Colorado Springs-based oil painter Kathleen Hudson’s hands are full. She has a thriving art career with a shelf of awards and a loyal following of collectors to show for it. She’s a mother of four children and takes joy in introducing them to the natural wonders that inspire her work. She’s also an avid traveler, continually on the lookout for new seas, skies, and mountains to depict in her epic landscape paintings. Hudson’s love for exploration is woven into both her personal life and her artistic vision. In college, she led backpacking trips through the White Mountains of New Hampshire,
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Archives for Landscape
Dogs, Landscapes, and More
Every now and then, James Swanson, who lives in LaGrange Park, Illinois, likes to spend time at a lake near his cottage in Michigan. He takes his two dogs—Bjorn, an English cream golden retriever, and Fenrir, a golden retriever—with him and throws tennis balls for them to chase. For them, it’s purely fun. For Swanson, however, it’s all work. Every time he throws the ball, he aims it in a different direction or to a different depth. He throws it from the dock. Sometimes, he gets into the water himself. He does whatever it takes to to get a new
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Electric Americana
Colt Idol is hard at work in the studio at his home in Whitefish, Montana. That’s not surprising, but what is surprising is that he’s surrounded by 21 paintings on the floor and hanging on the walls in a U-shape around him. “Right now, I have 21 pieces in the works,” he says. “Some artists work in a more linear fashion, but I like to spend about three hours on a piece and then go on to another. I work on four or five pieces each day; it helps me get a stronger end piece by spending time with it.
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‘I Believe in Callings’
Lying on her back, flat on the ground, watching the clouds’ antics for hours. Running barefoot through the woods, dog beside her, throwing her head back and embracing the sun with arms and laughter. Moving from full throttle to dead stop in an instant, captured by the beauty of a tree. Creeping up on a view as if trying not to scare it away, hoping to snapshot the perfect ray of light in the camera of her mind’s eye. These are some of the earliest memories of landscape artist Romona Youngquist. They are also some of her most recent memories
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Spiritual Experiences
When Randy Van Beek sees a landscape that he wants to paint, he grabs his camera and his outdoor painting kit. He then alternates between painting a small study that captures the light, colors, and emotions of the place and looking through the lens of his camera to compose the scene. “The adrenaline just starts rushing through me when I look through the camera lens,” he says. “With your eyes, you’re taking too much in, and there’s no way to communicate all of it. But with the camera, I find the little slices that are the most interesting. It’s all
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A Grand Affair
Twenty-two years ago, while driving from a workshop in Wyoming to her home in California, Amery Bohling took a detour and stopped at the Grand Canyon. She had visited the natural wonder when she was 12, and wanted to revisit it as an adult. That spur-of-the-moment decision was to have a major impact on Bohling and her art. It was October, a busy time at the canyon, but she was able to get a room at the lodge on the North Rim for one night—the last night of the season. She spent the day, taking photos and sitting on the
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Putting Scratchboard on the Map
Like most people in their 20s, Colorado wildlife artist Nelson Tucker spent many of those years carving out his own identity. Today, carving is vital to his art. “I’m going to stick with scratchboard for a while,” he says. “I’ve always had a love for black and white and love the different values and shapes that you can get out of it.” Though he also does pen-and-ink drawings, as well as pencil-on-paper, Tucker’s passion is for scratchboard. Tucker discovered scratchboard art when he was 10 and fell in love with the process of carving into an inked, black surface to
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Identifiable Art
Kim Wiggins has spent the past 18 months preparing for an upcoming one-man show at Legacy Gallery in Scottsdale, Arizona, in November. He’s completed 25 new works, including an eightby-six-foot centerpiece that took him almost four months to finish. Preparing for this major solo show has given Wiggins reason to reflect back on the first show he ever participated in. It was 1983, and he had recently been invited to join the Society of American Impressionists. Twenty-five at the time, he was the youngest artist in the group. Wiggins was delighted to attend the society’s annual show in St. Louis,
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The Studio of Lori Putnam
Nestled on a five-acre plot of land in rural Charlotte, Tennessee, Lori Putnam is living the dream in her 1,800-square foot studio. The open design of the studio’s structure also boasts a 700-square-foot loft that serves as living space for Putnam and her husband Mark. Looking at the building from the outside, you would assume it’s just another house but, once you walk through its doors, you realize how wrong that assumption is. The openness of the home and studio gains perspective when Putnam says there is only one door inside: the one that leads to the bathroom. Putnam and
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Following Her Heart
Don’t try to pidgeon-hole Jennifer Johnson—or her art. Her subjects are varied, but her goal with each is the same: to celebrate the past. She captures nature’s vibrancy with bright, bold colors, pays tribute to the charm of the 1930s and 1940s, and shares her love of wildlife. “All of my paintings have a story from my own experiences, stories told to me by my parents and grandparents and even people I meet at art events who share their adventures,” Johnson says. “When it feels right in a piece, I love to include a touch of whimsy and humor because
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