Posts by Clover Cameron

The Sculptor and His Village

The Sculptor and His Village

April 8, 2026 | by

  Loveland, Colorado-based sculptor Dan Ostermiller is hard at work on a new piece that will be part of a 50th anniversary celebration of his work at Nedra Matteucci Galleries in June. It’s a huge sculpture—nine feet long—and it’s somewhat unusual. “It’s 12 rabbits,” he says. “They’re all interacting with each other—jumping off this wall and running around it and sleeping on it, scratching their ears. All of them doing different things on it. It’s pretty cool.” In the world of wildlife sculpture, Ostermiller’s pieces stand out in a few key ways, including their sheer size and the virtuosity of
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Struggle, Hope and Beauty

Struggle, Hope and Beauty

February 4, 2026 | by

  California-based Chinese-American oil painter Huihan Liu loves the writings of Ernest Hemingway, particularly “The Old Man and the Sea,” so much that many years ago, he made an oil painting inspired by the book. “When I was in graduate school, we had a final project involving literature and painting,” he says. “And one of my paintings was The Old Man and the Sea.” There was something in the story that spoke to him, he says—the difficulty, the struggle, the endurance, the refusal to lose hope even in the face of crushing misfortune. Unlike most of his other paintngs, The
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The West Goes Pop

The West Goes Pop

December 8, 2025 | by

  Billy Schenck can’t draw, as he will tell you himself. “I was never a good draftsman,” he says. “I just can’t make stuff up and draw it from memory. I mean, I can draw cactus, I can draw trees, I can draw sagebrush—but hands, faces, horses? I have to use photographs.” Schenck isn’t being self-deprecating; that’s not his style, as he will also tell you. “I knew by the time I was 24 that I was going to alter the course of Western art, and that’s exactly what I did. So how about that for humility?” How does a
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Slow and Easy Does It

Slow and Easy Does It

October 8, 2025 | by

  Vicki Catapano’s paintings combine a mastery of brushstroke, color, exquisite realism, and authenticity. From the details of hand-braided hackamore of the Nevada buckaroo to the beadwork in Native American regalia, her work displays a passion and carefulness in preserving the ways of the Old West. “I’m such a slow painter,” Catapano says. “Getting the elements of the Native regalia and the hackamore or spade bit accurate are of utmost importance. Every detail in each painting is critical and has to be precise and correct.” Painting in the Old Masters style and technique of applying thin layers of paint, one layer
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Keeping It Fresh

Keeping It Fresh

August 7, 2025 | by

  “I don’t like clichés,” says Western artist Brett James Smith. He recognizes that his chosen genre is replete with familiar tropes: the backlit pastoral scene, the regal Native American chief, the faithful dog, the sunlit brook, the swaggering cowboy. Although you will find those landscapes and figures in Smith’s portfolio, he is determined to paint them in such a way that you won’t mistake his work for anyone else’s. “I’m always looking for a fresher look at any subject,” he says. “My number one priority is to do things that haven’t been done, or at least to bring something
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Renaissance Man

Renaissance Man

June 5, 2025 | by

Andrew Roda has quite a past—and a future that is glowing bright. He walked onto the polo team in college despite not knowing how to ride a horse. He did a lucrative stint as an East Coast investment banker before going to Hollywood and serving as Johnny Depp’s stand-in for a Tim Burton film. He’s hiked the Grand Canyon Rim-to-Rim-Rim in less than a day, and he’s done the Ironman a few times. Somewhere in between those adventures, he taught himself to paint— and he’s pretty darn good at it. Roda, at work in his backyard studio in Los Angeles,
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Plein Air Ambassador

Plein Air Ambassador

April 7, 2025 | by

Colorado Springs-based oil painter Kathleen Hudson’s hands are full. She has a thriving art career with a shelf of awards and a loyal following of collectors to show for it. She’s a mother of four children and takes joy in introducing them to the natural wonders that inspire her work. She’s also an avid traveler, continually on the lookout for new seas, skies, and mountains to depict in her epic landscape paintings. Hudson’s love for exploration is woven into both her personal life and her artistic vision. In college, she led backpacking trips through the White Mountains of New Hampshire,
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A Long and Winding Road

A Long and Winding Road

February 7, 2025 | by

“I’ve probably had a different journey to art than most artists,” says oil painter Lauri Ketchum, in what is actually a monumental understatement. “As a kid, I liked art and had an artistic brother, but I played basketball. I had nothing to do with art, didn’t pursue it whatsoever.” Ketchum’s decidedly uncreative path continued during her college years. “In college I thought, ‘I’ve got to do something that leads to a good job,’ so I went into accounting, which I always hated but which offered good career options,” she says. Three years after earning a degree in accounting from Oklahoma
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His Art Speaks for Itself

His Art Speaks for Itself

December 13, 2024 | by

Duke Beardsley doesn’t really have a name for what he creates. “People say things like the new West, contemporary West, all these things,” he says, while declining to offer his own alternative labels. “I never really think about what to call it.” Instead, Beardsley lets his art speak for itself—and it does, in repeating motifs, pop-art-reminiscent stylings and palettes, and other attributes that defy the conventions and expectations that surround Western art. As his eye-catching pieces find homes in ever-increasing shows and collections, he continues to push the boundaries. A few months ago, Beardsley was in his studio in Denver,
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A New Focus

A New Focus

October 9, 2024 | by

Many artists, when asked how they got started, will cite a parent or teacher who encouraged them, an artist they admired—someone who guided them to their vocation. For Western oil painter Jason Lee Tako, all of these influences played a role, and he is generous in giving credit to everyone who supported him on his journey. But, when he recounts his foundations, it’s clear that his first and best inspiration was nature itself and the simple act of sketching what he saw in the woods. “Growing up in rural Minnesota, I would get up at five in the morning and
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