Archives for Oil

The Power of Paint

Before Brad Teare was a professional illustrator, before he was an abstract artist, and before he became the revered Western landscape painter he is today, he was the drummer in a rock band that had one particular revelatory night. Gigging in and around Oklahoma and Kansas with a lot of original music in their repertoire, the band, Frostfire, was playing one of its own songs in a rowdy, rough, and noisy bar. As their song continued, the noisy patrons grew less so, paying more attention to the band. When the song ended, the house erupted in applause. While most of
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The Studio

Kyle Polzin’s studio at his home in Austin, Texas, isn’t a grand, architectural space but it suits him just fine. A former study, the room is just off the entryway to the home he shares with his wife Leigh and their two teenage daughters. Surrounded by oak trees, his house sits on one-and-a-half acres of property in a quaint neighborhood that overlooks Austin and the surrounding hill country. Earlier this summer, Polzin was hard at work in his studio, preparing paintings for a show he’ll have in September at Legacy Gallery in Santa Fe, New Mexico. The painting resting on
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‘I Love Beauty’

Larry Riley pulled back a bit from painting a few years ago but he didn’t pull back from creating. During COVID, when galleries were closed, he turned away from his easel and began to make classical guitars. It wasn’t the first time during his 76 years on earth that he veered from the road he was on and let his curiosity lead him. He’s taken chances—and reaped rewards—by mapping his own route. In 1982, after spending nine years taking care of people’s teeth, Riley sold his dentistry practice and turned to fine art. Later, after spending about 40 years as
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Changing Lanes

Wyoming sculptor and painter, J. C. Dye, says an artist needs two lifetimes: one to master the art of sculpting and painting and another to reap some rewards. As a 76-year-old who has enough experience to fill at least two lifetimes, one reward is being recognized as one of the top sculptors in the United States. He’s earning kudos for his paintings as well, something he turned to when foundries began closing, and he found himself waiting up to a year to have a sculpture cast. Dye’s years as a rancher provided with him with intimate knowledge of the cowboy
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A Noble Pursuit

Amy Lay admits that it took her a few years to recognize the value of the art degree she earned from Eastern Oregon University in 1994. At the time, most of the faculty members were interested only in abstract art and didn’t appreciate her passion for wildlife and nature. Since those were the only subjects that interested her, Lay often felt that her instructors snubbed her. But there was one professor who encouraged her to take the time to explore and to develop her own style. Thirty years later, the style that emerged from that exploration has become the hallmark
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The Studio of Joseph McGurl

Just off Upper Cape Cod, Massachusetts, is a small stretch of land called Amrita Island, where Joseph McGurl has lived for almost 30 years. It’s also where he has his studio and paints landscapes of both the East Coast and the West Coast. That stretch of land has a history as colorful as McGurl’s paintings. In 1867, British immigrant Thomas Baxendale and his wife Esther purchased the land and built a mansion and several “cottages.” Those structures housed visiting scholars from Harvard University, who would present seminars on world peace, children’s issues, animal welfare, and other concerning topics. Today the
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Living Her Dream

At this year’s Art of the Cowgirl event in Queen Creek, Arizona, Chinese-born still life painter Yun Wei earned the title of Reserve Champion of the Quick Draw—a competition in which artists rapidly complete a painting on-site. Her winning piece features an intricately detailed leather saddle, the sort of subjects she has fallen in love with since moving to California more than a decade ago. “When I began painting Western subjects, I posed a saddle on the table, and a gallery owner told me not to do that,” Wei recalls. “She said, ‘You can put it on a trunk, or
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Cowboy Storyteller

“I need a wife,” laments accomplished New Mexico oil painter JaNeil Anderson. She is mostly joking; she has been happily married to her husband Walt for many years, working side by side with him on their cattle ranch beside the Gila River. But, as she notes, it’s not uncommon for the wives of male artists to take on much of the ancillary work that surrounds making and selling art: marketing, framing, accounting, and other supportive and administrative tasks. “My men artist friends all have wives,” Anderson says. “The wife does all the show entries and all the paperwork; the men
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Kindred Spirits

Matthew Hillier and Julia Rogers have a special connection. They share a love of wildlife, landscapes, and water. They respect each other’s talent and cheer each other on. And, they’re married—to each other. The two met at an art show in Tacoma, Washington, in the 1990s and continued to connect at other shows for a few years before they began long distance dating. At the time, Hillier was living in Florida, and Rogers was living in Chesapeake Bay, Maryland. They married in 2001 and lived in a suburb of Washington, D.C. for a time, but Rogers missed living in Chesapeake
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Riding New Waves

Daniel Keys is successful, inspired—and inspiring. He’s earned prestigious awards for his paintings, which are included in collections throughout the world, and is inspired by the beauty around him. He’s also generous, giving back through two programs he developed to encourage young artists: the Sierra Art Group and the Palette Project. He got the idea for both programs while painting with the late master artist Richard Schmid, who had formed the Putney Painters on the East Coast. “I wanted to replicate that, so I started the Sierra Art Group,” Keys says, adding that the group paints together at A Sense
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