Archives for Genre

‘I Like Variety’

Dana Lombardo has a 9 to 5 job, but it doesn’t take her far from her art projects. Both, in fact, are usually in the same room. Lombardo is a contract specialist for a hospital and lives in Grand Lake, at the foothills of the Ozark Mountains in the northeast corner of Oklahoma. Since the pandemic, she’s been able to work from home, setting up her office in her art studio. “It’s great because I can sit across the room and stare at [one of my paintings], and say it needs this or it needs that,” Lombardo says. “I can
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The Studio of C. Michael Dudash

C. Michael Dudash’s 2,100-square-foot studio is nestled on a scenic, five-acre lot in the small Irish city of Rathdrum, Idaho, a small town just north of Coeur d’Alene. Working with a contractor, he designed and built a beautiful studio, one that would stand out and have a certain “je ne sais quoi.” The interesting shape resembles a church from the outside and could easily be remodeled someday to accommodate a large RV by taking out two interior walls and adding a larger garage door. “That’s the way I designed it—a big main room,” Dudash says. “At its core, it’s a
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Where Function Meets Fine Art

Functional art, artwork that is both attractive and practical, is nothing new to the art world. Art glass vases, clay vessels, and even bronze door knockers or bookends apply. But these works don’t seem to be included in many shows. Last year, artist Eric Bowman made a splash at the Prix de West with his tetrapycht screen—and he’s doing it again at the Night of Artists at the Briscoe Museum this year.   Bowman, known for his stylized Western scenes, got the idea for the original screen from his love of craftsman furniture. “The idea just popped in my head one
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The Studio of Michael Ome Untiedt

When he was a college student in the 1970s, Colorado artist Michael Ome Untiedt attended a lecture by Jacob Bronowski and remembers to this day most of what the Polish-British mathematician and philosopher said. “I heard Dr. Bronowski say that it is not tools nor intellect nor language that separate us from all other species on the planet. The thing that separates us from all other species is the ability to pass on aspects of our culture through acts of beauty, which he defined as art,” Untiedt recalls. “That has led me my entire life. That’s why I’m committed to
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Letting His Voice Find Him

When we caught up with Andrew Higdon, the 27-year-old artist had just returned from his honeymoon with his wife Savannah. “When we first got engaged, I laid out my plan for the next 10 years [as an artist] in front of her, and said, ‘This is what this life looks like to me; are you down for this?’” he says. “She said, ‘Absolutely.’ I couldn’t ask for anyone better to walk this journey with.” Higdon credits many kind advisors for helping him put together a roadmap for his life at such a young age but he admits that his future
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It’s Never Too Late

Arkansas oil painter Brenda Morgan’s artistic life currently is a tale of two buffalo—or maybe three. “It’s a long, sad story,” she says with a sigh. “The painting I’m working on is actually a replacement for the Woolaroc/Women Artists of the West Invitational Exhibition in May. I had two buffalo that were going to be in it but now I’m basically repainting one of them, painting the same painting. I varnished it, the same way I varnish all my paintings; I’ve used the same varnish for years. I don’t know what happened.” The varnish, Morgan says, got “a little weird.”
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Blazing His Own Trail

During his 40-plus years as a photographer, David Yarrow has been held at gunpoint, chased by a hippopotamus, and suffered hypothermia when his raft capsized in the Arctic Ocean. No matter what he encounters in the field, however, it is the art world that keeps him up at night. “My biggest fear is to bore people,” he says. Yarrow’s life has been anything but boring. Born in 1966 in Glasgow, Scotland, his childhood love of sports led him to pick up a camera when he was a teenager. He learned his craft on the job while photographing local sporting matches
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The Power of Paint and Prayer

Alfredo Rodriguez is a master painter who delights in capturing the faces of Native Americans, pioneers, cowboys, miners, and children and letting those faces tell stories. He is particularly drawn to the faces of old people, saying, “The wrinkles, the expressions, tell the story.” But he is also drawn to the innocence, the “cleanliness of the souls” of children. No matter who or what he is painting, he does so with unbridled talent. There is one face Rodriguez has painted that he will remember forever: an official at the American Counsel in Tijuana, Mexico. In 1970, while applying for a
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Simplicity and Complexity

Rick Kennington grew up in environments much like those he paints: seemingly endless spaces, mountain backdrops, blue skies, and the steady resolve of cowboys and others whose lives are quietly, solidly entwined with the West. A lifelong resident of Utah, living near the Wasatch Mountains, Kennington’s parents were both from Star Valley, Wyoming, and he spent much of his childhood visiting his grandfather in that area. That’s when the painting began. From his first painting, when he was 18, of his grandfather on a horse, it’s been an ongoing pull toward portraying that life and lifestyle that has kept Kennington
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The Studio of Gladys Roldan-de-Moras

Magic can occur anywhere. Take, for instance, a busy street in San Antonio, Texas, with five lanes of traffic rushing past a bustling neighborhood of restaurants, doctors’ offices, and an upscale grocery store—where the businesses give way to residential blocks with a sleek, white, modern house that sits behind a cinderblock wall. Unlike the surrounding houses, this one doesn’t sit neatly parallel to the street; it’s at a noticeable slant, facing squarely north. To step through the gates and into the foyer is to step into another world. The rear wall, composed of 15 five-by-seven-foot windowpanes, stretches up, embracing the
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