Archives for Wildlife

‘I Love What I Am Doing’

‘I Love What I Am Doing’

January 15, 2018 | by

Although Tom Dorr ranks among the nation’s most prolific painters of Western art, the Phoenix-based artist, who was born in Chicago, Illinois, and spent his early years in Kansas City, Kansas, had little affinity for subjects west of the Mississippi. That changed, when his father’s employer, AT&T, transferred the family to Colorado Springs, Colorado, in the early 1950s. “I was about 12, when we arrived in Colorado, and by then I had already discovered my love for painting and drawing,” Dorr says. “At that time, there were still a lot of old farms and ranches in the area, so I
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Western Voices: Past and Present

Western Voices: Past and Present

November 18, 2017 | by

Generations of painters and sculptors make up the fabric of art of the American West. The ongoing influence of artists, reaching back to the 1800s, is evident in the ambitions and efforts of younger artists today and, just as the best artists of old are known by their unique stylistic voices, a new generation strives to develop its own voice and, perhaps, the opportunity to influence those who follow them. Art of the West has been a platform for Western art for the past 30 years, helping us to hear the voices of new generations of artists, along with echoes
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Women Artists: Meeting the Challenge

Women Artists: Meeting the Challenge

November 18, 2017 | by

It’s no secret that women artists often have a more difficult time than their male counterparts in not only succeeding in their careers, but in the prices paid for their work and in the collectability of that work by museums. It’s a topic that has been quietly discussed for many years, but now is gaining awareness, due in part to members of American Women Artists (AWA), who were shocked when they realized that women artists represent only 3 to 5 percent of artwork in museum collections. As a result, the group has launched 25 in 25, a campaign to have
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The Studio of Bruce Greene

The Studio of Bruce Greene

September 18, 2017 | by

Bruce Greene doesn’t just create Western art; he lives it. Since 1998, about four times a year, he spends a stretch of several days at one of two historic Texas ranches—JA Ranch, the oldest privately owned ranch in the Texas Panhandle, and the legendary Four Sixes Ranch. What does he do there? He engages in contemporary cowboy activities: riding, roping, and wrangling. Those forays into the cowboy psyche have a profound impact on Greene’s art. There’s nothing quite like an authentic contemporary cowboy experience to awaken and excite his creative muse. Greene describes his time at the ranches as magical.
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Speaking the Language of Paint

Speaking the Language of Paint

September 18, 2017 | by

Every once in awhile, Nancy Boren comes across two watercolor paintings she did of the Grand Canyon, when she was about 12. “They were, without doubt, the worst paintings ever created,” she says. “I think I’ve made some progress since then.” That’s an understatement for this talented artist, who describes those early paintings as resembling “a big bunch of purple hamburger meat,” due in part to the fact that, at that age, she was unable to view the scene as a whole. She’s come a long way since then, earning prestigious awards for her paintings, while also finding other outlets
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‘Plenty Left to Do’

‘Plenty Left to Do’

July 18, 2017 | by

Gerald Balciar and his wife Bonnie start every day with a walk around their property. They loop around the 10-acre plot near Parker, Colorado, three times, weaving between the trees they planted when they moved there 26 years ago. As they walk, Balciar counts bluebirds. “Most days we see eight or 10 of them,” he says. “When I get an idea, I grab a magic marker, a crayon, whatever I can find, and quickly sketch it out,” he says. “Sometimes, I just write it out. If I don’t, I’ll forget it, and I don’t want to do that.” Balciar has
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‘Unexpected Miracles’

‘Unexpected Miracles’

July 18, 2017 | by

The man walked into the gallery, studied several paintings, and then purchased one of Carol Peek’s paintings of a Holstein. “I have to have this painting,” he told the gallery staff member, “and I don’t even like cows!” It was a great compliment for Peek, who says, “I got him to feel something about a subject he never would have looked at before. Something I felt was transferred to him through paint. When people say, ‘I didn’t know a cow could be so beautiful,’ I love it, because they can feel that I loved painting it.” And that, she says,
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‘I Paint to Listen’

‘I Paint to Listen’

July 18, 2017 | by

Montana artist John Potter does more than paint lovely landscapes and realistic wildlife. His art invites viewers to listen to the voice of the earth inside them. “The deeper message I hope to convey is this: Take the time to nurture and nourish your senses, your heart, and your spirit in the quiet dignity to be found in wild places and wild things,” he says. Potter isn’t a household name—yet—but he probably should be. His paintings ostensibly portray wildlife and nature. But, look closer. He’s not handing out trophy images of animals, birds, or benign landscapes; he’s offering a revelation.
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Making Connections, Seeing Patterns

Making Connections, Seeing Patterns

July 18, 2017 | by

“Painting is all about seeing,” oil painter Carolyn Anderson frequently notes. It’s a talking point in previous interviews, and it’s something she reiterates regularly to the intermediate and advanced art students, who attend her workshops. It’s also a concept absolutely essential to understanding her art, both in terms of creative process and end result. “Too many of us repeat that information without thinking about what that actually means,” Anderson says. “If it actually is all about seeing, it takes on a whole new level of importance.” Carolyn Anderson Before the Race Oil 12″x12″ “I like imagery with some kind of
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The Long and Winding Road

The Long and Winding Road

July 18, 2017 | by

“I was an out-of-control child,” John DeMott says. “I was right-brain from the get-go. We would walk to kindergarten, and sometimes I wouldn’t make it to class, so my mother would come looking for me, and I would be catching butterflies. I did what I wanted to do, not necessarily what I was supposed to do. I have kind of marched to my own tune my whole life.” He has indeed. But, oh what a tune it is. Today, DeMott is a successful artist—and part-time musician—living in Loveland, Colorado, where he is surrounded by the natural beauty, the people, and
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