The three best gifts you could give to Cindy Long are a pencil, paper, and a man with a weathered old face. Then give her a few weeks to work her magic. The result will be a detailed, black-and-white portrait that will have you studying each line, each shadow, the eyes, the face. It will also have you wondering who he is, what he’s thinking, and what he’s experienced. And that’s exactly what Long wants. “I want to convey the depth and personalities of my people—an emotion, a mood, the story behind the eyes,” she says, adding that the same
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Archives for Charcoal
A Noble Pursuit
Amy Lay admits that it took her a few years to recognize the value of the art degree she earned from Eastern Oregon University in 1994. At the time, most of the faculty members were interested only in abstract art and didn’t appreciate her passion for wildlife and nature. Since those were the only subjects that interested her, Lay often felt that her instructors snubbed her. But there was one professor who encouraged her to take the time to explore and to develop her own style. Thirty years later, the style that emerged from that exploration has become the hallmark
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The Studio of Mary Ross Buchholz
From the windows of her studio, Mary Ross Buchholz can see a row of apricot trees and a stand of towering oaks. She can see the set of beehives that she tends and the barbecue pits where family meals are often prepared. And just past a slight hill, she can see the fence that separates her house from the pasture where the family’s livestock grazes. That’s been her view since 2002, when she and her husband Bob added the 13-foot-by-20-foot studio onto their home near Eldorado, Texas. Before then, they had three young boys running around the house and little
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Cowboy Storyteller
“When I was 14 or 15, my school offered an on-location drawing class in the summer,” says Arizona-based artist Steve Atkinson. “I’d get up early in the morning and go down to Yellow Creek with my little sketch pad and transistor radio, and I can remember just thinking to myself, ‘If I could do this for a living, it would be Heaven,'” he recalls of that class. If the teenage Atkinson could see himself now, he would likely agree that his life has been Heaven. His paintings have earned him many honors, the latest being the People’s Choice Award at
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The Beauty of Black and White
When Rachel Brownlee walked into the Mountain Oyster Club art show in Tucson, Arizona, last November, she couldn’t believe her eyes. There, hanging in a prized spot in the center of the back wall, was her charcoal drawing, At the Ready. “I was speechless,” she says. Things got even better when her drawing won the Best of Show Award and when it sold. Brownlee says that at the time she didn’t know much about pricing artwork. She was left speechless again when the man who purchased that drawing told her that he had walked into the building, saw it, had
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‘This is My Life’
Sculptor Chris Hunt has dislocated each of his shoulders at least four times and broken both clavicles, both scapulae, and a couple of ribs. The Texas-born artist and former Air Force senior airman has always jumped feet first into new things, be it riding in rodeos or introducing a new medium to his repertoire. “‘No fear’ was my mantra, and still is to this day,” he says. Hunt grew up in Damon, Texas, on a ranch on the Brazos River, where he was raised by his father Maurice and had no problem amusing himself by drawing, fishing, hunting, and riding
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Sweet Connections
It was a compliment of the highest order and one that Julie Nighswonger treasures. While exhibiting her paintings at an art show, she watched as a little girl walked up to a painting of a small horse, which was hanging low in Nighswonger’s booth—and kissed it. Sure, awards are appreciated and are validation of work well done, says the Wyoming artist, but a kiss—wow! Nighswonger has won her share of awards. Her first was the Artists’ Choice Award at the Wyoming State Fair in 2003; her most recent was the People’s Choice Award at Cowgirl Up! last year. A member
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The Studio of Doug Monson
If you happen to find yourself wandering through the galleries in Jackson Hole, Wyoming, do yourself a favor and venture an hour and change down US 89-S to Afton. Thanks to the hard work and bold, generous vision of wildlife artist and Afton resident Doug Monson, the little town—population 2,000—is finding a place on the map for artists and collectors alike. Monson and his wife Donna have been enamored with Afton since they visited it four years ago while searching for studio space. “It’s in a beautiful valley, a high mountain valley,” Monson says. “It’s just a really good area,
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Looking For Attitudes
The two weeks that Trish Stevenson spent at her grandparent’s log cabin in western North Dakota each summer as a child were the best part of her year. She and her five siblings loved how different it was from their home outside Denver, Colorado. They even loved the outhouse. “It was like camping for two weeks,” she says. “It was the highlight of the year for us.” But what Stevenson remembers most is her grandfather. She remembers how tall and lanky he was, how he sat with his legs crossed in a certain way, how he rolled cigarettes with Bull
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‘How I Got Here’
During a visit last October, Susan Lyon made three admissions. The first is that she never considered herself a natural artist. She hadn’t impressed anyone with her drawings as a child. She wasn’t the student who was always chosen to illustrate the school yearbook cover or design the hallway mural. Later, while studying at the American Academy of Art in Chicago, Illinois, Lyon noticed that some of her classmates seemed to be able to see spatial relationships and copy them perfectly. For her, it was a struggle. “I wasn’t someone who had ever been very confident in drawing,” she says.
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