Archives for 2022 May-June Issue

Disco Drove Him to Art

Ask Oklahoma City-based oil painter Kenny McKenna what kick-started his career, and he will tell you, in all seriousness, that it was disco. “This is a true story,” he says with a laugh. “It sounds ridiculous, but it’s true. As much as I dislike disco, I can thank it for what I’m doing today for a living.” It does sound ridiculous, and it is a true story. McKenna, an accomplished musician who has been playing in various bands since he was in junior high school, was living in Phoenix, Arizona, and playing six nights a week with a successful local
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Sudden Inspiration

Tim Whitworth gets lost in creating. Ideas for a sculpture can overtake him at any minute, setting his mind in motion on every facet of its design. “I can be driving down the highway, and if I see something I’ll ask myself, ’Now, how do I put that into 3D?’” he says. “I’ll go through it in my mind.” That sudden inspiration also has its drawbacks. “Sometimes I get an idea about a piece,” Whitworth says. “I’ll get it designed, go through the process—design what it will look like, create the patina – then maybe won’t do it. I’ll do
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A Lifetime of Experimentation

If you spend enough time looking at Stan Davis’ art, you will understand who he is. You will understand how he’s evolved as an artist, how his experiences have led him to exactly where he is now, how his artistic influences have converged in his body of work. You will understand why he feels more creatively alive than he has ever felt before. “This is the most creative thing I’ve ever done,” Davis says from his home in Perry, Florida. “It absolutely draws every ounce of creativity out of me.” “This” is the mixed-media collage that is part of the
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The Beauty of Black and White

When Rachel Brownlee walked into the Mountain Oyster Club art show in Tucson, Arizona, last November, she couldn’t believe her eyes. There, hanging in a prized spot in the center of the back wall, was her charcoal drawing, At the Ready. “I was speechless,” she says. Things got even better when her drawing won the Best of Show Award and when it sold. Brownlee says that at the time she didn’t know much about pricing artwork. She was left speechless again when the man who purchased that drawing told her that he had walked into the building, saw it, had
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Finding—and Sharing—Beauty

“There is so much ugly going on in the world that you need somewhere to find beauty.” So says Pat Meyer who is helping people do just that with her stunningly vibrant paintings of flowers, landscapes, and ballerinas. Her works have earned a myriad of awards as well as invitations to exhibit at prestigious art shows. She is especially proud that she is a signature artist with the National Oil and Acrylic Painters of America (NOAPS), is a member of Women Artists of the West (WAOW), and has won Best Floral awards with both groups. For most of her life,
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Quality Over Quantity

It is no surprise that some people might wonder if R. S. Riddick has retired. He has not. In fact, the nearly 70-year-old artist has been very busy making some of his most meaningful work ever. He has also acquired a new ranch studio and a clear perspective on the messages he wants to pass on through both his art and his life. For more than 40 years, Riddick had made his home and studio in southern Arizona, though he has always had a genuine longing for mountains. “Your faith becomes alive there, nature becomes a profound teacher, and people
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The Studio of Ed Mell

For more than four decades, Arizona-based painter, Ed Mell, has charmed the public with his vibrant images of the Sonoran Desert and the Colorado Plateau. The beauty and veracity of his paintings give testimony to his love of his native surroundings. Born in Phoenix, Arizona, Mell grew up in what was then just a small desert oasis, leaving when he enrolled in the Art Center School of Design in Los Angeles, California. After completing his courses in 1967, he accepted a position with a large advertising firm in New York City. A year later, he and a friend started their
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