Archives for Wildlife

Renaissance Western Art

Renaissance Western Art

October 8, 2025 | by

  You might describe Colorado artists Olga and Aleksey Ivanov as contemporary Western art pioneers. Why? Because their partnership, medium, and technique stand out among Western artists. Their creativity is formed by intuition and collaboration—they paint together on the same canvas—storytelling, whimsy, symbolism, and a Renaissance art technique. Their harmonious paintings could be called the artistic equivalent of perfect pitch. “We are using one of the oldest techniques,” Olga says. “We are modern artists trying to connect the old medium to the modern vision of the West.”  Vivid colors are the hallmark of the couple’s art—the result of using the
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Chasing the Top Spot

Chasing the Top Spot

October 8, 2025 | by

  Every fall, Rebekah Knight’s mind is on the Federal Duck Stamp Contest. She’s entered the annual competition for the past 16 years—every year since she turned 18. She also participated in the Federal Junior Duck Stamp Contest for five years before that, winning the competition the third time she entered, when she was 15. That experience gave Knight the confidence to pursue art as something more than a hobby and helped to launch her career as an artist. “I had always known that I wanted to do art and that I had a talent for it, but I also
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The Studio of Dustin Van Wechel

The Studio of Dustin Van Wechel

August 7, 2025 | by

  Before wildlife artist Dustin Van Wechel built his current studio, he worked at an easel standing alone in the corner of a “disturbingly sparse” room in his Arizona home. At the time, fellow artist Krystii Melaine stopped in for a visit and was excited to see the studio of an artist she admired. He tried to warn her that it was nothing to get excited about, but his words fell on deaf ears. “My studio hit her like a death in the family,” Van Wechel says, and jokingly adds that he thinks that his reputation diminished considerably in Melaine’s
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Art and Conservation

Art and Conservation

June 5, 2025 | by

For 20 years, Anne Peyton was immersed in professional car racing. She had a fast and furious career shooting photos and painting race cars for several automotive magazines, ultimately working for several hot rod publications as photographer, painter, and art director while living in California. Working for publications that included Motor Trend and Road & Track, Peyton’s artwork was considered top-tier in the racing industry, praised by the likes of Automobile magazine as one of the best racing painters in the nation. That was all before the year 2000, which is when her art changed—drastically. Read the full article in
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Dogs, Landscapes, and More

Dogs, Landscapes, and More

April 7, 2025 | by

Every now and then, James Swanson, who lives in LaGrange Park, Illinois, likes to spend time at a lake near his cottage in Michigan. He takes his two dogs—Bjorn, an English cream golden retriever, and Fenrir, a golden retriever—with him and throws tennis balls for them to chase. For them, it’s purely fun. For Swanson, however, it’s all work. Every time he throws the ball, he aims it in a different direction or to a different depth. He throws it from the dock. Sometimes, he gets into the water himself. He does whatever it takes to to get a new
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Electric Americana

Electric Americana

April 7, 2025 | by

Colt Idol is hard at work in the studio at his home in Whitefish, Montana. That’s not surprising, but what is surprising is that he’s surrounded by 21 paintings on the floor and hanging on the walls in a U-shape around him. “Right now, I have 21 pieces in the works,” he says. “Some artists work in a more linear fashion, but I like to spend about three hours on a piece and then go on to another. I work on four or five pieces each day; it helps me get a stronger end piece by spending time with it.
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A Sense of Intimacy

A Sense of Intimacy

February 7, 2025 | by

Since she started exhibiting her work 15 years ago, Naomi Shachar’s emotive oil paintings of Western scenes and personalities have been celebrated and honored in competitions and exhibitions across the country. But, when she was just starting out as an artist, she aimed to please only one critic: her mother, Esther Katz. Seeking her mother’s input wasn’t solely about familiarity or honesty, but more about the respect she had for her mother’s appreciation of good art—her eye for it, her sensibilities. “She had a keen eye for art and could discern quality workmanship of form and color,” says Shachar, who
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The Studio of Teresa Elliott

The Studio of Teresa Elliott

December 13, 2024 | by

A perky, curious French Charolais, swirling the reflective water it’s churning through, gazes over Teresa Elliott’s shoulder. She’s not outside, but the half-finished, 23” by 30” painting of the cow that sits on her easel feels at home in the dry, open landscape outside her studio window. Elliott’s studio overlooks the Que Dice Ranch with 10,000 open acres of hills, buttes, and desert plants. Cattle often wander through the vista, so it’s not surprising that Elliott has made them her subject matter ever since she pivoted away from graphic design, copywriting, and illustration and into a full-time career as a
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Visions in Stone

Visions in Stone

October 9, 2024 | by

When he was in his twenties, Navajo (Diné) Alvin Marshall was traveling to Florence on a grant to study Michelangelo’s David when he had an especially vivid dream. In it, a man spoke to him first in Italian, then in Navajo. “He said, ‘You’re going to see a lot of great art, but don’t take anything from it, because it won’t help you,’” Marshall says. “He said, ‘All of that has already been done; you need to do your own thing.’” Later, at the Galleria Dell’Accademia di Firenze, Marshall recognized the man from his dream in a seated figure that
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A Walk on the Wild Side

A Walk on the Wild Side

October 9, 2024 | by

The influence of one artist on another can be gradual, something that develops and reveals itself over years. In the case of Kathryn Ashcroft, it happened much more abruptly. That came about in 2015, when David Koch, a painter living in Utah, asked her to help him with a mural project that was going to be displayed at a church building in Montreal, Canada. During the 10 years before she got that request, Ashcroft was creating realistic oil paintings of wildlife that were exercises in precision, with every hair and feather in place. Koch wanted her to paint some animals
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