Posts by Clover Neiberg

Pushing the Color

Pushing the Color

November 3, 2022 | by

“I do a couple of shows a year,” says New Mexico-based oil painter Mejo Okon. “The rest of the time, I’m just trying to do cool stuff.” That statement is not a hollow boast. Okon has just wrapped up a courtroom sketching gig for a high-profile trial in Colorado and is now back home in Albuquerque painting. She recently dabbled in acting as well, playing a courtroom sketch artist in the upcoming “Coyote vs. Acme,” an animated/live action movie. “Today I’m working on colorizing some of my seventy-plus drawings from the trial,” Okon says, going on to offer some background
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The Studio of Len Babb

The Studio of Len Babb

June 30, 2022 | by

In the almost-darkness just before sunrise, a retired cowboy emerges from his house and silently walks the short distance to a small, tidy log building with a sheltered porch. He takes a seat near the handmade door, easing his old bones onto a bench created from a split log. There, with Oregon’s high desert spread out before him and the sun coming up pink beyond the distant dark mountains, he makes his preparations for the day. Once inside, he builds a fire in the little, round wood stove in the corner, warming his hands before the flames. In the thin
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Disco Drove Him to Art

Disco Drove Him to Art

May 1, 2022 | by

Ask Oklahoma City-based oil painter Kenny McKenna what kick-started his career, and he will tell you, in all seriousness, that it was disco. “This is a true story,” he says with a laugh. “It sounds ridiculous, but it’s true. As much as I dislike disco, I can thank it for what I’m doing today for a living.” It does sound ridiculous, and it is a true story. McKenna, an accomplished musician who has been playing in various bands since he was in junior high school, was living in Phoenix, Arizona, and playing six nights a week with a successful local
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Putting Marrow In The Bones

Putting Marrow In The Bones

March 1, 2022 | by

“I used to sit at Clark’s desk and draw. Who does that?” Acclaimed Western sculptor Richard Greeves is reminiscing about his childhood in St. Louis, Missouri, and yes, he’s talking about that Clark: Captain William Clark, of Lewis and Clark. Greeves’ childhood home, a stone’s throw from the Louisiana Purchase celebration grounds, afforded him the opportunity to serve as an unpaid gofer at the Missouri History Museum where he would rummage through the archives and make himself comfortable on the explorers’ furniture. “Back in those days, nobody thought much about it,” he says with a laugh. “They just thought of
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The Studio of Doug Monson

The Studio of Doug Monson

January 1, 2022 | by

If you happen to find yourself wandering through the galleries in Jackson Hole, Wyoming, do yourself a favor and venture an hour and change down US 89-S to Afton. Thanks to the hard work and bold, generous vision of wildlife artist and Afton resident Doug Monson, the little town—population 2,000—is finding a place on the map for artists and collectors alike. Monson and his wife Donna have been enamored with Afton since they visited it four years ago while searching for studio space. “It’s in a beautiful valley, a high mountain valley,” Monson says. “It’s just a really good area,
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Beautiful Blendings

Beautiful Blendings

November 1, 2021 | by

Acclaimed sculptor James G. Moore—Jim to friends, family, and a growing population of enthusiastic collectors—is leading a very good life, enjoying a mix of work and play that any creative person would envy. “My great joy is to be on the water,” he says. “I kayak; about twice a week I’m on some kind of boat.” On the days Moore isn’t paddling one of two nearby rivers (both the Wenatchee and the Columbia flow an easy drive from his home), he’s apt to be in one of his two studios. “My metal shop is where I make all the racket,”
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A Spiritual Connection

A Spiritual Connection

September 1, 2021 | by

It’s a Monday morning in late May, and Linda Mutti is feeling lucky. “I am gonna paint today,” she announces jubilantly. “And then I’m doing a mentoring class, and then I’m going to hang with my two little rescue dogs. They’re very yappy, but I adore them. They like to come hang out in the studio.” If Mutti’s day doesn’t sound sufficiently idyllic, consider this: The studio in question is on the second floor of her home in Santa Barbara, California, with a panoramic view of the Santa Ynez Mountains. If she feels like painting outside instead of in the
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Living Her Dream

Living Her Dream

July 1, 2021 | by

If you are considering taking up painting, Dallas-based oil painter Susan Temple Neumann has three words for you, delivered in a soft Texas drawl: “Go for it.” Maybe you think you’re too old, too established in your current career, too untrained, or lacking in the necessary workspace and supplies. In that case, Neumann has two more words for you: “No excuses.” She considers her own story proof that anyone with some talent and drive can at least have a go at being an artist. “I was in my fifties before I even thought about going down this path,” says Neumann,
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Order and Chaos

Order and Chaos

May 1, 2021 | by

If you want to know about Brett Scheifflee’s artistic philosophy, talk to him about tennis. “If you are trying to control everything too much, you’ll never get your best form,” says Scheifflee, who’s been working to improve his tennis game for just about as long as he’s been painting professionally. “That’s something I can reference with painting. If you hang onto it too tight, it’s never going to be perfect. The only way to achieve perfection—or something close to it—is to let go. Stop trying. Open yourself up and be free, and somewhere in there you’re going to find the
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Untold Stories

Untold Stories

March 1, 2021 | by

If you look for dogs in most traditional Western art, you tend to find them in the lower left-hand quadrant. They’re sitting at the feet of a cowboy in front of a roaring campfire, or they’re poised just out of kicking range of a horse at the center of the canvas. Their eyes tend to be looking at the focal point of the painting—a human being, a larger animal, an important event they’re witnessing. Their eyes tell the viewer where to look. They’re serving in their traditional role as man’s best friend. Man remains at the center. Not so with
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