William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Archives for Oil
Anything is Possible
“It’s incredible how magical the desert is when you go with the intention of self-reflection,” says Colorado artist Anna Rose Bain, who began a tradition of taking solo trips to the California desert when she was struggling with severe adrenal fatigue just before the start of COVID. “I found that I was getting burnt out at least twice a year, to a point where it was affecting my health and my relationships,” says Bain, who balances painting with raising two young children and practicing CrossFit, a high-intensity fitness program. “I started going to the desert to recharge and meditate and
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A Burning Obsession
As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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“I Paint What I Love”
The vibrant images of Douglas Aagard’s landscapes radiate a joy that conveys his love for everything from flaming red and gold leaves in the fall to the azure blue of a meandering stream to the lushness of a mountain valley. He loves it all and captures it brilliantly. The 54-year-old artist was born in Utah but grew up near Corvallis, Montana, in the shadow of the Bitterroot Mountains. “Evenings were my favorite time of day because I could watch the changing colors of the valley as the sun set behind the mountains,” he says. During summers at his grandparents’ sheep
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The Studio of Len Babb
In the almost-darkness just before sunrise, a retired cowboy emerges from his house and silently walks the short distance to a small, tidy log building with a sheltered porch. He takes a seat near the handmade door, easing his old bones onto a bench created from a split log. There, with Oregon’s high desert spread out before him and the sun coming up pink beyond the distant dark mountains, he makes his preparations for the day. Once inside, he builds a fire in the little, round wood stove in the corner, warming his hands before the flames. In the thin
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Disco Drove Him to Art
Ask Oklahoma City-based oil painter Kenny McKenna what kick-started his career, and he will tell you, in all seriousness, that it was disco. “This is a true story,” he says with a laugh. “It sounds ridiculous, but it’s true. As much as I dislike disco, I can thank it for what I’m doing today for a living.” It does sound ridiculous, and it is a true story. McKenna, an accomplished musician who has been playing in various bands since he was in junior high school, was living in Phoenix, Arizona, and playing six nights a week with a successful local
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A Lifetime of Experimentation
If you spend enough time looking at Stan Davis’ art, you will understand who he is. You will understand how he’s evolved as an artist, how his experiences have led him to exactly where he is now, how his artistic influences have converged in his body of work. You will understand why he feels more creatively alive than he has ever felt before. “This is the most creative thing I’ve ever done,” Davis says from his home in Perry, Florida. “It absolutely draws every ounce of creativity out of me.” “This” is the mixed-media collage that is part of the
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Finding—and Sharing—Beauty
“There is so much ugly going on in the world that you need somewhere to find beauty.” So says Pat Meyer who is helping people do just that with her stunningly vibrant paintings of flowers, landscapes, and ballerinas. Her works have earned a myriad of awards as well as invitations to exhibit at prestigious art shows. She is especially proud that she is a signature artist with the National Oil and Acrylic Painters of America (NOAPS), is a member of Women Artists of the West (WAOW), and has won Best Floral awards with both groups. For most of her life,
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Quality Over Quantity
It is no surprise that some people might wonder if R. S. Riddick has retired. He has not. In fact, the nearly 70-year-old artist has been very busy making some of his most meaningful work ever. He has also acquired a new ranch studio and a clear perspective on the messages he wants to pass on through both his art and his life. For more than 40 years, Riddick had made his home and studio in southern Arizona, though he has always had a genuine longing for mountains. “Your faith becomes alive there, nature becomes a profound teacher, and people
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The Studio of Ed Mell
For more than four decades, Arizona-based painter, Ed Mell, has charmed the public with his vibrant images of the Sonoran Desert and the Colorado Plateau. The beauty and veracity of his paintings give testimony to his love of his native surroundings. Born in Phoenix, Arizona, Mell grew up in what was then just a small desert oasis, leaving when he enrolled in the Art Center School of Design in Los Angeles, California. After completing his courses in 1967, he accepted a position with a large advertising firm in New York City. A year later, he and a friend started their
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