Archives for Wildlife

Creative Adventure

Creative Adventure

February 15, 2019 | by

Although Jill Soukup was born in Buffalo, New York, she could lay claim to the status of Colorado native. Her upbringing, education, and the inspiration for her current paintings have all been influenced by the fact that she has resided in the Centennial State since she was six months old. Soukup (pronounced Soakup) is a Czechoslovakian surname, the equivalent of the name Smith in the United States, but the talented artist and her paintings are by no means common. Her father was a veterinarian, and her mother was dedicated to saving abandoned pets, so there is little wonder that Soukup
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The Studio of Don Weller

The Studio of Don Weller

November 15, 2018 | by

Little did Utah-based watercolorist Don Weller realize that, when he and his wife chose to relocate from Southern California to northern Utah in the early 1980s, that decision would become the impetus for him to begin a career as a fine artist. It was a move that would set the stage for the rest of his life—and his career. In 1960, after earning a Bachelor of Arts Degree in fine art from the University of Washington in his hometown of Pullman, Weller headed to Los Angeles, California to pursue a career in commercial art Don Weller (Utah) Don Weller Painting
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Personality and Panache

Personality and Panache

November 15, 2018 | by

Hours spent observing wildlife in its natural habitat during his youth in Wyoming instilled in Dan Ostermiller an affinity for animals. Working alongside his well-know taxidermist father, Roy, from early in his childhood gave Ostermiller technical skills that set him apart as a sculptor later in life. But, taxidermy was not something he cared for. “I grew up in that business, but never liked it,” he says. “However, it did give me a lot of tools I needed to become an artist.” Ostermiller never received any formal training, but he knew art was his future, and painting was his initial
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‘I’m Living the Life I Paint’

‘I’m Living the Life I Paint’

November 15, 2018 | by

Tim Cox has gone fishing twice already this year. That might not seem like much to most avid fishermen, but Cox isn’t complaining. It’s more fishing that he’s done for the better part of a decade. In 2010, Cox became the vice president of the Cowboy Artists of America (CAA). The next year, when he was president, the organization officially moved from its long-time headquarters in Phoenix, Arizona, to Oklahoma City, Oklahoma. That transition consumed most of Cox’s time for much of his two-year term as president. “I think I averaged about four hours of sleep a day for those
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Heading in the Right Direction

Heading in the Right Direction

September 15, 2018 | by

On a recent trip to Glacier National Park, Dustin Van Wechel came upon a rugged old tree that stopped him in his tracks. Something about its trunk, which had folded over itself and the mist hanging in its branches, reminded him of a scene from a horror movie—which gave him an idea for a painting. “I looked at it and I thought that it would make a great setting for a group of ravens feeding on an animal carcass,” Van Wechel says. “But I wasn’t interested in actually painting the carcass, I just wanted to paint it so that anyone
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Poetic Landscapes

Poetic Landscapes

September 15, 2018 | by

For Colorado artist David Grossmann, painting is a heartfelt means of communication. It’s his way of incorporating beauty, creation, imagination, and memory into his art. At first glance, his muted landscapes seem simple, soft. Look closer, and you see they are teeming with texture, nuance, and subtle commentary. Grossmann hopes his quiet, evocative paintings inspire viewers to linger and reflect on nature, to observe the beauty around them. “There is so much clamor for attention [in the world] that it’s easy to miss the quiet,” he explains. “I’d like people to pause and observe, look at the textures. I paint
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Reaching New Heights

Reaching New Heights

September 15, 2018 | by

Martin Grelle was a very nervous young man when, in 1974, just a year after he graduated from high school, he had his first art show at a gallery and frame shop in Clifton, Texas. “I had no idea what to expect,” he says. “It’s hard to remember, but I probably had, at most, eight or 10 pieces for the show, and we sold almost all of them the first evening. I had a combination of oils, charcoals, and pastels in the show, and the largest piece was probably an oil painting about 24” by 36”. It probably sold for
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Realism with a Painterly Slant

Realism with a Painterly Slant

July 15, 2018 | by

Shawn Cameron can’t remember when she first began drawing horses. “I never decided I would be a Western artist,” she says. “It was just a natural outcome of my life. I painted or drew horses from—I can’t remember when I started! But from my earliest memory, I drew what I saw, and what I saw was horses and cattle.” A fourth-generation cattle rancher, Cameron grew up among horses, cattle, and working cowboys. She also grew up immersed in the arts. “My mother encouraged it, always,” she says. “She studied art and music herself, and my brother and I had professional
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The Wonder of Wildlife

The Wonder of Wildlife

May 15, 2018 | by

Hailed as one of the nation’s premier wildlife artists, the path Montana-based painter Daniel Smith traveled in reaching this position of renown has been one of dedication and evolution. Born in Mankato, Minnesota, in 1954, he says he was genetically infused with a love of art and nature thanks to his father, an inveterate outdoorsman, who used his own wood-burning skills to give visual testimony to his inherent love for wildlife. He goes a step further, saying that same gene seems to have been passed on to his son, Adam. “After dabbling with art a bit in high school, at
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A Lifelong Journey

A Lifelong Journey

May 15, 2018 | by

The first sculpture Bill Nebeker cast was of two mountain men. He had been crafting small clay pieces at his kitchen table in the evenings, after working all day with other artists at George Phippen’s Bear Paw Bronze Foundry in Skull Valley, near Nebeker’s home in Prescott, Arizona. “It was pretty crude,” Nebeker admits. But it sold. So did the others he made after it. It wasn’t long before he was making more selling sculptures than he was at the foundry, so he gave up his job and starting sculpting full time: cowboys, mostly, but also Native Americans and wildlife.
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