Archives for Oil

A Visual Poet

A Visual Poet

September 19, 2016 | by

California artist Dan Pinkham wants to leave behind a legacy. Yes, his paintings will continue to be his spiritual voice into perpetuity, but he wants there to be more. His studio, a 16th century replica of the Italian Chapel that Michelangelo used as a studio when he painted the Sistine Chapel, will be that legacy. Pinkham and his wife Vicki, along with a nephew and fellow artists, have spent years refurbishing this relic. In fact, when they first saw the property, slated for demolition, it presented a daunting undertaking that neither Pinkham nor his wife felt inclined to tackle. Besides,
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‘There Was Always a Plan’

‘There Was Always a Plan’

September 19, 2016 | by

Patient and painstakingly precise as he creates masterworks in oil, Canadian artist Bruce Lawes evokes an equally dedicated passion when it comes to shaping his own artistic destiny. His first painting sale at the age of 12 confirmed his innate artistic abilities, but the direction that talent would take was not clarified until six years later, when his father brought home a stunning coffee table book titled “The Art of Robert Bateman.” “I was absolutely mesmerized by his imagery,” Lawes says. “It brought my love for nature into focus and defined my goal to be able to paint like Bateman
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Putting Light Into the World

Putting Light Into the World

September 19, 2016 | by

“I try to be attentive, as I walk through life. It’s a spiritual thing for me, as well as an artistic thing. I see inspiration as God’s gift to humanity. You just have to be open to it and tap into it. Painting is my way of saying ‘Amen’ visually, of saying I’m in agreement with the beauty and mystery of this world.” Those “amens” have not gone unnoticed by art lovers, who eagerly collect the paintings Michelle Dunaway creates, paintings in which she skillfully shares her love of the world—its people and its land. In each, she finds stories
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I Just Have To Paint It

I Just Have To Paint It

September 19, 2016 | by

Jim Norton was, as he puts it, “scared to death.” He was pale and had a terrible headache, but he stood by his paintings, with a smile on his face, determined to suffer through what he anticipated was going to be a rather humiliating experience. The cause of Norton’s distress was his first showing with the prestigious Cowboy Artists of America (CAA). He was elected into membership in 1989, when he was just 34 years old, and was overwhelmed by the company he would be keeping—artists such as Howard Terpning, Robert Pummell, Roy Andersen, Jim Reynolds, and Ken Riley. Jim
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The Studio of Jesse Powell

The Studio of Jesse Powell

September 19, 2016 | by

Last spring, California artist Jesse Powell moved his studio from Cannery Row to the Barnyard. Yes, you read that right. But, it’s not exactly what you might think. He spent eight years in a studio in the historic American Tin Cannery Building on Cannery Row in Monterey, California. That studio looked out on the Pacific Ocean from the third floor of the former home of one of the sardine canneries that had sprouted up during the 1920s and 1930s. The 12-foot-tall windows let in plenty of natural light, and the view was spectacular, but when a space opened up in
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Impressionistic Naturalism

Impressionistic Naturalism

July 19, 2016 | by

Matt Smith has been selling his paintings since the early ‘80s, when he was just 17, but when asked when he realized that he really was an artist, he laughs and says, “I don’t know that I am yet. I know I’m a painter, but I don’t know if I’ve graduated to really being an artist. I’m continually trying to improve and take it to the next level.” Smith’s paintings have earned him inclusion in several prestigious art shows, including the Prix de West and Masters of the American West, and are eagerly sought after by art enthusiasts from around
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The Quiet Side of the West

The Quiet Side of the West

July 19, 2016 | by

When it comes to subject matter, Wyoming-based painter Ann Hanson’s inspiration lies just beyond her studio door, in and around her hometown of Shell. Named not for the mega oil company, but rather for huge deposits of prehistoric Ammonite fossils, the tiny rural community (population 84) traces its earliest heritage to the traditions of the Crow Indians and later to the pioneer ranching families that settled in the beautiful Big Horn Basin. Inspired by these cultural influences, Hanson creates highly detailed vignettes of daily life that go beyond mere imagery to capture the heart and soul of today’s West. By
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‘My Thing is the City’

‘My Thing is the City’

July 19, 2016 | by

It’s Friday evening, dark and rainy, and you’re caught in a traffic jam in the city, grinding your teeth and muttering a few expletives after a long, tiring week at the office. While you’re fuming, standing outside, armed with his camera, is Mark Lague, a Canadian artist, who finds beauty and excitement in painting scenes such as the one in which you find yourself trapped. “I’ve always been attracted to the city thing, but mostly on a visual level,” Lague says. “I love to paint cars, traffic jams, and the architectural elements around it.” And he does so beautifully, injecting
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Trusting His Vision

Trusting His Vision

July 19, 2016 | by

By Utah artist James Morgan never for a moment questioned his destiny. He would be an artist. Yes, there were challenges along the way, but anything worth doing often comes with some trials, and he was not deterred—slowed down, maybe, but not deterred. Although he uneasily glosses over the time he spent working days at a piano factory (something he’d like to forget entirely) and nights at his easel, it’s clear that Morgan has earned his credentials. The rewards have been worth it. And Morgan admits that working in that piano factory got him over a financial hump, while he
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Following His Heart

Following His Heart

July 19, 2016 | by

For many people, “follow your heart” is a naively optimistic slogan on a motivational poster. For artist Mian Situ, it’s a proven life philosophy. “I have a daughter,” he says. “She’s in college, and she always talks with me about what she’s going to do. She’s in her junior year, and she still doesn’t know what she’s going to do. Every time she asks for my opinion, I tell her, ‘I can’t tell you what to do; you have to do what you like. Other people will tell you what has good earning potential, what will make you lots of
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