Archives for Genre

Where Function Meets Fine Art

Where Function Meets Fine Art

March 20, 2024 | by

Functional art, artwork that is both attractive and practical, is nothing new to the art world. Art glass vases, clay vessels, and even bronze door knockers or bookends apply. But these works don’t seem to be included in many shows. Last year, artist Eric Bowman made a splash at the Prix de West with his tetrapycht screen—and he’s doing it again at the Night of Artists at the Briscoe Museum this year.   Bowman, known for his stylized Western scenes, got the idea for the original screen from his love of craftsman furniture. “The idea just popped in my head one
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The Studio of Michael Ome Untiedt

The Studio of Michael Ome Untiedt

February 8, 2024 | by

When he was a college student in the 1970s, Colorado artist Michael Ome Untiedt attended a lecture by Jacob Bronowski and remembers to this day most of what the Polish-British mathematician and philosopher said. “I heard Dr. Bronowski say that it is not tools nor intellect nor language that separate us from all other species on the planet. The thing that separates us from all other species is the ability to pass on aspects of our culture through acts of beauty, which he defined as art,” Untiedt recalls. “That has led me my entire life. That’s why I’m committed to
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Letting His Voice Find Him

Letting His Voice Find Him

February 8, 2024 | by

When we caught up with Andrew Higdon, the 27-year-old artist had just returned from his honeymoon with his wife Savannah. “When we first got engaged, I laid out my plan for the next 10 years [as an artist] in front of her, and said, ‘This is what this life looks like to me; are you down for this?’” he says. “She said, ‘Absolutely.’ I couldn’t ask for anyone better to walk this journey with.” Higdon credits many kind advisors for helping him put together a roadmap for his life at such a young age but he admits that his future
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It’s Never Too Late

It’s Never Too Late

February 8, 2024 | by

Arkansas oil painter Brenda Morgan’s artistic life currently is a tale of two buffalo—or maybe three. “It’s a long, sad story,” she says with a sigh. “The painting I’m working on is actually a replacement for the Woolaroc/Women Artists of the West Invitational Exhibition in May. I had two buffalo that were going to be in it but now I’m basically repainting one of them, painting the same painting. I varnished it, the same way I varnish all my paintings; I’ve used the same varnish for years. I don’t know what happened.” The varnish, Morgan says, got “a little weird.”
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Blazing His Own Trail

Blazing His Own Trail

December 11, 2023 | by

During his 40-plus years as a photographer, David Yarrow has been held at gunpoint, chased by a hippopotamus, and suffered hypothermia when his raft capsized in the Arctic Ocean. No matter what he encounters in the field, however, it is the art world that keeps him up at night. “My biggest fear is to bore people,” he says. Yarrow’s life has been anything but boring. Born in 1966 in Glasgow, Scotland, his childhood love of sports led him to pick up a camera when he was a teenager. He learned his craft on the job while photographing local sporting matches
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The Power of Paint and Prayer

The Power of Paint and Prayer

December 11, 2023 | by

Alfredo Rodriguez is a master painter who delights in capturing the faces of Native Americans, pioneers, cowboys, miners, and children and letting those faces tell stories. He is particularly drawn to the faces of old people, saying, “The wrinkles, the expressions, tell the story.” But he is also drawn to the innocence, the “cleanliness of the souls” of children. No matter who or what he is painting, he does so with unbridled talent. There is one face Rodriguez has painted that he will remember forever: an official at the American Counsel in Tijuana, Mexico. In 1970, while applying for a
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Simplicity and Complexity

Simplicity and Complexity

December 11, 2023 | by

Rick Kennington grew up in environments much like those he paints: seemingly endless spaces, mountain backdrops, blue skies, and the steady resolve of cowboys and others whose lives are quietly, solidly entwined with the West. A lifelong resident of Utah, living near the Wasatch Mountains, Kennington’s parents were both from Star Valley, Wyoming, and he spent much of his childhood visiting his grandfather in that area. That’s when the painting began. From his first painting, when he was 18, of his grandfather on a horse, it’s been an ongoing pull toward portraying that life and lifestyle that has kept Kennington
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The Studio of Gladys Roldan-de-Moras

The Studio of Gladys Roldan-de-Moras

December 11, 2023 | by

Magic can occur anywhere. Take, for instance, a busy street in San Antonio, Texas, with five lanes of traffic rushing past a bustling neighborhood of restaurants, doctors’ offices, and an upscale grocery store—where the businesses give way to residential blocks with a sleek, white, modern house that sits behind a cinderblock wall. Unlike the surrounding houses, this one doesn’t sit neatly parallel to the street; it’s at a noticeable slant, facing squarely north. To step through the gates and into the foyer is to step into another world. The rear wall, composed of 15 five-by-seven-foot windowpanes, stretches up, embracing the
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The Studio of Michael Blessing

The Studio of Michael Blessing

October 12, 2023 | by

Michael Blessing is working on a big project that he expects to complete next year. When it’s done, his evolution as an artist will hit a new level. Actually, it will hit two levels. Currently, it’s still in the blueprint stage—a two-level home studio with a view of the Alaska Mountain Range near Anchorage. By the fall of 2024, Blessing will be creating works in a space where Alaska is on permanent display through picture windows revealing a breathtaking panorama that includes both the mountains and the ocean. Read the full article in the November/December 2023 issue. Sentinel Oil 30″
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Great Inspiration

Great Inspiration

October 12, 2023 | by

When you see a William Haskell painting, you will never forget it. The shapes, the colors, the movement within it are, simply put, stunning. And that’s just as he wants it. “You can be a great technician,” Haskell says, “but, if you can’t compose a painting with a great flow, it won’t work. I want to create something that keeps you in that world, that has all that movement, that you enjoy exploring and finding new things in.” Read the full article in the November/December 2023 issue. Night Ride Acrylic 9″ by 12″ Trust in the Storm Acrylic 16″ by
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