Archives for Figurative

Faith and Perseverance

Faith and Perseverance

November 1, 2020 | by

Kevin Red Star has been painting scenes of Native American life for more than 50 years. Described as a master artist, visual historian, and an ambassador for his native Crow culture, his paintings have earned spots in several prestigious collections that include the Smithsonian, the Denver Art Museum, and the Heard Museum. Red Star’s works extend far beyond the United States, however, and are included in the collections of museums in China, Belgium, Japan, and Germany. His paintings also have earned a myriad of awards, including the 2018 Montana Governor’s Art Award for lifetime achievement and the 2018 James R.
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Young Talent, Old Soul

Young Talent, Old Soul

November 1, 2020 | by

Brittany Weistling was thrilled when she was invited to be a guest artist at the 2012 Masters of the American West Fine Art Exhibition and Sale. That meant her paintings would be exhibited outside, rather than inside, the main gallery, but that was just fine with her. Weistling’s paintings sold, validating what the show’s officials already knew: Her talent deserved to be showcased during the event, which is conducted each year at the Autry Museum of the American West in Los Angeles, California, and features works by some of the country’s top Western artists. What made the experience remarkable was
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Sharing the Magic

Sharing the Magic

November 1, 2020 | by

In mid-August, David Yorke had just returned from his annual pilgrimage to the Shearer Ranch outside Wall, South Dakota, where he had spent three days sketching and photographing local cowboys and Native Americans as they reenacted scenes from the past. He has participated in the event for the past 20 years, normally joining 49 other artists for the retreat that ranch owners Grant and JoDee Shearer have hosted since 1987. This year, thanks to COVID-19, only about a dozen artists participated in the event. In an effort to avoid the risks of getting the virus while flying, Yorke opted to
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Beyond the Known Pathway

Beyond the Known Pathway

November 1, 2020 | by

Whether he is depicting a day in the life of a pioneer family, working cowboys, dedicated ranch hands, or snow-covered fields, Grant Redden brings authenticity and a sense of immediacy to each scene. He does so as he continues to master his craft and seek ways to touch what he describes as “a raw nerve of emotion that is inside each of us.” Collectors eagerly seek out Redden’s paintings, and he has earned many awards and honors, including becoming a member of the prestigious Cowboy Artists of America (CAA) in 2012. “Membership in the Cowboy Artists of America has been
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It Starts With Color

It Starts With Color

September 1, 2020 | by

Known for ethereal and evocative paintings and drawings, Zhiwei Tu is a textbook example of someone whose determination and hard work have raised him from a humble life in China to the status of award-winning artist. His paintings are inspired by his love for the people, history, and culture of his homeland and have earned him international recognition. Since 1990, when a gallery in Chicago, Illinois, became the first in the United States to carry Tu’s work, he has been honored with more than 25 one-man shows and dozens of exhibitions in the United States, China, Japan, Algeria, England, France,
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Journeys Into History

Journeys Into History

September 1, 2020 | by

Until a functioning time machine is invented, the next-best way to travel backward into history just might be to take a long, careful look at one of Heide Presse’s richly detailed figurative oil paintings. In doing so, you’ll find yourself somewhere between 1840 and 1860. Zoom in anywhere—the model’s hairstyle, the appliqué pattern on the quilt draped over a chair, the intricate construction of the bonnet, the hem of the petticoat peeking out from beneath the calico skirt—and you’ll see the result of Presse’s meticulous attention to detail. Presse is a gifted painter, but she is also a keen student
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Leaning Toward His Easel

Leaning Toward His Easel

September 1, 2020 | by

When viewers take note of the authenticity in Teal Blake’s body of Western artwork, they get a simple reminder that whatever painting he’s working on, it isn’t his first rodeo. In fact, before he got serious about art, Blake was on the college rodeo circuit and was so obsessed with it that he flunked his art classes. “At that point in your life nobody can tell you anything,” he says. “I wanted to be off chasing horses and be in the brush and live that wild life for a little while. I didn’t pay as much attention as I should
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Genuine Moments

Genuine Moments

September 1, 2020 | by

Deborah Copenhaver Fellows had two major projects underway late last spring: a monumental sculpture of the 19 firefighters from Prescott, Arizona, who died battling a wildfire in 2013 and a statue of rancher John Palmer Parker for the town of Waimea in Hawaii. Both were nearly complete and ready to roll when the coronavirus pandemic hit. “COVID stopped both,” Fellows says. Fellows hasn’t taken many breaks in her 45-year career as an artist. She comes from a long line of workaholics, she explains, and she’s happiest when she’s busy working. Plus, she loves her job—and she knows that she’s lucky
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Living His Dream

Living His Dream

September 1, 2020 | by

At the hand of Pennsylvania artist Robert Griffing, Eastern cities and roads of today morph into scenes of 18th century Eastern Woodland Indian villages and pristine forests. Where most people see buildings, cars, crowds, and concrete, he sees the area as it once was and renders portraits of how these Native Americans lived, dressed, and worked. Griffing’s love for Eastern Woodland Indians began when he was a young lad growing up in Linesville, Pennsylvania, which is rife with lore and artifacts of the Seneca and Erie Indians. One day, while exploring the shores of nearby Lake Erie, he discovered a
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The Studio of Jim Norton

The Studio of Jim Norton

September 1, 2020 | by

Jim Norton’s studio is just as he likes it—overflowing with things he loves. That includes paints and paintings, cowboy and Native American accoutrements, and hundreds of books. The studio, he admits, is for working; it is not a showplace. It is where he creates his depictions of the West, past and present, which have earned him international acclaim. Located on the walkout level of the two-story house he shares with his wife, Pam, on two acres of land in Santaquin, Utah, Norton’s studio opens up to a beautiful backyard oasis. That outside setting is as awe-inspiring as his paintings: full
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