“This is my own expression of the visions of the West that I’ve grown up with, my experiences,” artist Maeve Eichelberger says. “It’s great to be included and to share my stories as well, because I think it doesn’t always have to be so historical, but we each have our own personal histories as well.” And Eichelberger’s expression of the West she knows has been making a splash at Western art shows and galleries, and stands out because of her unique sculpting medium—acrylic. From acrylic saddles to acrylic Western shirts and chaps that give the illusion of being made from
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Archives for Sculpture
A Moment of Movement
For three summers in the 1980s, Ott Jones worked as a fishing guide at the Rainbow King Lodge in Lake Iliamna on the Alaskan Peninsula. He led fishing excursions during the days and worked on his art at night. “If I was stationed at the lodge I’d sculpt at the lodge; if I was living in the bush I’d sculpt at camp by candlelight,” he says. It was one of the last jobs he had before becoming a full-time artist. During those three years, Jones lived in Castle Rock, Colorado, where he was under the artistic mentorship of accomplished Colorado
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The Composer
The year is 1841, and the sounds of men and animals fill the streets of what would one day become Omaha, Nebraska, as the first serious group of pioneers sets out along the Oregon Trail. From high atop a rearing horse, a wagon master calls to the party of covered wagons, urging the travelers through a dry creek bed and toward a new life out West. This is not a scene from a new Taylor Sheridan television series; it’s a six-block-long monumental installation in downtown Omaha, something Utah-based sculptor Blair Buswell has been contributing to for the past 20 years.
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Exquisite Designs
What happens when you pair aesthetics with mathematics? In the case of Texas artists Marilyn Endres and Eucled Moore, the results are complex, segmented, wood-turned vessels that combine classic shapes with contemporary, modern designs. The two artists take turns driving from their homes in Texas—his in San Miguel and hers outside Austin—to work together in creating stunningly beautiful beaded, wood vessels. Thirty years ago, Endres discovered Moore’s work when one of her friends suggested she check it out. Endres was creating high-end kaleidoscopes that were featured at galleries and shows. Moore was a wood turner who crafted intricate vessels with
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‘I Have to Explore’
Wildlife sculptor Tim Cherry is constantly finding new ways to delight the eye. “I’ve kind of reinvented myself in the last three years,” says the artist, whose lyrical interpretations of animals have earned him many honors and a devoted following during his 35-year career. “The work I’m doing now is a little more contemporary, a little brighter in color than my past work, and I’m incorporating a natural sandstone from Colorado’s Front Range into my bases more often. I’m very excited about the results I’m getting.” A natural evolution of Cherry’s trademark style, this change was not born out of
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Big Vision, Big Energy
To truly appreciate a piece of Brenna Kimbro’s art, you first have to back up, way up, taking in the full scope of the thing. Then you have to get up really close, cheek to jowl, observing the fine details that comprise the entire creation. Zoom out, panning from nose to tail; zoom in, picking up the dancing of hooves, the flare of a nostril. These paintings and sculptures, many of them larger than life, are the work of an artist who clearly has no reservations about taking up space. “My tendency is to make things enormous,” Kimbro says. “I
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‘The Harder You Work, the Luckier You Get’
“It’s another day in paradise,” says sculptor and gallery owner Ken Rowe, savoring his view of Sedona, Arizona’s, snowcapped mountains. “We’ve been here 28 years now, and I never tire of it.” A self-described Arizona boy through and through, Rowe was born in Phoenix to an electrical engineer and an amateur painter—a combination Rowe credits as foundational to his art. “Growing up, without even knowing it, I had this wonderful influence of the mechanical aspect of life through my dad’s career and the artistic pursuits from my mother’s side.” Although his mother never made a career of her painting, she
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Inspired by Nature
After more than 40 years as an artist, Margery Torrey has sculpted a myriad of subjects. She’s done pigs, puffins, and people. She’s created eagles and antelope. She’s designed a full-on steeplechase scene with multiple horses racing for the prize. Until last summer, however, she had never sculpted a sailboat. Even so, she didn’t hesitate to accept the commission when it came. It was a request from the children of a dear friend and was intended to be a gift for their father’s 85th birthday. “When she asked me about it, his daughter said, ‘We know it’s not what you
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Poignant Moments
Colorado-based low relief sculptor J.D. (Jeremiah) Welsh spent much of the past year working in secret. The award-winning member of the National Sculpture Society (NSS) is no stranger to producing complex works on tight deadlines, but he poured many months and 23 years’ worth of skill into one special, small object: the Brookgreen Medal. “I honestly never thought I’d have the chance to do it,” Welsh says of the medal, which honors the prestigious Brookgreen Gardens sculpture garden in South Carolina and is presented to artists who ear the Anna Huntington Hyatt Award at the NSS’ annual awards exhibition. It
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Turning Chaos Into Order
When Evelyn Tennyson, owner of Two Old Crows Gallery in Pagosa Springs, Colorado, asked Dave LaMure to create a monumental sculpture in honor of her late husband’s passion—trout fishing—he hesitated before giving her a de!nite answer. “I said, ‘Let me research it,'” he recalls. LaMure was so focused on the unique vessels he was making that he wasn’t sure he wanted to take time away from those creations to take on a trout commission. That changed as he began his research and became hooked on the story of the Native Cutthroat Trout, which was thought to be extinct for 70
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