Archives for Oil

The Studio of Don Weller

The Studio of Don Weller

November 15, 2018 | by

Little did Utah-based watercolorist Don Weller realize that, when he and his wife chose to relocate from Southern California to northern Utah in the early 1980s, that decision would become the impetus for him to begin a career as a fine artist. It was a move that would set the stage for the rest of his life—and his career. In 1960, after earning a Bachelor of Arts Degree in fine art from the University of Washington in his hometown of Pullman, Weller headed to Los Angeles, California to pursue a career in commercial art Don Weller (Utah) Don Weller Painting
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The Power of Two

The Power of Two

November 15, 2018 | by

When we find someone with whom to share our lives, we are fortunate. When artists do so, they are especially blessed. At least that’s the case with the four artist couples we interviewed for this article. For most of us, we were attracted to our spouses, or significant others, for a variety of reasons: their physical appearance—which might simply be a great smile—their sincerity, sense of humor, intelligence, talent, or kindness. For the artists we talked with, there are other, equally important attributes, including respect for each other’s work and a shared passion for art. Couples Featured: – Sherrie McGraw
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‘Art Must Have Soul’

‘Art Must Have Soul’

November 15, 2018 | by

As an accomplished artist with more than 30 years under his belt, Jove Wang has a theory that presides over his art. Roughly translated, it’s to know what you’re doing so well that you don’t need to be a slave to technique. It’s no understatement to say that Wang knows what he’s doing. Rather than offer up a painting that is merely a rendering, his intention is to involve viewers; he wants to elicit a response with his paintings. “I do not intend to paint extreme realism,” he explains. “I like the myriad variety of edges, as well as the
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‘The Greatest Thing I Could Have Done’

‘The Greatest Thing I Could Have Done’

November 15, 2018 | by

During an interview for this article in early August, Denis Milhomme is concerned about the wildfires encroaching on his beloved Yosemite Valley. “It’s a little smokier right now than usual,” he says, lamenting that he can’t capture the photos and plein air paintings he relies on as the basis of his lavishly detailed oil landscapes. “It’s really bad, all these fires that are happening; it’s a lot of damage.” Milhomme, whose home in Three Rivers, California, is not far from Sequoia National Park, treasures these scenic places and worries about their future. He conserves them in the ways that he
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‘I’m Living the Life I Paint’

‘I’m Living the Life I Paint’

November 15, 2018 | by

Tim Cox has gone fishing twice already this year. That might not seem like much to most avid fishermen, but Cox isn’t complaining. It’s more fishing that he’s done for the better part of a decade. In 2010, Cox became the vice president of the Cowboy Artists of America (CAA). The next year, when he was president, the organization officially moved from its long-time headquarters in Phoenix, Arizona, to Oklahoma City, Oklahoma. That transition consumed most of Cox’s time for much of his two-year term as president. “I think I averaged about four hours of sleep a day for those
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Heading in the Right Direction

Heading in the Right Direction

September 15, 2018 | by

On a recent trip to Glacier National Park, Dustin Van Wechel came upon a rugged old tree that stopped him in his tracks. Something about its trunk, which had folded over itself and the mist hanging in its branches, reminded him of a scene from a horror movie—which gave him an idea for a painting. “I looked at it and I thought that it would make a great setting for a group of ravens feeding on an animal carcass,” Van Wechel says. “But I wasn’t interested in actually painting the carcass, I just wanted to paint it so that anyone
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Poetic Landscapes

Poetic Landscapes

September 15, 2018 | by

For Colorado artist David Grossmann, painting is a heartfelt means of communication. It’s his way of incorporating beauty, creation, imagination, and memory into his art. At first glance, his muted landscapes seem simple, soft. Look closer, and you see they are teeming with texture, nuance, and subtle commentary. Grossmann hopes his quiet, evocative paintings inspire viewers to linger and reflect on nature, to observe the beauty around them. “There is so much clamor for attention [in the world] that it’s easy to miss the quiet,” he explains. “I’d like people to pause and observe, look at the textures. I paint
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Big Brushes, Lots of Paint

Big Brushes, Lots of Paint

September 15, 2018 | by

Kim Casebeer has happily spent her entire life in Kansas—and why not? It’s where she was raised, earned her college degree, met and married Shannon, started her family, and began what quickly became a successful career as a landscape painter. That success is apparent in the many awards she has earned, including top honors in the Art Muse Contest’s Master Class Division this past March, an Award of Excellence in the 2015 National Oil Painters of America (OPA) Exhibition, and an Award of Excellence in the 2014 Western Regional Oil Painters of America Show. While she values the honors she
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Big Skies, Big Ideas

Big Skies, Big Ideas

September 15, 2018 | by

If the legendarily big Montana skies look just a little bit bigger in Josh Elliott’s paintings than in real life, that’s by design. “Recently, I’ve been giving myself a little more freedom to interpret, rather than being a strict slave to reality,” says Elliott, whose vivid landscapes depict national parks and other scenic areas. “That would involve changing colors up a little bit. I’m giving myself the freedom to say, ‘This I think would make a better painting.’ That comes with knowledge and years of painting. I’ve fought such a hard fight to stray from reality, but it’s more rewarding,
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Reaching New Heights

Reaching New Heights

September 15, 2018 | by

Martin Grelle was a very nervous young man when, in 1974, just a year after he graduated from high school, he had his first art show at a gallery and frame shop in Clifton, Texas. “I had no idea what to expect,” he says. “It’s hard to remember, but I probably had, at most, eight or 10 pieces for the show, and we sold almost all of them the first evening. I had a combination of oils, charcoals, and pastels in the show, and the largest piece was probably an oil painting about 24” by 36”. It probably sold for
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