“I have to paint my vision.” So says Frank Ordaz, whose visions range from portraits and landscapes to cowboys and old trucks. He is so eclectic in his subject matter and style that a gallery owner once told him, “I don’t know where to put you; I don’t know how to sell you.” That gallery owner needn’t have worried because his paintings sell themselves, appealing to a similarly eclectic group of collectors. Simply put, Ordaz’s paintings cannot be labeled—and neither can he. Although he was trained as a fine artist when he was a young boy, Ordaz spent his early
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Archives for Portrait
The Studio of Joe Bohler
Having been raised on a 1,200-acre working ranch in northwestern Montana, it was not surprising that, as an adult, watercolorist Joseph Bohler would eventually make his home in a place with similar beauty and open spaces. Now living in Monument, Colorado, he and his wife Alaina try to visit his home state every year. “Every other year, I also head to South Dakota to do a little research,” he says. “There is a working ranch there that has a yearly event known as Artists’ Ride. They bring in all kinds of models–mountain men and Indians from various tribes. They can
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Painting and Peace
Sherry Harrington has a strong affection for Texas, where she was born, raised, and continues to live. Vast fields of Texas Bluebonnets or cowboys herding cattle, however, are not the subjects of her paintings. She much prefers to fill her canvases with portraits of beautiful Native American women and children. “I have always loved people, but I am especially drawn to depicting members of the tribes in the desert Southwest—the Navajo, Apache, Cheyenne, and Sioux to name but a few,” Harrington says. “Perhaps this is due in part to the fact that my paternal grandmother was half-American Indian. Even as
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Painting From His Soul
William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Anything is Possible
“It’s incredible how magical the desert is when you go with the intention of self-reflection,” says Colorado artist Anna Rose Bain, who began a tradition of taking solo trips to the California desert when she was struggling with severe adrenal fatigue just before the start of COVID. “I found that I was getting burnt out at least twice a year, to a point where it was affecting my health and my relationships,” says Bain, who balances painting with raising two young children and practicing CrossFit, a high-intensity fitness program. “I started going to the desert to recharge and meditate and
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Boundless Talent, Boundless Energy
Star Liana York’s energy knows no bounds. Neither does her talent. She’s not only been creating award-winning sculptures for more than four decades, she also owns and runs a ranch with her husband and operates an Airbnb. After competing in horse events and breeding and training horses for many years, she has set that aside. There are, after all, only so many hours in a day, most of which York fills with creating magnificent sculptures that have earned her countless awards and are treasured by collectors. York’s monumental sculptures are placed at sites throughout the country that include the Smithsonian
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A Burning Obsession
As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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A Lifetime of Experimentation
If you spend enough time looking at Stan Davis’ art, you will understand who he is. You will understand how he’s evolved as an artist, how his experiences have led him to exactly where he is now, how his artistic influences have converged in his body of work. You will understand why he feels more creatively alive than he has ever felt before. “This is the most creative thing I’ve ever done,” Davis says from his home in Perry, Florida. “It absolutely draws every ounce of creativity out of me.” “This” is the mixed-media collage that is part of the
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The Beauty of Black and White
When Rachel Brownlee walked into the Mountain Oyster Club art show in Tucson, Arizona, last November, she couldn’t believe her eyes. There, hanging in a prized spot in the center of the back wall, was her charcoal drawing, At the Ready. “I was speechless,” she says. Things got even better when her drawing won the Best of Show Award and when it sold. Brownlee says that at the time she didn’t know much about pricing artwork. She was left speechless again when the man who purchased that drawing told her that he had walked into the building, saw it, had
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Putting Marrow In The Bones
“I used to sit at Clark’s desk and draw. Who does that?” Acclaimed Western sculptor Richard Greeves is reminiscing about his childhood in St. Louis, Missouri, and yes, he’s talking about that Clark: Captain William Clark, of Lewis and Clark. Greeves’ childhood home, a stone’s throw from the Louisiana Purchase celebration grounds, afforded him the opportunity to serve as an unpaid gofer at the Missouri History Museum where he would rummage through the archives and make himself comfortable on the explorers’ furniture. “Back in those days, nobody thought much about it,” he says with a laugh. “They just thought of
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