Archives for 2018 January-February Issue

The Studio of Kim Lordier

The Studio of Kim Lordier

January 15, 2018 | by

Until 2004, Kim Lordier created her brilliant paintings in a small bedroom at her home in Millbrae, California, just outside San Francisco. Today, she is happily at work in a structure that is separate from the house but is connected to it by a deck that features a myriad of colorful, potted flowers. The studio—which she refers to alternately as her “man cave” and “the shed”—suits her needs perfectly, offering a quiet, private space in which to work on the landscape paintings that have earned her a host of awards. Lordier has spent her entire life in California; in fact,
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‘Let There Be Light—and Color’

‘Let There Be Light—and Color’

January 15, 2018 | by

“Color and light are everything in a painting.” So says Tom Murray, whose paintings are proof of his belief in that statement. They are alive with color, whether he is depicting sundown over a canyon, spring in the desert, or the majesty of the Grand Canyon. Viewers are immediately drawn to the vibrancy of his work—red clouds, purple mountains, the explosion of color that is both exciting and mesmerizing. It’s no surprise that Murray’s paintings have captured the attention—and enthusiasm—of collectors throughout the country, who eagerly await each new work. Tom Murray Maricopa Point Vision Oil 64″x48″ “The majestic Grand
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‘I Love What I Am Doing’

‘I Love What I Am Doing’

January 15, 2018 | by

Although Tom Dorr ranks among the nation’s most prolific painters of Western art, the Phoenix-based artist, who was born in Chicago, Illinois, and spent his early years in Kansas City, Kansas, had little affinity for subjects west of the Mississippi. That changed, when his father’s employer, AT&T, transferred the family to Colorado Springs, Colorado, in the early 1950s. “I was about 12, when we arrived in Colorado, and by then I had already discovered my love for painting and drawing,” Dorr says. “At that time, there were still a lot of old farms and ranches in the area, so I
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Perfect Pitch

Perfect Pitch

January 15, 2018 | by

The thing about Gene Speck’s art is that, although it’s been dubbed realism, it goes beyond photorealism; it becomes your reality. Once you see one of his paintings, you aren’t just looking at a picture; you’re in another time and space. Speck’s heart and aesthetic nature is inured in a simpler time, when fewer people roamed the earth and had the space to do so. As a result, his paintings reach out and touch the viewer with palpable beauty and reality that in our hurried and fragmented lives seem to be long lost. Speck’s ability to immerse himself in his
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Doing it His Ways

Doing it His Ways

January 15, 2018 | by

Greg Woodard has been known as a carver, a sculptor and a falconer. He’s worked with wood, clay, bronze, and concrete. And he’s created everything from eagles and buffalo to cowboys and past presidents. “I like adventure,” Woodard admits. “Not many of my pieces are like the last.” One of his recent pieces is a sculpture representing President Ulysses S. Grant and the $50 bill. It’s a concrete column with Grant’s head at the top and then the words on the bill depicted almost like petroglyphs below. Woodard calls it a totem, in part because it represents the importance that
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Joyful Creativity

Joyful Creativity

January 15, 2018 | by

Laura Robb’s still life paintings are anything but still. Magnificently composed and masterfully executed, they come alive with vibrant colors, an exciting blend of shapes, strategically placed light, and intriguing brush strokes. They are a visual feast that have earned Robb a myriad of awards and that continue to challenge and excite her as much today as they did 30 years ago. When it comes to choosing the objects she will include in her paintings, Robb focuses on visual values, selecting them based on their visual appeal rather than their narrative value. “The most important qualities I look for in
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Passion and Prestige

Passion and Prestige

January 15, 2018 | by

When you finish reading this article, take a moment to clear away all the background distractions you’re able to eliminate. Open the magazine, or your browser, to one of Z.S. Liang’s paintings. If you’re a collector fortunate enough to own one of his works, go stand in front of it. Take in, for a few minutes, the sun-washed faces and the buckskin-clad figures, the moody skies and the red earth, the fur-trimmed clothing and the high-spirited horses, the surrounding scenery. Do your best, knowing what you know about Native American history, to piece together the story you are witnessing. Every
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