heavy snowfalls that often extended into April and May and of the smoke from Western forest fires that made plein air painting a challenge during the summer months. When they visited Jeff Legg, an artist friend, at his home in the Ozarks, they realized that relocating to Arkansas
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The Studio of John Fawcett

In late May, after a four-day drive from their home near Gettysburg, Pennsylvania, John and Elizabeth Fawcett happily drove through the gates to their home in Clark, Colorado. It’s an annual event that includes pulling a large horse trailer occupied by the couple’s two horses and all of Fawcett’s paint supplies. “We looked like the Beverly Hillbillies,” he says with a laugh. Located on a 52-acre ranch the Fawcetts named Double LL—which Fawcett says stands for Lucky (me) and Lizzie (Elizabeth)—the property is 25 miles north of Steamboat Springs. Willow Creek runs through the ranch and attracts deer and elk,
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Painting and Peace

Sherry Harrington has a strong affection for Texas, where she was born, raised, and continues to live. Vast fields of Texas Bluebonnets or cowboys herding cattle, however, are not the subjects of her paintings. She much prefers to fill her canvases with portraits of beautiful Native American women and children. “I have always loved people, but I am especially drawn to depicting members of the tribes in the desert Southwest—the Navajo, Apache, Cheyenne, and Sioux to name but a few,” Harrington says. “Perhaps this is due in part to the fact that my paternal grandmother was half-American Indian. Even as
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An Artist on a Mission

As a young child, Joe Kronenberg drew voraciously. Today, as an adult, he is an artist on a mission. “As an artist in the 21st century, I strive to create paintings that embody the aesthetic and objective standards of the 19th century European academic art world,” he says. It’s a style he believes has been lost in an instant-gratification world. Growing up in the Pacific Northwest, Kronenberg filled his room—as well as the rest of the house—with realistic artwork of the area’s grandeur. In his mind, it was just a matter of time before he would become an artist. That
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Turning Chaos Into Order

When Evelyn Tennyson, owner of Two Old Crows Gallery in Pagosa Springs, Colorado, asked Dave LaMure to create a monumental sculpture in honor of her late husband’s passion—trout fishing—he hesitated before giving her a de!nite answer. “I said, ‘Let me research it,'” he recalls. LaMure was so focused on the unique vessels he was making that he wasn’t sure he wanted to take time away from those creations to take on a trout commission. That changed as he began his research and became hooked on the story of the Native Cutthroat Trout, which was thought to be extinct for 70
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