No matter what Cyrus Afsary paints, he makes his subjects sing. The Arizona artist infuses his landscapes, portraits, still lifes, and anything else he paints with head turning beauty that stops you in your tracks. That is his goal with each painting. “My primary objective is to have a viewer stop and wonder how I managed to express the light, color, or composition in the paintings,” he says. “I want them to look at the work in wonder, not pass it by too quickly.” How does he do it? “I don’t know,” Afsary says thoughtfully, going on to compare art
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Archives for Portrait
The Studio of Kyle Ma
Kyle Ma is an art prodigy who began drawing nature scenes at age 4 in Taiwan, where he was born in 2000. Ten years later, he and his family immigrated to the United States, settling in Austin, Texas, where he began his art career in earnest. He astonished the art world by raking in multiple awards and gaining the attention of galleries and museums by the time he was 18. It’s been said he has the ability to create magic from street scenes, still lifes, landscapes—nearly anything he chooses to paint. Where does Ma work his magic? He does so
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Toward a Greater Understanding
During the more than three decades Susan Kliewer has been sculpting, she has created a large body of work that ranges from the beauty and traditions of the Native American culture to images that celebrate the working cowboys and cowgirls of the Southwest. “All my life I have been fascinated by the ever-changing dynamics of our American West,” she says. “Through my work I strive to portray the many cultures that have come before us with dignity, respect and understanding. From the ancient cliff dwellers to the cowboys who rode the range, my subjects reflect the West that I’ve researched
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Storybook Lives
Once upon a time, two lovely, talented, and hard-working artists met in a studio in New York City. They fell in love, he proposed to her at the Brandywine Museum, and they married. He paints portraits, she paints still-lifes, and their 9-year-old daughter Sadie makes elaborate structures out of cardboard boxes. That, in a very small nutshell, is the story of Sarah Lamb and David Larned. It’s not always rainbows and puppies, however. Today, it’s lobsters and crabs—four-day-old lobsters and crabs, in fact, and they do not smell good. “It’s starting to smell really bad in here,” Lamb says with
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No Regrets
At 17, S.C. (Chris) Mummert knew exactly what he wanted to do with his life: He was going to be an artist. He envisioned himself spending long days alone in his studio, illustrating magazine covers and living the solitary life of an artist. It didn’t exactly work out that way. And maybe, Mummert says, that’s for the best. “I wanted to be a hermit and just paint all day,” he says. “But then I got thrust into business, where I had to deal with people all day. That experience really rounded my corners out. It helped me realize that I
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Hitting Their Stride
Maybe it’s using complementary colors. Perhaps it’s painting in black and white or sepia tones. Maybe it’s diving deeply into one subject matter to capture it perfectly. Artists go through phases of work, improving their techniques and finding their places in the art world. Whether it’s at the beginning, middle, or later in their careers, something just ‘clicks’ when artists find the subject matter, medium, or technique that allows their creativity to shine. Meet three artists who are hitting their stride, and who are being featured in Art of the West for the first time. They are worthy of your
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The Power of the West
“I was born a storyteller.” So writes Mark Kohler in his book titled “Going West.” And he tells those stories brilliantly through his paintings of everything from working cowboys, bronc riders, and ropers to remudas, escaramuzas, and still lifes. “My art mirrors my life and experiences,” he writes. “We paint what we are.” Kohler loves what he paints and goes to great lengths to capture scenes—and people—that captivate and inspire him. He visits ranches in several states and takes a myriad of photographs of the people who work them and the animals that inhabit them. It took awhile for Kohler
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Western Nouveau
To understand Thomas Blackshear II’s segue into Western art, you need to understand his storied career. It seems that the Colorado artist never does anything halfheartedly, nor does he redo the tried and true. In fact, he likes to take what other artists are rendering and tweak it to show viewers something they recognize, but he does so from an innovative perspective. Blackshear likens his work to rappers who take old music and give it a new slant. Relatively new to the Western art genre, Blackshear hit the scene about three years ago. “I’ve had a long and varied career,”
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Monumentally Magnificent
On the night in 1987 that Bill Nebeker announced an edition of 25 castings of his sculpture If Horses Could Talk, he sold all 25 of them—and had another 75 collectors wanting to buy it as well. “It was the most popular piece I ever made; people just loved it,” he says. “You’ve got the cowboy looking for the deer, the deer sneaking away behind him, and the horse looking at the deer. It’s happened to every hunter out there. And people who don’t care for hunting love it, too, because the deer is getting away.” During the following years,
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‘My Art is About Messages’
Oreland C. Joe is committed to three things in life: his family, his art, and encouraging young Native Americans to preserve their culture. “The most valuable lesson one could ever learn in any field,” he says, “is to give your success back to the children and the community.” That is exactly what Joe is doing through a foundation he started in 2018, but more about that later. Joe has earned great acclaim for the artwork he creates, which includes paintings, stone carvings, bronze sculptures, and jewelry. He has won more awards than we have space to list here, and his
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