Archives for Portrait

Cowboy Artists of America Celebrates 50th Anniversary

Cowboy Artists of America Celebrates 50th Anniversary

September 20, 2015 | by

With the celebration of the Cowboy Artists of America’s 50th anniversary, one has to wonder if the founding artists—Joe Beeler, Charlie Dye, John Hampton, and George Phippen—could have envisioned what the organization would become and that it would still be going strong five decades later. Those four men, along with dozens of others who were invited to join the prestigious organization over the years, were committed to creating authentic representations of life—and work—in the American West and to doing so with the highest of artistic standards. Four members of the CAA—John Coleman, Martin Grelle, Bill Nebeker, and Jim Norton—recently took
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The Joy of Painting

The Joy of Painting

September 20, 2015 | by

Suchitra Bhosle was in Seattle, Washington, looking for a job that would put her new MBA degree to good use, when she received news that her father had passed away. She put her job search on hold to travel back to her native India—and returned to the United States with an entirely different focus in mind. Back in Seattle, Bhosle stopped sending out resumes and started looking for workshops that would help develop the aptitude she had always had for art. Suchitra Bhosle Arches of II duomo De Taormina Oil 16″ x 12″ “The movement of the interior light of
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Creating New Challenges

Creating New Challenges

July 20, 2015 | by

Carrie Ballantyne once told a young cowgirl that she didn’t think she was much of a storyteller. Her paintings—portraits of western men, women and children, often focused mostly on their faces—were too limited, she said, to tell stories. “This young cowgirl looked so surprised,” Ballantyne remembers. “She stopped me and said that she saw a story in every face I portrayed.” That revelation changed everything for Ballantyne. Carrie Ballantyne (Wyoming) Wyoming Flower Child Oil 18″x14″ “I have been lucky, through the years, to be able to work with my family and close friends. It makes my job more pleasurable, when
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My Richest Blessing Is My Imagination

My Richest Blessing Is My Imagination

July 20, 2015 | by

Whether he is depicting a Native American hunting party, a stagecoach arriving in a frontier town, or a cowpuncher riding night herd in the moonlight, the imagery of Montana-based artist Gary Lynn Roberts clearly reflects his belief that he lives and works in God’s country. For him, it’s a reality in more ways than one. Living on a remote 100-acre spread in the majestic Bitterroot Valley some 50 miles south of Missoula, Roberts doesn’t have to venture far to find the towering snow-capped mountains, sparkling rivers, and native wildlife that so richly complement his compelling compositions. Gary Lynn Roberts Wapiti
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A Creative Calling

A Creative Calling

July 20, 2015 | by

Albin Veselka wants to talk about art. First, though, he wants to say a few words about the meaning of life and the purpose of art. “I’m always trying to uplift people; I think it’s important to better the world,” says Veselka, whose Christian faith, along with his missionary zeal for art, guide his creative journey. “My faith helps me to do that—to uplift people and to show them something through my art.” This spirit of expansive generosity suffuses Veselka’s work, as well as his artistic philosophy. Albin Veselka Sunset Tide Oil 24″x15″ “I love the way white reflects all
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Realistic Paintings, Idealized Subjects

Realistic Paintings, Idealized Subjects

July 20, 2015 | by

Though France has produced many famous artists, one typically does not think of a French native devoting a distinguished artistic career to the depiction of Native Americans. But such was the case with François Henri Farny (later Anglicized to Henry Farny), who painted a proud picture of a Native American race that already was on the decline. Born in the Alsace region of France on July 15, 1847, Farny was the third child in a Protestant family that sought to escape an atmosphere of political turmoil and religious oppression. Henry Farny The Song of the Talking Wire (1904) Oil 22″x40″
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The Race is Still Going

The Race is Still Going

May 20, 2015 | by

There is nothing Morgan Weistling enjoys more—or works as hard at—as telling a story. It is exciting and challenging, as he spends countless hours—and makes thousands of decisions—to create each painting in a manner that captures the attention of viewers, draws them in, and—he hopes—puts a smile on their faces. Snake Oil Salesman is a prime example of how Weistling works. “I look at that painting, and I see 100,000 decisions I had to make,” he says of the piece, which depicts a gathering of men, women, and children around a man enthusiastically extolling the benefits of the snake oil
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The Evolution Continues

The Evolution Continues

May 20, 2015 | by

A few years ago, Jason Rich was invited to visit some of the people who had started collecting his work early in his career. He hadn’t seen the paintings in almost 20 years. and he admits that he was surprised when he looked at them again. “Day after day, as you’re working at your easel, the changes in your work are so subtle that you don’t even notice them,” he says. “But when you look back at your early work, you see the evolution. You see the changes that you don’t see day-to-day.” Rich was in his mid twenties, when
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Expression and Intuition

Expression and Intuition

May 20, 2015 | by

As an award-winning member of Oil Painters of America, Oklahoma native Derek Penix strongly believes an artist’s ability to paint intuitively is what makes the difference between creating a work that is technically and aesthetically pleasing versus one that has the potential to become a masterpiece. “Watching a recent U-tube video listing the world’s 10 most expensive paintings, I observed that the common denominator for each was that none of the artists painted literally,” he says. “All changed what they saw, making it into their own world.” This type of discernment comes naturally to one who grew up surrounded by
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Ah, Sweet Color!

Ah, Sweet Color!

May 20, 2015 | by

A burst of color in a painting, particularly when placed against a moody background, is a delightful surprise. It is poetry; it is magic. Color can be as soothing as an ocean sunset, or it can knock your socks off. While most of us appreciate a good black-and-white piece, we find color, when properly placed, leads our eyes along a route the artist has skillfully set for us. Kevin Beilfuss Sarah’s Diary Kevin Beilfuss trained at the American Academy of art in Chicago, Illinois, and has been painting professionally for 26 years—13 as a freelance illustrator and 13 as a
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