Archives for Figurative

A Compelling Medium

With its mix of pigments and powders, pastel preceded all other mediums. The proof is on the walls of caves painted with mineral oxide pigments. Pastel is the only medium for painter and mountaineer Nori Thorne, a longtime collaborator with nature and paint. From the gritty, finger-staining application to its flexibility and even its fragility, pastel is the mode of choice for Thorne, who finds herself celebrated in a genre often associated with large-format oils or bold acrylics. “We’re really the red-headed step-children of the art world,” she says. “But pastel has been around since we were humans. That’s what’s
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Looking to the Skies

Canadian artist Ross Buckland developed his love of the land while growing up on a farm in Ontario. “I was always looking at the sky or at the colors on the ground,” he says. He’s still looking at the sky and the ground but now he’s sharing what he sees through his paintings of landscapes, wildlife—and airplanes. “Aviation became a passion for me, and so did drawing,” Buckland says. “For summer vacations we would go to visit our grandparents in Calgary. The airplane flight was the most exciting part of it. I wanted the window seat so I could see
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The Adventure Continues

Last fall, Lee Alban took a trip to Jackson Hole, Wyoming. Although he and his family had traveled through the Tetons back in the 1970s and had explored some of the National Parks out West in the early 1990s, he hadn’t yet been to Jackson Hole. The purpose of the trip was to participate in the National Oil and Acrylics Painters Society’s Best of America exhibition. It was Alban’s first trip to Jackson Hole, and he was eager to see the city and gather photographic reference materials he could use in future works. But it wasn’t just the quintessential beauty
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The Studio of Roseta Santiago

New Mexico artist Roseta Santiago is a storyteller. She has a seemingly infinite intellectual storehouse of anecdotes and people swirling around in her head that spill out in even the most mundane conversation. The same way that Santiago cultivates emotional connections with people and objects and infuses them into her art, she has also done so in her studio. In January, Santiago was hard at work preparing for a retrospective at the Woolaroc Museum & Wildlife Preserve in Osage County, Oklahoma. One of only 11 artists who will be featured at the show in October, she is thrilled to be
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The Beauty of Batik

Echo Ukrainetz starts each new batik piece with a black and white vintage photo, usually a portrait of a person with an expressive, interesting but not necessarily attractive, face. She sketches the photo, then traces her sketch onto high-grade cotton stretched on a frame and draws in the details of the face. Then Ukrainetz works, sometimes for more than a month, dying and waxing each section—the shirt, the pants, the boots, then the face, and finally the background—until her stretched cotton is as stiff as a piece of cardboard. She freezes it and breaks specific segments of wax before rubbing
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Cowboy Storyteller

“When I was 14 or 15, my school offered an on-location drawing class in the summer,” says Arizona-based artist Steve Atkinson. “I’d get up early in the morning and go down to Yellow Creek with my little sketch pad and transistor radio, and I can remember just thinking to myself, ‘If I could do this for a living, it would be Heaven,'” he recalls of that class. If the teenage Atkinson could see himself now, he would likely agree that his life has been Heaven. His paintings have earned him many honors, the latest being the People’s Choice Award at
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The Challenge of Watercolors

Joel R. Johnson candidly admits that painting with watercolors is a constant challenge. “Transparent watercolor is so different from all the other mediums,” he says. “At first, I was trying to paint in watercolors the way I did in oils, and that just didn’t work. It took me years to understand the technique of painting in watercolor and, especially, the properties of the paint itself.” Understanding the nuances of watercolors is critical to Johnson as he works. “The quality I am after in my paintings is that they glow, so I had to learn the differences between transparent, staining, or
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‘I’m Inspired by God’s Creation’

“I have to paint my vision.” So says Frank Ordaz, whose visions range from portraits and landscapes to cowboys and old trucks. He is so eclectic in his subject matter and style that a gallery owner once told him, “I don’t know where to put you; I don’t know how to sell you.” That gallery owner needn’t have worried because his paintings sell themselves, appealing to a similarly eclectic group of collectors. Simply put, Ordaz’s paintings cannot be labeled—and neither can he. Although he was trained as a fine artist when he was a young boy, Ordaz spent his early
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Beautifully Authentic

Monte Moore describes his art career as a large tree. After so many years as an illustrator—and so much more—he says, “I started growing another branch.” That new branch is his career as a fine artist who captures the people and wildlife of the West in a myriad of mediums, including acrylics, pencils, oils, bronze, and mixed media. The Colorado artist, who was born in Phoenix, Arizona, in 1971, considers himself blessed to have had parents who encouraged him and instilled in him a love of art, particularly Western art. A year after Moore was born, his father bought a
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‘I Will Always Have My Art’

If you walked into a particular Coeur D’Alene office building at 4 a.m., you would find Western artist Tobias “Toby” Sauer already hard at work. He faces an easel, surrounded by beaded moccasins, feathered headdresses, and a bear claw necklace that hang from the walls. Sauer began to make his own Native American accoutrements in late 2020 in order to correct inaccuracies he saw at reference photo shoots. “They would have women’s clothes on a man—and artists would paint it,” says Sauer, who conducts extensive research to ensure his creations are faithful to the cultures he depicts in his paintings.
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