Posts by Clover Cameron

Cowboy Storyteller

“I need a wife,” laments accomplished New Mexico oil painter JaNeil Anderson. She is mostly joking; she has been happily married to her husband Walt for many years, working side by side with him on their cattle ranch beside the Gila River. But, as she notes, it’s not uncommon for the wives of male artists to take on much of the ancillary work that surrounds making and selling art: marketing, framing, accounting, and other supportive and administrative tasks. “My men artist friends all have wives,” Anderson says. “The wife does all the show entries and all the paperwork; the men
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It’s Never Too Late

Arkansas oil painter Brenda Morgan’s artistic life currently is a tale of two buffalo—or maybe three. “It’s a long, sad story,” she says with a sigh. “The painting I’m working on is actually a replacement for the Woolaroc/Women Artists of the West Invitational Exhibition in May. I had two buffalo that were going to be in it but now I’m basically repainting one of them, painting the same painting. I varnished it, the same way I varnish all my paintings; I’ve used the same varnish for years. I don’t know what happened.” The varnish, Morgan says, got “a little weird.”
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The Studio of Gladys Roldan-de-Moras

Magic can occur anywhere. Take, for instance, a busy street in San Antonio, Texas, with five lanes of traffic rushing past a bustling neighborhood of restaurants, doctors’ offices, and an upscale grocery store—where the businesses give way to residential blocks with a sleek, white, modern house that sits behind a cinderblock wall. Unlike the surrounding houses, this one doesn’t sit neatly parallel to the street; it’s at a noticeable slant, facing squarely north. To step through the gates and into the foyer is to step into another world. The rear wall, composed of 15 five-by-seven-foot windowpanes, stretches up, embracing the
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Striking Gold

Harper Henry sees gold in everyday things, both figuratively and literally. Her stylized and visually rich depictions of animals and other Western subjects, some of them set against backdrops that incorporate materials such as gold leaf, represent the creative product of someone who is continually collecting and sifting through the things of day-to-day life, as she searches for a telltale glint of something precious. She’s always on the hunt for the proverbial flash in the pan—an expression that had its origin during the Gold Rush, a formative period in the very landscapes that inspire her art. “When an artist is
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Visual Diaries

“I spent my childhood on the East Coast, but I think I grew up here,” says Western oil painter Scott Yeager. Here refers to Woodland Park, Colorado, where Yeager and his wife Marie have made their home in the shadow of Pikes Peak for the past 15 years, but he could easily be referring to the West as both specific geography and more abstract concept. He’s come of age as an artist in the sagebrush, beside the rivers, on the flanks of the mountains. He’s camped and hiked, he’s hunted and fished, and all of his experiences in nature have
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Big Vision, Big Energy

To truly appreciate a piece of Brenna Kimbro’s art, you first have to back up, way up, taking in the full scope of the thing. Then you have to get up really close, cheek to jowl, observing the fine details that comprise the entire creation. Zoom out, panning from nose to tail; zoom in, picking up the dancing of hooves, the flare of a nostril. These paintings and sculptures, many of them larger than life, are the work of an artist who clearly has no reservations about taking up space. “My tendency is to make things enormous,” Kimbro says. “I
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‘The Harder You Work, the Luckier You Get’

“It’s another day in paradise,” says sculptor and gallery owner Ken Rowe, savoring his view of Sedona, Arizona’s, snowcapped mountains. “We’ve been here 28 years now, and I never tire of it.” A self-described Arizona boy through and through, Rowe was born in Phoenix to an electrical engineer and an amateur painter—a combination Rowe credits as foundational to his art. “Growing up, without even knowing it, I had this wonderful influence of the mechanical aspect of life through my dad’s career and the artistic pursuits from my mother’s side.” Although his mother never made a career of her painting, she
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Tuning In

Oil painter Kimberly Beck kicks off most workdays with a three-mile walk. “There’s a reservoir near our house and, if I get up early, I can get there and back and still get to work on time,” she says. “You see all kinds of birds there. You start to learn the regulars of the neighborhood. “Last summer, I caught Cooper’s hawks mating. The female was gathering all these twigs, and I figured out where the nest was. For the rest of the spring, I was able to observe the nest, until the male started charging me. I think he literally
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Renaissance Man of the West

Western artist Charles Dayton clearly recalls the exact moment art went from part-time hobby to potential vocation. “[Utah landscape painter] Karl Thomas came over to my house,” he says, referring to an event that took place more than 20 years ago. “He’d found out that I was doing some painting—just starting, just some basic things. “I brought out a couple pieces to show him what I was working on—I think it was a mule deer and something else—and he just got kind of quiet. I thought, ‘He’s figuring out how to let me know I shouldn’t quit my day job.’
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