Archives for 2018 July-August Issue

Three-Dimensional Delights

I made my first—and, as I recall, my last—attempts at sculpting when I was in elementary school. Those “works of art” consisted of an ashtray—why, I don’t know; neither of my parents smoked—and an elephant with several holes on its back, strategically placed to hold pencils. I quickly learned that art was not my calling and turned to other endeavors. Fortunately for us, the five artists we feature here did not give up so easily. Of course, they had the talent—and the fortitude—to pursue their dreams of becoming artists and, in the process, have brought immeasurable joy to countless art
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Following the Light

Light glistening on the snowy banks of a river, illuminating trees, reflecting on water—no matter where he is painting, Tom Lockhart looks to the light, inspired by its brilliant, dramatic impact on the land. “I’m fascinated by the light—soft, warm, or bright—and how it affects the subject,” he says. Exceptionally talented at using light to showcase the natural beauty of the world, Lockhart captures the attention of viewers, urging them to share his wonder at what he sees before him, whether it’s the Rocky Mountains, the Grand Canyon, waterways, or farmlands. “I try to convey a sense of mood, a
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Heart and Soul

Exquisitely detailed and vibrantly personal, the imagery of Denver-based artist Jie Wei Zhou radiates the passion he feels for his subject matter, as he fulfills his mission to preserve the history and traditions of his Chinese homeland—one image at a time. From his earliest days, it was obvious that the young Shanghai native was destined to become an artist. With a sketchbook as his constant companion, the daily entries he made helped him to refine his understanding of form and light. When he was 14, he was one of only a few students singled out to receive individualized instruction at
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Realism with a Painterly Slant

Shawn Cameron can’t remember when she first began drawing horses. “I never decided I would be a Western artist,” she says. “It was just a natural outcome of my life. I painted or drew horses from—I can’t remember when I started! But from my earliest memory, I drew what I saw, and what I saw was horses and cattle.” A fourth-generation cattle rancher, Cameron grew up among horses, cattle, and working cowboys. She also grew up immersed in the arts. “My mother encouraged it, always,” she says. “She studied art and music herself, and my brother and I had professional
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Infusions of Light

Long before he became an artist, Jim Wilcox juggled three loves: product design, architecture, and painting. Because his high school didn’t have an art program, he funneled his creative energy into drawing horses and later competing in the Model Car Competition. He won third place in the auto design competition, which challenged boys to create the car of the future. “I did that for two years—1959 and 1960—and won the smallest award you could win, which was third place in Colorado, where I lived at the time,” he says, adding with a chuckle that there were probably only three contestants
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