Echo Ukrainetz starts each new batik piece with a black and white vintage photo, usually a portrait of a person with an expressive, interesting but not necessarily attractive, face. She sketches the photo, then traces her sketch onto high-grade cotton stretched on a frame and draws in the details of the face. Then Ukrainetz works, sometimes for more than a month, dying and waxing each section—the shirt, the pants, the boots, then the face, and finally the background—until her stretched cotton is as stiff as a piece of cardboard. She freezes it and breaks specific segments of wax before rubbing
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