A trip to the principal’s office in first grade might have been the catalyst that pushed Dennis Ziemienski toward art. When he drew a full wine glass next to a bottle, his principal called his parents in for two reasons: One, he worried Ziemienski might be “imbibing” at home, given the adult subject matter. Two, the principal, who was also an artist, noticed that the child had correctly drawn the top of his wine glass as an ellipse. The kid could already render complex visual perspectives instead of simple outlines. “Let this kid go into art, because he has
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Archives for Figurative
Wildlife With a Twist
About 10 years ago, after painting portraits for more than 20 years, Georgia-based artist Lisa Gleim needed a change. She found what she wanted when she and her oncologist husband Bill Jonas bought a vacation home in Big Sky, Montana. While there, she spent days photographing bears at the Grizzly and Wolf Discovery Center, a sanctuary for bears and wolves that for various reasons wouldn’t survive in the wild, and taking in the mountain scenery. That visit made a profound impression on her and kickstarted a change in her subject matter. “I was gobsmacked, being right there, not far
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Fresh Mind, Fresh Eyes
You might not recognize Simon Lok’s name, but you have almost certainly seen his work. If you watched any of Disney’s animated feature films in the late 1990s and early 2000s—“Mulan,” “Atlantis: The Lost Empire,” “Brother Bear,” or “The Princess and the Frog” to name just a few—you’re familiar with his use of color, light, and landscape to create a vivid and memorable palette and setting for those films’ characters and their adventures. Lok, who is listed in those films’ credits as Sai Ping Lok, was freshly graduated from art school at California State Long Beach when Disney hired
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Paying Tribute to the Statue of Liberty
Some works of art are immediately identifiable throughout the world. A few that come to mind are Leonardo da Vinci’s Mona Lisa and The Last Supper, Michelangelo’s David, Alexandros of Antioch’s Venus de Milo, and Auguste Rodin’s The Thinker. Another one we can add to that list is the Statue of Liberty, a magnificent work of art that is known throughout the world as a symbol of freedom and democracy. Designed by Frederic-Auguste Bartholdi, the Statue of Liberty took 10 years to create—from 1876 to 1886. It was assembled in Paris, then disassembled into 350 pieces, packed into 214
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Riding High
If you’ve ever imagined living on a ranch, riding high in the saddle, herding cattle, and working in nature, you can live that vicariously through the art of Sherry Cobb-Kelleher. “I don’t know if I’m being romantic or what, but I’ve always had such a connection to the land and the animals,” she says. “I want to be able to show that in my artwork so people can see and feel it. I’ve had this connection my whole life. That’s why I paint—to make that connection.” Born into a family of artists, Cobb-Kelleher describes her trajectory to becoming an
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Struggle, Hope and Beauty
California-based Chinese-American oil painter Huihan Liu loves the writings of Ernest Hemingway, particularly “The Old Man and the Sea,” so much that many years ago, he made an oil painting inspired by the book. “When I was in graduate school, we had a final project involving literature and painting,” he says. “And one of my paintings was The Old Man and the Sea.” There was something in the story that spoke to him, he says—the difficulty, the struggle, the endurance, the refusal to lose hope even in the face of crushing misfortune. Unlike most of his other paintngs, The
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Painterly Photography
Wayne Heim has spent most of his career as a medical illustrator, working on a freelance basis with medical device manufacturers to explain to surgeons how to use their instruments during various procedures. For the past 15 years, he’s been exploring another medium as he captures images of the people and places of the West with a camera. Every image, he says, is a “one-image movie.” What Heim means by that is that each image he captures—whether it be a cowboy or a landscape—has a story to tell. “Each one-image movie pulls viewers into what happened just before the
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Reflecting the Magic of Light
When Michelle Kondos was a senior at Bennington College in Vermont, her advisor told her something no aspiring artist ever wants to hear. “I had a bad experience toward the end of college with my main advisor there, who told me that I had zero talent and no hope of ever earning a living as an artist,” Kondos says. “When I left school, I was so discouraged by this that I didn’t paint for about four years.” Kondos’ academic career was full of ups and downs. The curriculum at Bennington College focused on abstract art, leaving her unsatisfied, because
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The West Goes Pop
Billy Schenck can’t draw, as he will tell you himself. “I was never a good draftsman,” he says. “I just can’t make stuff up and draw it from memory. I mean, I can draw cactus, I can draw trees, I can draw sagebrush—but hands, faces, horses? I have to use photographs.” Schenck isn’t being self-deprecating; that’s not his style, as he will also tell you. “I knew by the time I was 24 that I was going to alter the course of Western art, and that’s exactly what I did. So how about that for humility?” How does a
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A New Life
When Jerry Salinas turned 50, his wife gave him an unexpected gift. She knew that after more than 20 years as an illustrator for commercial clients, he was ready for a change. But she also knew that she needed to give him a gentle push in that direction. So, on his birthday, she told him to stop doing commercial work. That marked the official start of Salinas’ fine art career, a move he had been itching to make since he started illustrating back in the early 2000s. “I started my career in illustration, mainly to earn a living,” he
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