Archives for Portrait

Painting From His Soul

William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Anything is Possible

“It’s incredible how magical the desert is when you go with the intention of self-reflection,” says Colorado artist Anna Rose Bain, who began a tradition of taking solo trips to the California desert when she was struggling with severe adrenal fatigue just before the start of COVID. “I found that I was getting burnt out at least twice a year, to a point where it was affecting my health and my relationships,” says Bain, who balances painting with raising two young children and practicing CrossFit, a high-intensity fitness program. “I started going to the desert to recharge and meditate and
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Boundless Talent, Boundless Energy

Star Liana York’s energy knows no bounds. Neither does her talent. She’s not only been creating award-winning sculptures for more than four decades, she also owns and runs a ranch with her husband and operates an Airbnb. After competing in horse events and breeding and training horses for many years, she has set that aside. There are, after all, only so many hours in a day, most of which York fills with creating magnificent sculptures that have earned her countless awards and are treasured by collectors. York’s monumental sculptures are placed at sites throughout the country that include the Smithsonian
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A Burning Obsession

As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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A Lifetime of Experimentation

If you spend enough time looking at Stan Davis’ art, you will understand who he is. You will understand how he’s evolved as an artist, how his experiences have led him to exactly where he is now, how his artistic influences have converged in his body of work. You will understand why he feels more creatively alive than he has ever felt before. “This is the most creative thing I’ve ever done,” Davis says from his home in Perry, Florida. “It absolutely draws every ounce of creativity out of me.” “This” is the mixed-media collage that is part of the
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The Beauty of Black and White

When Rachel Brownlee walked into the Mountain Oyster Club art show in Tucson, Arizona, last November, she couldn’t believe her eyes. There, hanging in a prized spot in the center of the back wall, was her charcoal drawing, At the Ready. “I was speechless,” she says. Things got even better when her drawing won the Best of Show Award and when it sold. Brownlee says that at the time she didn’t know much about pricing artwork. She was left speechless again when the man who purchased that drawing told her that he had walked into the building, saw it, had
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Putting Marrow In The Bones

“I used to sit at Clark’s desk and draw. Who does that?” Acclaimed Western sculptor Richard Greeves is reminiscing about his childhood in St. Louis, Missouri, and yes, he’s talking about that Clark: Captain William Clark, of Lewis and Clark. Greeves’ childhood home, a stone’s throw from the Louisiana Purchase celebration grounds, afforded him the opportunity to serve as an unpaid gofer at the Missouri History Museum where he would rummage through the archives and make himself comfortable on the explorers’ furniture. “Back in those days, nobody thought much about it,” he says with a laugh. “They just thought of
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‘I’m Just A Vessel’

Nathan Solano took the long way to becoming an artist. He spent years working in restaurants, shooting photos, and working in graphic design before finally settling down as an artist when he was 40. And, for the past 30 years, that’s what he’s been. From his studio on the second floor of an historic building in downtown Pueblo, Colorado, Solano paints Western landscapes, cowboys, and Native Americans—and sometimes the simple scenes that unfold on the streets below his windows. He recently took a break from painting to talk about the path he took to get to where he is now—and
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Capturing the Human Experience

An elderly woman in her Sunday-best hat, a father carrying his son on his shoulder, a man waiting at a bus stop, another asleep in his favorite chair. These evocative images of humble, hard-working people who are often overlooked by the world at large are so powerful in their simplicity that they motivated one New York art critic to describe their creator, Dean Mitchell, as a “modern-day Vermeer.” “My work is primarily about the human experience,” Mitchell says. “I want it to be a commentary on the reality of life as lived by the ordinary people in this country.” Read
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Living Her Dream

If you are considering taking up painting, Dallas-based oil painter Susan Temple Neumann has three words for you, delivered in a soft Texas drawl: “Go for it.” Maybe you think you’re too old, too established in your current career, too untrained, or lacking in the necessary workspace and supplies. In that case, Neumann has two more words for you: “No excuses.” She considers her own story proof that anyone with some talent and drive can at least have a go at being an artist. “I was in my fifties before I even thought about going down this path,” says Neumann,
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