Hours spent observing wildlife in its natural habitat during his youth in Wyoming instilled in Dan Ostermiller an affinity for animals. Working alongside his well-know taxidermist father, Roy, from early in his childhood gave Ostermiller technical skills that set him apart as a sculptor later in life. But, taxidermy was not something he cared for. “I grew up in that business, but never liked it,” he says. “However, it did give me a lot of tools I needed to become an artist.” Ostermiller never received any formal training, but he knew art was his future, and painting was his initial
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