Archives for Figurative

The Studio of John Fawcett

The Studio of John Fawcett

September 1, 2022 | by

In late May, after a four-day drive from their home near Gettysburg, Pennsylvania, John and Elizabeth Fawcett happily drove through the gates to their home in Clark, Colorado. It’s an annual event that includes pulling a large horse trailer occupied by the couple’s two horses and all of Fawcett’s paint supplies. “We looked like the Beverly Hillbillies,” he says with a laugh. Located on a 52-acre ranch the Fawcetts named Double LL—which Fawcett says stands for Lucky (me) and Lizzie (Elizabeth)—the property is 25 miles north of Steamboat Springs. Willow Creek runs through the ranch and attracts deer and elk,
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An Artist on a Mission

An Artist on a Mission

September 1, 2022 | by

As a young child, Joe Kronenberg drew voraciously. Today, as an adult, he is an artist on a mission. “As an artist in the 21st century, I strive to create paintings that embody the aesthetic and objective standards of the 19th century European academic art world,” he says. It’s a style he believes has been lost in an instant-gratification world. Growing up in the Pacific Northwest, Kronenberg filled his room—as well as the rest of the house—with realistic artwork of the area’s grandeur. In his mind, it was just a matter of time before he would become an artist. That
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Painting From His Soul

Painting From His Soul

June 30, 2022 | by

William Suys doesn’t limit himself in what he paints or how he paints it, whether it’s an animal, a person, a landscape, or a still life. The only constant is that he strives to imbue each of his works with personality, presence, and power. He accomplishes each of those goals with great skill. “I want the process of my painting to be personal, completely from my soul,” Suys says. “I want to paint what I feel, and I’ve been doing more of that. If I can paint something that is meaningful for me and do a better job of laying
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Drive and Determination

Drive and Determination

June 30, 2022 | by

Crouched behind a wooden fence, tail down, ears perked, heart racing, he watches. His auburn fur blends into the fall grass and vines, a perfect camouflage from the danger galloping across the field, as horses, dogs, and riders in red coats are leaping, yelping, scrambling—all searching for him. A seasoned adversary, he knows not to move a muscle. He stays perfectly still, his eyes watching for clues to his next move—his chance to change his fate. Outfoxed is a spellbinding story of being hunted told by Ezra Tucker with acrylics on a three-foot board. He paints animals with so much
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Anything is Possible

Anything is Possible

June 30, 2022 | by

“It’s incredible how magical the desert is when you go with the intention of self-reflection,” says Colorado artist Anna Rose Bain, who began a tradition of taking solo trips to the California desert when she was struggling with severe adrenal fatigue just before the start of COVID. “I found that I was getting burnt out at least twice a year, to a point where it was affecting my health and my relationships,” says Bain, who balances painting with raising two young children and practicing CrossFit, a high-intensity fitness program. “I started going to the desert to recharge and meditate and
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A Burning Obsession

A Burning Obsession

June 30, 2022 | by

As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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The Studio of Len Babb

The Studio of Len Babb

June 30, 2022 | by

In the almost-darkness just before sunrise, a retired cowboy emerges from his house and silently walks the short distance to a small, tidy log building with a sheltered porch. He takes a seat near the handmade door, easing his old bones onto a bench created from a split log. There, with Oregon’s high desert spread out before him and the sun coming up pink beyond the distant dark mountains, he makes his preparations for the day. Once inside, he builds a fire in the little, round wood stove in the corner, warming his hands before the flames. In the thin
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A Lifetime of Experimentation

A Lifetime of Experimentation

May 1, 2022 | by

If you spend enough time looking at Stan Davis’ art, you will understand who he is. You will understand how he’s evolved as an artist, how his experiences have led him to exactly where he is now, how his artistic influences have converged in his body of work. You will understand why he feels more creatively alive than he has ever felt before. “This is the most creative thing I’ve ever done,” Davis says from his home in Perry, Florida. “It absolutely draws every ounce of creativity out of me.” “This” is the mixed-media collage that is part of the
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The Beauty of Black and White

The Beauty of Black and White

May 1, 2022 | by

When Rachel Brownlee walked into the Mountain Oyster Club art show in Tucson, Arizona, last November, she couldn’t believe her eyes. There, hanging in a prized spot in the center of the back wall, was her charcoal drawing, At the Ready. “I was speechless,” she says. Things got even better when her drawing won the Best of Show Award and when it sold. Brownlee says that at the time she didn’t know much about pricing artwork. She was left speechless again when the man who purchased that drawing told her that he had walked into the building, saw it, had
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Quality Over Quantity

Quality Over Quantity

May 1, 2022 | by

It is no surprise that some people might wonder if R. S. Riddick has retired. He has not. In fact, the nearly 70-year-old artist has been very busy making some of his most meaningful work ever. He has also acquired a new ranch studio and a clear perspective on the messages he wants to pass on through both his art and his life. For more than 40 years, Riddick had made his home and studio in southern Arizona, though he has always had a genuine longing for mountains. “Your faith becomes alive there, nature becomes a profound teacher, and people
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