Richard Schmid is described as a “painter’s painter”—and, oh, what a painter he is. His work is in high demand—as are his books, which include ‘Alla Prima: Everything I Know About Painting,’ which was released in 1998 and is in its 12 printings, and ‘Alla Prima II: Everything I Know About Painting and More,’ which was released in 2013 and currently is in its fifth printing. “At the time I wrote the first edition of ‘Alla Prima,’ I did not think of myself as a prodigy,” Schmid says, “but I realized I had marvelous training in the key aspects of
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Archives for Still Life
Beauty in the Imperfect
“Imperfect vessels making imperfect vessels,” muses oil painter Jeff Legg, reflecting on his penchant for painting the crooked piece of fruit, the frayed and stained bit of cloth, the weather-beaten copper urn. “The wabi-sabi philosophy, perhaps?” If you talk art with Legg for any length of time, it’s likely that the concept of wabi-sabi will come up in conversation. A Japanese aesthetic that celebrates the flawed, the ephemeral, and the incomplete, wabi-sabi is an ideal framework for contemplating Legg’s subtle, exquisite, still-life oil paintings. In addition to portraying objects that are intriguingly imperfect, each painting depicts something fleeting: the petal
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The Power of Two
When we find someone with whom to share our lives, we are fortunate. When artists do so, they are especially blessed. At least that’s the case with the four artist couples we interviewed for this article. For most of us, we were attracted to our spouses, or significant others, for a variety of reasons: their physical appearance—which might simply be a great smile—their sincerity, sense of humor, intelligence, talent, or kindness. For the artists we talked with, there are other, equally important attributes, including respect for each other’s work and a shared passion for art. Couples Featured: – Sherrie McGraw
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‘It’s a Calling’
“Besides painting, I don’t really have any other hobbies. I don’t do anything besides painting,” says Chicago oil painter Mary Qian, when asked what sorts of things she likes to do in her spare time. She seems honestly a little bewildered by the question. Why would she not be painting? Why would she have spare time? What is spare time? Qian leads a clean, streamlined, art-centric existence, spending many of her waking hours at Chicago’s Palette & Chisel Academy of Fine Arts, an art space where she makes extensive use of the studios and the models the organization makes available
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Distant Memories
Kyle Polzin has been painting professionally for about 15 years now, delighting collectors with his wonderfully executed still life pieces that feature a magical mix of everything from flowers, flags, and feathers to boots, blankets, and bowls. Each painting is beautifully lit and masterfully detailed. We have featured Polzin and his work three times over the years, much to the delight of readers, who appreciate and applaud his skill in composing and painting pieces that stop you in your tracks, compelling you to study every detail and appreciate the magic of his brush. Not surprisingly, Polzin’s paintings sell as quickly
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Joyful Creativity
Laura Robb’s still life paintings are anything but still. Magnificently composed and masterfully executed, they come alive with vibrant colors, an exciting blend of shapes, strategically placed light, and intriguing brush strokes. They are a visual feast that have earned Robb a myriad of awards and that continue to challenge and excite her as much today as they did 30 years ago. When it comes to choosing the objects she will include in her paintings, Robb focuses on visual values, selecting them based on their visual appeal rather than their narrative value. “The most important qualities I look for in
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Counting Her Many Blessings
If you were a mouse in the corner of Sherrie McGraw’s studio, you would be amazed at two things: her skill, as she transforms a blank canvas into a magnificent painting—and her pirouettes, as she goes to the kitchen to make lunch. While her paintings have earned her high honors, she admits that her pirouettes still need work. At the center of her life, however, are McGraw’s love of art and her love for fellow artist and long-time partner David Leffel. A native Oklahoman, McGraw studied for a time at Central University in Edmond, Oklahoma, then studied for three years
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‘I’ve Got to Keep Painting’
To say that the past year has been a rough one for Joe Anna Arnett would be an understatement. Her husband of 31 years, artist James Asher, was diagnosed with esophageal cancer in the fall of 2015. Just as the couple was dealing with that news, a black widow spider bit Arnett’s foot, as she stepped into the shower. “The pain was horrible,” she says. “There are neurotoxins coursing through your body, and there’s nothing you can do for the pain. It was miserable.” But instead of dwelling on the difficulties, Arnett decided to look for the good. Some days,
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The Dream Continues
William Acheff is every bit as clever, colorful, and captivating as his still life paintings, which have earned him numerous awards, including two at the prestigious Prix de West Show, the first in 1989, the second in 2004, as well as the Masters of America West Purchase Award in 1998. A conversation with this talented artist reveals a commitment to creating art that is beautifully provocative, along with a delightful sense of humor. Acheff’s talent reaches far beyond painting. He has remodeled several homes in Taos, New Mexico, where he has lived since 1973. He has a pilot’s license and
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Magical Connections
While strolling through a gallery, a painting catches your eye: an intricately portrayed primitive clay pot set against a stark black background. It’s a complicated design, dramatically displayed. You’re drawn to the simple artifact, looking deeper for meaning you can feel but can’t see. That is exactly the effect Santa Fe, New Mexico, artist Roseta Santiago hopes to elicit. Painting these artifacts, she says, is like looking into the window of the ancient peoples’ souls and retelling their history. When she looks at a piece of pottery, Santiago doesn’t see just a geometric, complex design, although it’s clearly visible. What
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