Star Liana York’s energy knows no bounds. Neither does her talent. She’s not only been creating award-winning sculptures for more than four decades, she also owns and runs a ranch with her husband and operates an Airbnb. After competing in horse events and breeding and training horses for many years, she has set that aside. There are, after all, only so many hours in a day, most of which York fills with creating magnificent sculptures that have earned her countless awards and are treasured by collectors. York’s monumental sculptures are placed at sites throughout the country that include the Smithsonian
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Archives for Wildlife
A Burning Obsession
As a child, Susan Eyer-Anderson would sneak into the garage to watch her father paint. He worked long hours as the manager of a silkscreen plant in Los Angeles, California, but he spent his evenings and weekends painting in the family garage in rural Orange County. It was intended to be a quiet sanctuary, and three of his four children respected that enough to stay clear of the space. But Eyer-Anderson was too intrigued by the work he did in the garage to stay away. “I couldn’t help it,” she says. “I was so fascinated by it, so I would
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Sudden Inspiration
Tim Whitworth gets lost in creating. Ideas for a sculpture can overtake him at any minute, setting his mind in motion on every facet of its design. “I can be driving down the highway, and if I see something I’ll ask myself, ’Now, how do I put that into 3D?’” he says. “I’ll go through it in my mind.” That sudden inspiration also has its drawbacks. “Sometimes I get an idea about a piece,” Whitworth says. “I’ll get it designed, go through the process—design what it will look like, create the patina – then maybe won’t do it. I’ll do
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Putting Marrow In The Bones
“I used to sit at Clark’s desk and draw. Who does that?” Acclaimed Western sculptor Richard Greeves is reminiscing about his childhood in St. Louis, Missouri, and yes, he’s talking about that Clark: Captain William Clark, of Lewis and Clark. Greeves’ childhood home, a stone’s throw from the Louisiana Purchase celebration grounds, afforded him the opportunity to serve as an unpaid gofer at the Missouri History Museum where he would rummage through the archives and make himself comfortable on the explorers’ furniture. “Back in those days, nobody thought much about it,” he says with a laugh. “They just thought of
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Beauty Past and Present
“I’m 76, and I’m going to paint what I damn well please.” So says Rock Newcomb, laughing heartily as he does so. In fact, he laughs freely and often during the interview for this article. With a successful teaching career behind him and more than 30 years as a successful artist, he’s earned the right to say what he wants—and to paint what he wants. There is no niche for Newcomb’s art, and that’s exactly how he—and his collectors—like it. He’s earned national and international acclaim for his paintings of subjects that range from wildlife, landscapes and ruins, to cowboys,
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Painting the Air
Cheri Christensen is blessed with the ability to capture the uniquely individual personalities of the animals she lovingly portrays, radiating their charm and joie de vivre as she does so. Her love of animals traces back to her childhood in Enumclaw, Washington, a small farming community, where her family had a butcher shop, and her grandfather raised Herefords. “I spent a lot of time at his ranch, and I idolized the lifestyle of being surrounded by animals—sheep, horses, cows, cats, and dogs,” Christensen says. After graduating from high school in 1979, she enrolled at the University of Washington in Seattle
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The Studio of Adam Smith
Adam Smith has an innate talent for drawing and painting cougars, pumas, and mountain lions. There was a time, however, when the only big cats he wanted to draw came with a 428/335 horsepower Super Cobra Jet engine designed by Ford for its Mustang and Cougar cars. “In high school I was drawing cars,” Smith says. “I thought about car design [as a career], so in 2006 I enrolled full-time at Wyoming Technical Institute in Laramie to become a technician.” Read the full article in the March/April 2022 issue. Thunderhead Acrylic 25” by 35” The Stalker Acrylic 19” by 35”
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Sweet Connections
It was a compliment of the highest order and one that Julie Nighswonger treasures. While exhibiting her paintings at an art show, she watched as a little girl walked up to a painting of a small horse, which was hanging low in Nighswonger’s booth—and kissed it. Sure, awards are appreciated and are validation of work well done, says the Wyoming artist, but a kiss—wow! Nighswonger has won her share of awards. Her first was the Artists’ Choice Award at the Wyoming State Fair in 2003; her most recent was the People’s Choice Award at Cowgirl Up! last year. A member
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Peaceful Feelings
When Paul Dykman steps outside his rural Montana home, his first instinct is to look up. “I look up, and I see the mountains; I see the amazing sky,” he says. “And I think, ‘Lord, how did you do that? Will you please show me how to do that?’ “It’s so beautiful. I look around and wonder how to get that certain color in the sky or the hue of the mountain. It’s not easy to emulate what God finds so easy to do.” Dykman has spent the past 20-plus years trying to do just that. Read the full article
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The Studio of Doug Monson
If you happen to find yourself wandering through the galleries in Jackson Hole, Wyoming, do yourself a favor and venture an hour and change down US 89-S to Afton. Thanks to the hard work and bold, generous vision of wildlife artist and Afton resident Doug Monson, the little town—population 2,000—is finding a place on the map for artists and collectors alike. Monson and his wife Donna have been enamored with Afton since they visited it four years ago while searching for studio space. “It’s in a beautiful valley, a high mountain valley,” Monson says. “It’s just a really good area,
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