The man walked into the gallery, studied several paintings, and then purchased one of Carol Peek’s paintings of a Holstein. “I have to have this painting,” he told the gallery staff member, “and I don’t even like cows!” It was a great compliment for Peek, who says, “I got him to feel something about a subject he never would have looked at before. Something I felt was transferred to him through paint. When people say, ‘I didn’t know a cow could be so beautiful,’ I love it, because they can feel that I loved painting it.” And that, she says,
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