Archives for Oil

A Family Affair in Great Falls

Fifteen shows, hundreds of artists, and dozens of events —that’s what makes Western Art Week in Great Falls, Montana so appealing. This year, there’s another key stat for the Winborg family: three generations of artists from the same family, who share the same studio space, all participating in Western Art Week. Larry C. Winborg, his son, Jeremy Winborg, and Jeremy’s daughter, Swede Winborg, will all be in attendance. “We’re a family of artists,” Larry Winborg says. The patriarch of this art family, Larry has been an artist for over 60 years, and has been participating in Western Art Week for
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The Studio of Michael Ome Untiedt

When he was a college student in the 1970s, Colorado artist Michael Ome Untiedt attended a lecture by Jacob Bronowski and remembers to this day most of what the Polish-British mathematician and philosopher said. “I heard Dr. Bronowski say that it is not tools nor intellect nor language that separate us from all other species on the planet. The thing that separates us from all other species is the ability to pass on aspects of our culture through acts of beauty, which he defined as art,” Untiedt recalls. “That has led me my entire life. That’s why I’m committed to
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Letting His Voice Find Him

When we caught up with Andrew Higdon, the 27-year-old artist had just returned from his honeymoon with his wife Savannah. “When we first got engaged, I laid out my plan for the next 10 years [as an artist] in front of her, and said, ‘This is what this life looks like to me; are you down for this?’” he says. “She said, ‘Absolutely.’ I couldn’t ask for anyone better to walk this journey with.” Higdon credits many kind advisors for helping him put together a roadmap for his life at such a young age but he admits that his future
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A Celebration of Color

Erin Hanson has an energy that mirrors the paintings she creates. She shares the story of her life—and her work—and injects both with vibrant colors and textures that have captured the attention of collectors throughout the world. That’s no exaggeration; during the past 15 years she has sold 3,000 original paintings and countless prints. Collectors purchase her paintings as quickly as she completes them. One collector says that, every time he looks at the painting he purchased from Hanson, “it gets more and more beautiful” and that it will be his “get-out-of-husband-jail-for-free-card” for years to come because his wife loves
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It’s Never Too Late

Arkansas oil painter Brenda Morgan’s artistic life currently is a tale of two buffalo—or maybe three. “It’s a long, sad story,” she says with a sigh. “The painting I’m working on is actually a replacement for the Woolaroc/Women Artists of the West Invitational Exhibition in May. I had two buffalo that were going to be in it but now I’m basically repainting one of them, painting the same painting. I varnished it, the same way I varnish all my paintings; I’ve used the same varnish for years. I don’t know what happened.” The varnish, Morgan says, got “a little weird.”
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‘It’s A Fine Life’

“I’m 88 years old. I still love to paint, so I’m in the studio every day,” says Chuck Sabatino, whose paintings have been wowing art aficionados for almost four decades. “I also love to golf with friends and am not very good at it. They tell me, ‘Stay home and paint!’” While Sabatino loves golfing, he loves painting more. That’s why he’s in the studio at his home in north Scottsdale, Arizona, seven days a week. He arrives there at 9 a.m. each day and works until about 2 p.m., following that with reading and doing research for future paintings. 
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On the Road

On some level, Linda Lillegraven has been drawn to the wide-open spaces of the Western landscape for most of her life. She remembers visiting national parks with her family when she was a child. When they’d stop at an overlook and get out of the car to take in the view, she’d see her dad’s face light up. “He’d say, ‘This is God’s country,’” Lillegraven says. “The enthusiasm he had, the love and reverence—he really loved the big open spaces, and I think I caught that from him.” The idea of painting those spaces didn’t occur to her, however, until
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The Power of Paint and Prayer

Alfredo Rodriguez is a master painter who delights in capturing the faces of Native Americans, pioneers, cowboys, miners, and children and letting those faces tell stories. He is particularly drawn to the faces of old people, saying, “The wrinkles, the expressions, tell the story.” But he is also drawn to the innocence, the “cleanliness of the souls” of children. No matter who or what he is painting, he does so with unbridled talent. There is one face Rodriguez has painted that he will remember forever: an official at the American Counsel in Tijuana, Mexico. In 1970, while applying for a
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The Road to Western Wildlife

Carol Lundeen’s love affair with animals of the West began in the 1970s. During a family trip to the Black Hills in South Dakota, she was fascinated by the bison and herds of pronghorn she saw there. “Everywhere you’d look, you could see herds of pronghorn running over the land,” she says. “I was so impressed with their beauty.” It would take many years for art and the fascination with Western wildlife to combine and become a focus for Lundeen. But, here she is today—enthusiastically capturing in oils the animals that made such an impression on her when she was
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Simplicity and Complexity

Rick Kennington grew up in environments much like those he paints: seemingly endless spaces, mountain backdrops, blue skies, and the steady resolve of cowboys and others whose lives are quietly, solidly entwined with the West. A lifelong resident of Utah, living near the Wasatch Mountains, Kennington’s parents were both from Star Valley, Wyoming, and he spent much of his childhood visiting his grandfather in that area. That’s when the painting began. From his first painting, when he was 18, of his grandfather on a horse, it’s been an ongoing pull toward portraying that life and lifestyle that has kept Kennington
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