You might not recognize Simon Lok’s name, but you have almost certainly seen his work. If you watched any of Disney’s animated feature films in the late 1990s and early 2000s—“Mulan,” “Atlantis: The Lost Empire,” “Brother Bear,” or “The Princess and the Frog” to name just a few—you’re familiar with his use of color, light, and landscape to create a vivid and memorable palette and setting for those films’ characters and their adventures. Lok, who is listed in those films’ credits as Sai Ping Lok, was freshly graduated from art school at California State Long Beach when Disney hired
Read More