The old saying that “good things coming in small packages” could very well be applied to the studio in which Montana-based sculptor David Lemon creates his legendary Western bronzes. The intricate design and historically accurate detail in each piece belies the fact that these captivating images are being brought to life in a working space not even as large as the average bedroom, an area that Lemon describes as a “cozy space, one in which he is comfortable responding to his creative muses. David Lemon (Montana) The Protector Bronze 26″ High
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Archives for 2017 July-August Issue
‘Plenty Left to Do’
Gerald Balciar and his wife Bonnie start every day with a walk around their property. They loop around the 10-acre plot near Parker, Colorado, three times, weaving between the trees they planted when they moved there 26 years ago. As they walk, Balciar counts bluebirds. “Most days we see eight or 10 of them,” he says. “When I get an idea, I grab a magic marker, a crayon, whatever I can find, and quickly sketch it out,” he says. “Sometimes, I just write it out. If I don’t, I’ll forget it, and I don’t want to do that.” Balciar has
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‘I Like a Sexy Surface’
“I’m fascinated with the allegorical—and the real—journey of life.” So says B. C. Nowlin of his powerful, colorful paintings, many of which are included in corporate collections throughout the country, as well as in private collections by the likes of Sophia Loren and Led Zepplin. “I am told that I paint journeys,” he says. “It’s more like a place that people pass through. They’re going out of darkness, toward the light. My paintings are a journey, something that pulls you forward, that goes through time or space. I’m generally an optimistic guy, so it’s always bright in the distance. It’s
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‘I Paint to Listen’
Montana artist John Potter does more than paint lovely landscapes and realistic wildlife. His art invites viewers to listen to the voice of the earth inside them. “The deeper message I hope to convey is this: Take the time to nurture and nourish your senses, your heart, and your spirit in the quiet dignity to be found in wild places and wild things,” he says. Potter isn’t a household name—yet—but he probably should be. His paintings ostensibly portray wildlife and nature. But, look closer. He’s not handing out trophy images of animals, birds, or benign landscapes; he’s offering a revelation.
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Making Connections, Seeing Patterns
“Painting is all about seeing,” oil painter Carolyn Anderson frequently notes. It’s a talking point in previous interviews, and it’s something she reiterates regularly to the intermediate and advanced art students, who attend her workshops. It’s also a concept absolutely essential to understanding her art, both in terms of creative process and end result. “Too many of us repeat that information without thinking about what that actually means,” Anderson says. “If it actually is all about seeing, it takes on a whole new level of importance.” Carolyn Anderson Before the Race Oil 12″x12″ “I like imagery with some kind of
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The Long and Winding Road
“I was an out-of-control child,” John DeMott says. “I was right-brain from the get-go. We would walk to kindergarten, and sometimes I wouldn’t make it to class, so my mother would come looking for me, and I would be catching butterflies. I did what I wanted to do, not necessarily what I was supposed to do. I have kind of marched to my own tune my whole life.” He has indeed. But, oh what a tune it is. Today, DeMott is a successful artist—and part-time musician—living in Loveland, Colorado, where he is surrounded by the natural beauty, the people, and
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