A perky, curious French Charolais, swirling the reflective water it’s churning through, gazes over Teresa Elliott’s shoulder. She’s not outside, but the half-finished, 23” by 30” painting of the cow that sits on her easel feels at home in the dry, open landscape outside her studio window. Elliott’s studio overlooks the Que Dice Ranch with 10,000 open acres of hills, buttes, and desert plants. Cattle often wander through the vista, so it’s not surprising that Elliott has made them her subject matter ever since she pivoted away from graphic design, copywriting, and illustration and into a full-time career as a
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Archives for Wildlife
A Walk on the Wild Side
The influence of one artist on another can be gradual, something that develops and reveals itself over years. In the case of Kathryn Ashcroft, it happened much more abruptly. That came about in 2015, when David Koch, a painter living in Utah, asked her to help him with a mural project that was going to be displayed at a church building in Montreal, Canada. During the 10 years before she got that request, Ashcroft was creating realistic oil paintings of wildlife that were exercises in precision, with every hair and feather in place. Koch wanted her to paint some animals
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Born to Be an Artist
“I like to live as much of what I’m going to paint as possible, so I do a wagon train every year,” says Sandpoint, Idaho-based oil painter Julie Jeppsen. She doesn’t mean that she paints a wagon train every year; she means that she organizes and directs an entire real live wagon train—and then she paints it. “We live out in the wagon, with a team of horses pulling it,” she says. “My kids are all involved in it, and so are my grandkids. It’s an experience I can have with them. Last year, on our wagon trip, we had
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Changing Lanes
Wyoming sculptor and painter, J. C. Dye, says an artist needs two lifetimes: one to master the art of sculpting and painting and another to reap some rewards. As a 76-year-old who has enough experience to fill at least two lifetimes, one reward is being recognized as one of the top sculptors in the United States. He’s earning kudos for his paintings as well, something he turned to when foundries began closing, and he found himself waiting up to a year to have a sculpture cast. Dye’s years as a rancher provided with him with intimate knowledge of the cowboy
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A Noble Pursuit
Amy Lay admits that it took her a few years to recognize the value of the art degree she earned from Eastern Oregon University in 1994. At the time, most of the faculty members were interested only in abstract art and didn’t appreciate her passion for wildlife and nature. Since those were the only subjects that interested her, Lay often felt that her instructors snubbed her. But there was one professor who encouraged her to take the time to explore and to develop her own style. Thirty years later, the style that emerged from that exploration has become the hallmark
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The Composer
The year is 1841, and the sounds of men and animals fill the streets of what would one day become Omaha, Nebraska, as the first serious group of pioneers sets out along the Oregon Trail. From high atop a rearing horse, a wagon master calls to the party of covered wagons, urging the travelers through a dry creek bed and toward a new life out West. This is not a scene from a new Taylor Sheridan television series; it’s a six-block-long monumental installation in downtown Omaha, something Utah-based sculptor Blair Buswell has been contributing to for the past 20 years.
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Kindred Spirits
Matthew Hillier and Julia Rogers have a special connection. They share a love of wildlife, landscapes, and water. They respect each other’s talent and cheer each other on. And, they’re married—to each other. The two met at an art show in Tacoma, Washington, in the 1990s and continued to connect at other shows for a few years before they began long distance dating. At the time, Hillier was living in Florida, and Rogers was living in Chesapeake Bay, Maryland. They married in 2001 and lived in a suburb of Washington, D.C. for a time, but Rogers missed living in Chesapeake
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Full Steam Ahead
During the past six months, J.R. Hess has been living his dream life. He moved to Colorado with his wife Molly and their two teenage sons, Cass and River, he’s got studio space in his new home in Loveland, and his photorealistic wildlife drawings hang in galleries in Montana, New Mexico, and Wyoming. “I’ve been waiting my whole life to get to this point,” Hess says. “I am so thankful, so happy to be doing what I’m doing. I’m still new at this but I know that I’m so fortunate to be able to do what I love to do.”
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It’s Never Too Late
Arkansas oil painter Brenda Morgan’s artistic life currently is a tale of two buffalo—or maybe three. “It’s a long, sad story,” she says with a sigh. “The painting I’m working on is actually a replacement for the Woolaroc/Women Artists of the West Invitational Exhibition in May. I had two buffalo that were going to be in it but now I’m basically repainting one of them, painting the same painting. I varnished it, the same way I varnish all my paintings; I’ve used the same varnish for years. I don’t know what happened.” The varnish, Morgan says, got “a little weird.”
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The Road to Western Wildlife
Carol Lundeen’s love affair with animals of the West began in the 1970s. During a family trip to the Black Hills in South Dakota, she was fascinated by the bison and herds of pronghorn she saw there. “Everywhere you’d look, you could see herds of pronghorn running over the land,” she says. “I was so impressed with their beauty.” It would take many years for art and the fascination with Western wildlife to combine and become a focus for Lundeen. But, here she is today—enthusiastically capturing in oils the animals that made such an impression on her when she was
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