Archives for Figurative

Pushing the Color

November 3, 2022 | by Clover Neiberg

“I do a couple of shows a year,” says New Mexico-based oil painter Mejo Okon. “The rest of the time, I’m just trying to do cool stuff.” That statement is not a hollow boast. Okon has just wrapped up a courtroom sketching gig for a high-profile trial in Colorado and is now back home in Albuquerque painting. She recently dabbled in acting as well, playing a courtroom sketch artist in the upcoming “Coyote vs. Acme,” an animated/live action movie. “Today I’m working on colorizing some of my seventy-plus drawings from the trial,” Okon says, going on to offer some background
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Capturing the Cowboy Culture

November 3, 2022 | by Joe Tougas

It’s not often you find common qualities with oil painting and bull riding—but you do when you meet Western painter Brandon Bailey. “It’s a lot of self-doubt and fear,” he says of bull riding. “There’s no one there to make you get on that bull. With art, it’s the same type of thing, whether you’re sitting at the canvas or walking into a gallery; it’s the same type of feelings and the same type of emotions you come across.” In the decade-plus since he left rodeo riding, Bailey has made a full-time living working as an artist, with things progressing
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The Studio of Joe Bohler

November 3, 2022 | by Myrna Zanetell

Having been raised on a 1,200-acre working ranch in northwestern Montana, it was not surprising that, as an adult, watercolorist Joseph Bohler would eventually make his home in a place with similar beauty and open spaces. Now living in Monument, Colorado, he and his wife Alaina try to visit his home state every year. “Every other year, I also head to South Dakota to do a little research,” he says. “There is a working ranch there that has a yearly event known as Artists’ Ride. They bring in all kinds of models–mountain men and Indians from various tribes. They can
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Beauty Abounds

September 1, 2022 | by Sara Gilbert Frederick

Three years ago, artist Howard Friedland and his wife Susan Blackwood—also an artist—moved from Bozeman, Montana to Bella Vista, Arkansas. The couple had lived in Bozeman since getting married in 1998 and loved everything about it—especially the spacious studio they shared in their home there. But they had grown weary of the heavy snowfalls that often extended into April and May and of the smoke from Western forest fires that made plein air painting a challenge during the summer months. When they visited Jeff Legg, an artist friend, at his home in the Ozarks, they realized that relocating to Arkansas
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The Studio of John Fawcett

September 1, 2022 | by Vicki Stavig

In late May, after a four-day drive from their home near Gettysburg, Pennsylvania, John and Elizabeth Fawcett happily drove through the gates to their home in Clark, Colorado. It’s an annual event that includes pulling a large horse trailer occupied by the couple’s two horses and all of Fawcett’s paint supplies. “We looked like the Beverly Hillbillies,” he says with a laugh. Located on a 52-acre ranch the Fawcetts named Double LL—which Fawcett says stands for Lucky (me) and Lizzie (Elizabeth)—the property is 25 miles north of Steamboat Springs. Willow Creek runs through the ranch and attracts deer and elk,
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An Artist on a Mission

September 1, 2022 | by Mary Nelson

As a young child, Joe Kronenberg drew voraciously. Today, as an adult, he is an artist on a mission. “As an artist in the 21st century, I strive to create paintings that embody the aesthetic and objective standards of the 19th century European academic art world,” he says. It’s a style he believes has been lost in an instant-gratification world. Growing up in the Pacific Northwest, Kronenberg filled his room—as well as the rest of the house—with realistic artwork of the area’s grandeur. In his mind, it was just a matter of time before he would become an artist. That
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Painting From His Soul

June 30, 2022 | by Vicki Stavig

William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Drive and Determination

June 30, 2022 | by Robyne Robinson

Crouched behind a wooden fence, tail down, ears perked, heart racing, he watches. His auburn fur blends into the fall grass and vines, a perfect camouflage from the danger galloping across the field, as horses, dogs, and riders in red coats are leaping, yelping, scrambling—all searching for him. A seasoned adversary, he knows not to move a muscle. He stays perfectly still, his eyes watching for clues to his next move—his chance to change his fate. Outfoxed is a spellbinding story of being hunted told by Ezra Tucker with acrylics on a three-foot board. He paints animals with so much
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Anything is Possible

June 30, 2022 | by Brandon Rosas

“It’s incredible how magical the desert is when you go with the intention of self-reflection,” says Colorado artist Anna Rose Bain, who began a tradition of taking solo trips to the California desert when she was struggling with severe adrenal fatigue just before the start of COVID. “I found that I was getting burnt out at least twice a year, to a point where it was affecting my health and my relationships,” says Bain, who balances painting with raising two young children and practicing CrossFit, a high-intensity fitness program. “I started going to the desert to recharge and meditate and
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A Burning Obsession

June 30, 2022 | by Sara Gilbert Frederick

As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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