Archives for Wildlife

Nature and the Human Soul

In some ways, personally and professionally, Sally Vannoy’s life might seem like a fairytale. She married the man of her dreams in a beautiful setting in Glacier National Park, was accepted into the Society of Animal Artists as a Signature Member on her first attempt, and has seen her works hang beside original Charles M. Russell paintings at the famous Triple Creek Ranch. As in many classic stories, however, the heroine had to leave her comfort zone in order to reach her potential. “I had the most amazing childhood and family life growing up,” says Vannoy, who grew up with
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The Studio of John Fawcett

In late May, after a four-day drive from their home near Gettysburg, Pennsylvania, John and Elizabeth Fawcett happily drove through the gates to their home in Clark, Colorado. It’s an annual event that includes pulling a large horse trailer occupied by the couple’s two horses and all of Fawcett’s paint supplies. “We looked like the Beverly Hillbillies,” he says with a laugh. Located on a 52-acre ranch the Fawcetts named Double LL—which Fawcett says stands for Lucky (me) and Lizzie (Elizabeth)—the property is 25 miles north of Steamboat Springs. Willow Creek runs through the ranch and attracts deer and elk,
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Turning Chaos Into Order

When Evelyn Tennyson, owner of Two Old Crows Gallery in Pagosa Springs, Colorado, asked Dave LaMure to create a monumental sculpture in honor of her late husband’s passion—trout fishing—he hesitated before giving her a de!nite answer. “I said, ‘Let me research it,'” he recalls. LaMure was so focused on the unique vessels he was making that he wasn’t sure he wanted to take time away from those creations to take on a trout commission. That changed as he began his research and became hooked on the story of the Native Cutthroat Trout, which was thought to be extinct for 70
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Painting From His Soul

William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Drive and Determination

Crouched behind a wooden fence, tail down, ears perked, heart racing, he watches. His auburn fur blends into the fall grass and vines, a perfect camouflage from the danger galloping across the field, as horses, dogs, and riders in red coats are leaping, yelping, scrambling—all searching for him. A seasoned adversary, he knows not to move a muscle. He stays perfectly still, his eyes watching for clues to his next move—his chance to change his fate. Outfoxed is a spellbinding story of being hunted told by Ezra Tucker with acrylics on a three-foot board. He paints animals with so much
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Boundless Talent, Boundless Energy

Star Liana York’s energy knows no bounds. Neither does her talent. She’s not only been creating award-winning sculptures for more than four decades, she also owns and runs a ranch with her husband and operates an Airbnb. After competing in horse events and breeding and training horses for many years, she has set that aside. There are, after all, only so many hours in a day, most of which York fills with creating magnificent sculptures that have earned her countless awards and are treasured by collectors. York’s monumental sculptures are placed at sites throughout the country that include the Smithsonian
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A Burning Obsession

As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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Sudden Inspiration

Tim Whitworth gets lost in creating. Ideas for a sculpture can overtake him at any minute, setting his mind in motion on every facet of its design. “I can be driving down the highway, and if I see something I’ll ask myself, ’Now, how do I put that into 3D?’” he says. “I’ll go through it in my mind.” That sudden inspiration also has its drawbacks. “Sometimes I get an idea about a piece,” Whitworth says. “I’ll get it designed, go through the process—design what it will look like, create the patina – then maybe won’t do it. I’ll do
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Putting Marrow In The Bones

“I used to sit at Clark’s desk and draw. Who does that?” Acclaimed Western sculptor Richard Greeves is reminiscing about his childhood in St. Louis, Missouri, and yes, he’s talking about that Clark: Captain William Clark, of Lewis and Clark. Greeves’ childhood home, a stone’s throw from the Louisiana Purchase celebration grounds, afforded him the opportunity to serve as an unpaid gofer at the Missouri History Museum where he would rummage through the archives and make himself comfortable on the explorers’ furniture. “Back in those days, nobody thought much about it,” he says with a laugh. “They just thought of
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Beauty Past and Present

“I’m 76, and I’m going to paint what I damn well please.” So says Rock Newcomb, laughing heartily as he does so. In fact, he laughs freely and often during the interview for this article. With a successful teaching career behind him and more than 30 years as a successful artist, he’s earned the right to say what he wants—and to paint what he wants. There is no niche for Newcomb’s art, and that’s exactly how he—and his collectors—like it. He’s earned national and international acclaim for his paintings of subjects that range from wildlife, landscapes and ruins, to cowboys,
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