Working in his studio—a 2,000-square-foot space located about 100 feet from his home in Ojai, California, Logan Maxwell Hagege creates award-winning paintings that vibrate with color. Through his use of limited detail, he invites viewers to interact with his images, to become actively engaged as they fill in spaces that he has purposely left unfilled. “I’m trying to see how little I can put in and still get the point across,” Hagege says. “My paintings are interactive; viewers use their imaginations. They play a role in how the painting is seen.” Hagege was born and raised in California and studied
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Archives for Hagege, Logan
Western Art: An Evolving Story
In the late 19th century, Western artists were, in essence, historians of the American West. James Catlin, Hudson River School artists Albert Bierstadt and Thomas Moran and others created realistic paintings that told the story of Indians, white pioneers, and unspoiled landscape. Other well-known artists, such as Frederic Remington and Charlie Russell, expanded the genre into action scenes depicting the disappearing Wild West. In more recent history, illustrators such as Howard Terpning, Frank McCarthy, Bob Kuhn, and Howard Rogers, continued to document the Western story, but from a more contemporary standpoint. Does that mean there is a Western art revolution,
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An Exciting Adventure
Last fall was an especially memorable time for Logan Maxwell Hagege, whose surname hints at his French ancestry. He married Misty Zollars, who owns a denim company that makes women’s jeans. And he earned the Best of Show Purchase Award at the 2015 Quest for the West Exhibition at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana. His colorful Native American image, Land With No Time, is now included in the museum’s permanent collection. Hagege also is a regular participant in the Masters of the American West exhibition at the Autry National Center for the American
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My Voice is Coming Through
When Logan Maxwell Hagege takes a road trip to one of the deserts around his Southern California home, he doesn’t notice the endless grains of sand. He doesn’t see each of the individual rocks scattered around the landscape. He\’s not impressed by the wispy, feathery clouds drifting across the bright blue sky. Instead, he focuses on a single white cloud, a wide, flattened mesa, a sea of golden sand. Logan Maxwell Hagege (California) Between The Sage And The Sky Oil 40″ By 60″ In my mind, the sagebrush that is found in the desert is as important as the clouds,
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