Archives for Oil

Identifiable Art

Kim Wiggins has spent the past 18 months preparing for an upcoming one-man show at Legacy Gallery in Scottsdale, Arizona, in November. He’s completed 25 new works, including an eightby-six-foot centerpiece that took him almost four months to finish. Preparing for this major solo show has given Wiggins reason to reflect back on the first show he ever participated in. It was 1983, and he had recently been invited to join the Society of American Impressionists. Twenty-five at the time, he was the youngest artist in the group. Wiggins was delighted to attend the society’s annual show in St. Louis,
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A Walk on the Wild Side

The influence of one artist on another can be gradual, something that develops and reveals itself over years. In the case of Kathryn Ashcroft, it happened much more abruptly. That came about in 2015, when David Koch, a painter living in Utah, asked her to help him with a mural project that was going to be displayed at a church building in Montreal, Canada. During the 10 years before she got that request, Ashcroft was creating realistic oil paintings of wildlife that were exercises in precision, with every hair and feather in place. Koch wanted her to paint some animals
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A New Focus

Many artists, when asked how they got started, will cite a parent or teacher who encouraged them, an artist they admired—someone who guided them to their vocation. For Western oil painter Jason Lee Tako, all of these influences played a role, and he is generous in giving credit to everyone who supported him on his journey. But, when he recounts his foundations, it’s clear that his first and best inspiration was nature itself and the simple act of sketching what he saw in the woods. “Growing up in rural Minnesota, I would get up at five in the morning and
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The Romance of the West

Dakota Pitts is on a self-guided journey that began 11 years ago, when he was 23 and took a life drawing class at City College in Long Beach, California. That journey has taken him around the world and has landed his paintings in some impressive art shows and galleries. Pitts’ love of the outdoors traces back to his childhood. Growing up in Long Beach, he spent most of his time drawing, surfing, and skateboarding. “I just wanted to be outside,” he says, adding that he still does. Following his high school graduation, Pitts moved up the coast to Santa Barbara,
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The Studio of Lori Putnam

Nestled on a five-acre plot of land in rural Charlotte, Tennessee, Lori Putnam is living the dream in her 1,800-square foot studio. The open design of the studio’s structure also boasts a 700-square-foot loft that serves as living space for Putnam and her husband Mark. Looking at the building from the outside, you would assume it’s just another house but, once you walk through its doors, you realize how wrong that assumption is. The openness of the home and studio gains perspective when Putnam says there is only one door inside: the one that leads to the bathroom. Putnam and
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Living History

“To be a frontiersman, I thought I needed a horse and a rifle,” artist Doug Hall says of his childhood in southwest Missouri, where he did his best to imitate his heroes, Daniel Boone and Simon Kenton. That meant spending his days in a tipi in his parents’ backyard and, at age 15, skipping school to buy a flintlock rifle. “I’ve been shooting one ever since,” he says. That story is a fitting example of how Hall has lived his life, bucking convention in favor of the way things used to be. He has won black powder rifle matches, roamed
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‘It’s Been a Wondrous Career’

Jack Sorenson remembers the day his cowboy lifestyle collided with his dreams of being an artist. He was 9 years old and helping to break a horse on the family’s dude ranch and frontier town located on the rim of the Palo Duro Canyon—not far from Amarillo, Texas. He remembers being bucked off that horse—and he remembers what he was thinking as it happened. “Between the time I left the saddle and the time I hit the ground, I had the thought to protect my right arm,” Sorenson says. Now, as he turns 70, the toll of all the tumbles
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Storyteller With a Brush

Patrick Saunders has worked at a variety of jobs, from marketing and teaching to a stint as a Hallmark artist. Today he is a fine artist who paints everything from pet portraits to landscapes to florals. It took quite a while for him to get to where he is today but the route was well worth his effort. One thing that    hasn’t changed over the years, however, is his focus on telling stories with his art. Saunders, who lives in San Antonio, Texas, has earned a myriad of awards for his work, including a gold medal from the Oil
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Born to Be an Artist

“I like to live as much of what I’m going to paint as possible, so I do a wagon train every year,” says Sandpoint, Idaho-based oil painter Julie Jeppsen. She doesn’t mean that she paints a wagon train every year; she means that she organizes and directs an entire real live wagon train—and then she paints it. “We live out in the wagon, with a team of horses pulling it,” she says. “My kids are all involved in it, and so are my grandkids. It’s an experience I can have with them. Last year, on our wagon trip, we had
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Following Her Heart

Don’t try to pidgeon-hole Jennifer Johnson—or her art. Her subjects are varied, but her goal with each is the same: to celebrate the past. She captures nature’s vibrancy with bright, bold colors, pays tribute to the charm of the 1930s and 1940s, and shares her love of wildlife. “All of my paintings have a story from my own experiences, stories told to me by my parents and grandparents and even people I meet at art events who share their adventures,” Johnson says. “When it feels right in a piece, I love to include a touch of whimsy and humor because
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