Sometimes, when the moon is full, Dan Young steals out of the house to paint. “I have a tendency to get obsessed with things,” he confesses, “and a few years ago I decided to learn how to do night paintings. I tried a few, and I failed miserably. Being someone who loves painting from life, I thought, ‘I’ll just go out at night and paint.’ I got the little headlamp—one for my head and one to shine down on my palette, so I could mix the paint. I’d go out and observe the scene, and I’d try to paint. I’d
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Archives for Landscape
Speaking the Language of Paint
Every once in awhile, Nancy Boren comes across two watercolor paintings she did of the Grand Canyon, when she was about 12. “They were, without doubt, the worst paintings ever created,” she says. “I think I’ve made some progress since then.” That’s an understatement for this talented artist, who describes those early paintings as resembling “a big bunch of purple hamburger meat,” due in part to the fact that, at that age, she was unable to view the scene as a whole. She’s come a long way since then, earning prestigious awards for her paintings, while also finding other outlets
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‘I Paint What Excites Me’
As humble as he is talented, New Mexico artist Kang Cho is a man of few words and doesn’t like to talk about himself. Then again, he doesn’t need to; his art speaks for itself. Whether he’s painting a mountain vista, a city street, or a figure on a lonely road, his dramatic paintings engage and entice the viewer to look deeper. Kang’s use of light and shadow, combined with expressive brushwork, creates a mood that evokes an emotional response. Sometimes contemplative, sometimes exuberant, he paints how he feels about what he sees. “I paint what excites me,” he explains.
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‘I Like a Sexy Surface’
“I’m fascinated with the allegorical—and the real—journey of life.” So says B. C. Nowlin of his powerful, colorful paintings, many of which are included in corporate collections throughout the country, as well as in private collections by the likes of Sophia Loren and Led Zepplin. “I am told that I paint journeys,” he says. “It’s more like a place that people pass through. They’re going out of darkness, toward the light. My paintings are a journey, something that pulls you forward, that goes through time or space. I’m generally an optimistic guy, so it’s always bright in the distance. It’s
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‘I Paint to Listen’
Montana artist John Potter does more than paint lovely landscapes and realistic wildlife. His art invites viewers to listen to the voice of the earth inside them. “The deeper message I hope to convey is this: Take the time to nurture and nourish your senses, your heart, and your spirit in the quiet dignity to be found in wild places and wild things,” he says. Potter isn’t a household name—yet—but he probably should be. His paintings ostensibly portray wildlife and nature. But, look closer. He’s not handing out trophy images of animals, birds, or benign landscapes; he’s offering a revelation.
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Living an Artist’s Dream
“Every painting I start I hope is going to be the best painting I’ve ever done. That doesn’t necessarily come true, but it can, so I keep going.” Spoken by some artists, these words might scan as overconfident, even boastful. Coming from Dennis Doheny, though, they sound like a simple statement of possibility, offered up in a playful spirit of optimism and a willingness to stretch as an artist, even after 40 years in the business. Doheny’s artistic outlook and philosophy are as sunny as the warm California landscapes he’s best known for painting. He wakes up in the morning
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Lighting the Way
Peter Adams admits to being somewhat of a rapscallion in his early years. When he was a junior, the military school he was attending instituted an art program. Unimpressed with the artwork created by the teacher and students and displayed in the cafeteria, he took action. “I took it all down, stole some paints and put my paintings up under the nom deplume Von Seitz,” he says. “I put my paintings up all over campus. About five years later, I was back at the school for some event, and there was a sign that said, ‘Von Seitz, come back; we
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Balancing Art and Life
Unlike most artists, who claim to have been born with a Crayon in hand, Utah artist G. Russell Case came to his avocation a bit later, even though he was surrounded by art from a young age. His father, Garry Case, a watercolor artist of some renown was also an illustrator. He had a studio in the family home and his young son, seemingly impervious to art, was just a normal kid with interests any young boy would have. Sure, he might have dabbled in drawing and coloring, but what child doesn’t? Things changed for Case, when he was a
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The Stuido of Lorenzo Chavez
At the end of December, as landscape painter Lorenzo Chavez walked along Cherry Creek near Parker, Colorado, he held his cell phone to his ear. He was multitasking, as he visited with this writer, while enjoying the day’s mild weather and scouted the area in search of scenes that might eventually find their way into a painting. He’s outside, where he belongs, where he finds inspiration for the colorful landscapes he composes, much to the delight of his many collectors. A portrait painter turned landscapist, Chavez is equally at home painting the desert, the ocean, mountain, or the foothills near
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I’ll Paint Anything, Within Reason
Barron Postmus can’t find much to complain about. He lives in sunny Southern California with his wife Jane Skeeter, who he describes as “the love of my life.” He has enjoyed a long career as a successful artist. He’s strong and healthy, thanks to his daily trips to the gym. And he has four happy children and six grandchildren, all of whom help keep him young. “I’ve been so lucky,” he says. “What a life I’ve had. I’m married to the girl I love, my kids are all doing well, and I make a living painting.” Even so, there’s one
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