Archives for Figurative

Living Her Dream

Living Her Dream

July 1, 2021 | by

If you are considering taking up painting, Dallas-based oil painter Susan Temple Neumann has three words for you, delivered in a soft Texas drawl: “Go for it.” Maybe you think you’re too old, too established in your current career, too untrained, or lacking in the necessary workspace and supplies. In that case, Neumann has two more words for you: “No excuses.” She considers her own story proof that anyone with some talent and drive can at least have a go at being an artist. “I was in my fifties before I even thought about going down this path,” says Neumann,
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‘I’m Super Excited’

‘I’m Super Excited’

July 1, 2021 | by

Arizona oil painter Chauncey Homer entered the arena as a professional artist less than two decades ago, but his work has already garnered a strong collector base. His paintings are eagerly sought after and hang in prestigious galleries alongside compositions by masters of the Western genre such as Howard Terpning, Roy Anderson, Robert Shufelt, and R. S. Riddick. The popularity of Homer’s work is due to a combination of his artistic skill and his broad repertoire of subject matter. “I have tried to limit what I paint to five things that I personally love to look at: kids; beautiful women
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A Double Dose of Magic

A Double Dose of Magic

July 1, 2021 | by

For four and a half years, Bonnie Conrad had to take a break from painting. She was recovering from an illness that sapped her of her strength and then, as she felt better, she and her husband were building a new home in Mendon, Utah. She painted whenever she could and whenever she was preparing for a show. By January 2020, Conrad was feeling more like herself again, so she started painting more often. And that’s when something magical happened. Read the full article in the July/August 2021 issue. Son Kissed Oil 24” by 30” “This work is about the
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A World of Possibilities

A World of Possibilities

May 1, 2021 | by

Australians will tell you that stories about the Outback are more truth than fiction. Hardships come naturally in that part of the country; what you learn about life doesn’t always come from a book. “If you don’t put in the hard yards, you will not get results,” says Kathy Ellem, who grew up in Beechworth, a small town about 175 miles north of Melbourne in the state of North Victoria, where her family owned and operated a 100-acre apple farm. “Sometimes nature or the markets seem to be against us but without that effort in the first place we would
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‘I Can’t Turn it Off’

‘I Can’t Turn it Off’

May 1, 2021 | by

For a long time, Bruce Cheever was best known as a landscape painter. His atmospheric, often nostalgic scenes had earned awards, recognition, and a solid following of collectors. Those landscapes are still his recognizable pieces—and landscapes are still his favorite subject to paint. During the past several years, however, he’s been steadfastly broadening his universe to include still lifes, figures, wildlife, and more. “My goal is to be able to sit down and paint any subject with equal confidence,” Cheever says. “I’ve tried to push my boundaries out further so that I feel comfortable tackling any subject. I wanted to
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A Dream Realized

A Dream Realized

March 1, 2021 | by

Mikel Donahue has only been painting full time since 2010, but he’s already racked up an impressive list of honors and awards. The highlight of his career as a fine artist, he says, came in 2016, when he was voted into membership in the prestigious Cowboy Artists of America (CAA). It was the second time he had been considered for that honor, the first having been a few years earlier, when Paul Moore, a friend and CAA member, had recommended Donahue for membership. “If a member sees work by someone, and they like it, they put the artist’s name up
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A New Direction

A New Direction

March 1, 2021 | by

During the past decade, R. Tom Gilleon’s career has skyrocketed, earning him tremendous recognition and rewards. But now, at age 79, he’s most excited about projects that are taking him in a new direction—what he calls his “2020 Vision”—and that might well be the most daunting challenge he’s ever undertaken. It’s a new phase of his artistic life from which paintings that he describes as “MMXX Masterworks” are emerging. Gilleon is best known for his iconic paintings of tipis and Native American images. His background in illustration, his sensitivity to nature, and his respect for the Old West unite in
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Looking For Attitudes

Looking For Attitudes

March 1, 2021 | by

The two weeks that Trish Stevenson spent at her grandparent’s log cabin in western North Dakota each summer as a child were the best part of her year. She and her five siblings loved how different it was from their home outside Denver, Colorado. They even loved the outhouse. “It was like camping for two weeks,” she says. “It was the highlight of the year for us.” But what Stevenson remembers most is her grandfather. She remembers how tall and lanky he was, how he sat with his legs crossed in a certain way, how he rolled cigarettes with Bull
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Untold Stories

Untold Stories

March 1, 2021 | by

If you look for dogs in most traditional Western art, you tend to find them in the lower left-hand quadrant. They’re sitting at the feet of a cowboy in front of a roaring campfire, or they’re poised just out of kicking range of a horse at the center of the canvas. Their eyes tend to be looking at the focal point of the painting—a human being, a larger animal, an important event they’re witnessing. Their eyes tell the viewer where to look. They’re serving in their traditional role as man’s best friend. Man remains at the center. Not so with
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The Studio of Eric Bowman

The Studio of Eric Bowman

March 1, 2021 | by

Situated next to his home on a half-acre lot in Tigard, a suburb of Portland, Oregon, Eric Bowman’s studio is as unique and imaginative as the art he creates. It’s actually a Quonset hut style structure that was favored by the U.S. government, which ordered thousands of the semi-circular structures during and after World War II because of their mobility and ease of construction. The property’s original owner built the structure in 1952 and used it as a garage to house his antique cars. “This was an ideal structure for that purpose because the roof supports the walls, so there
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