Archives for Oil

Keeping It Fresh

  “I don’t like clichés,” says Western artist Brett James Smith. He recognizes that his chosen genre is replete with familiar tropes: the backlit pastoral scene, the regal Native American chief, the faithful dog, the sunlit brook, the swaggering cowboy. Although you will find those landscapes and figures in Smith’s portfolio, he is determined to paint them in such a way that you won’t mistake his work for anyone else’s. “I’m always looking for a fresher look at any subject,” he says. “My number one priority is to do things that haven’t been done, or at least to bring something
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The Beauty of Birds

  As long as there are birds in the skies, Bill Rice will sculpt them. That’s essentially the work ethic, the focus, and the passion with which he has been operating for more than 40 years as an artist who specializes in avian wood carvings. The winner of several awards, including the 2024 People’s Choice Award at the Adirondack Experience Museum in Blue Mountain, New York, Rice’s home is in an area of Connecticut where he can walk outside and see different types of birds every day. Summer walks with his wife, photographer Brooke Rice, present endless subject matter. “This
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The Excitement of Plein Air Painting

  “I look at the world as color notes.” So says Michele Usibelli, and to realize the truth of that statement, all you have to do is look at one of her paintings. Splashes of color and bursts of light jump off the canvas, almost daring you to look away. You can’t do it, however; her brushstrokes sweep you into and around the painting, creating a visual journey that you don’t want to end. Usibelli’s own journey began when she was a young girl growing up in Seattle, Washington. By the time she was in second grade she knew what
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The Studio of Dustin Van Wechel

  Before wildlife artist Dustin Van Wechel built his current studio, he worked at an easel standing alone in the corner of a “disturbingly sparse” room in his Arizona home. At the time, fellow artist Krystii Melaine stopped in for a visit and was excited to see the studio of an artist she admired. He tried to warn her that it was nothing to get excited about, but his words fell on deaf ears. “My studio hit her like a death in the family,” Van Wechel says, and jokingly adds that he thinks that his reputation diminished considerably in Melaine’s
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Renaissance Man

Andrew Roda has quite a past—and a future that is glowing bright. He walked onto the polo team in college despite not knowing how to ride a horse. He did a lucrative stint as an East Coast investment banker before going to Hollywood and serving as Johnny Depp’s stand-in for a Tim Burton film. He’s hiked the Grand Canyon Rim-to-Rim-Rim in less than a day, and he’s done the Ironman a few times. Somewhere in between those adventures, he taught himself to paint— and he’s pretty darn good at it. Roda, at work in his backyard studio in Los Angeles,
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Unique Interpretations

Most of Peggy Judy’s paintings are born of a single photograph. Even though she might have taken 1,200 shots before that one and another 100 after, she knows exactly what she’s after and what shot will give her what she needs. “I’m always taking the photos quickly, but then something happens,” she says. “The right composition just naturally happens, and I’ll know as I’m taking it that that’s the one. It’s because the lighting is such that it breaks everything down into shapes, and that’s all I see—the shapes, the colors, and the lighting.” Back in the studio, that prized
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Guiding Light

Jim Wodark is inspired by light. His vibrant paintings are studies in divergent values and hues, and he isn’t afraid to experiment to get what he’s after. Of course, it isn’t possible to paint only light, so he allows the contrast and brilliance—or lack of color and shadow—to guide how he uses light to make his paintings come alive. “Light is a huge part of my painting process,” he says. Wodark creates his subjects with contrasting soft and hard edges that focus on the darks, lights, and values to draw in the viewer. Using a dark value against a light
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The Master

What can you say about Howard Terpning that hasn’t already been said? He’s described as the grand master of Western painting, an American icon, and a master storyteller. He is all of that and more. His magnificent paintings have earned him a myriad of awards and inclusion in some of the finest museums in the country. And, yet, he is unpretentious when it comes to the many accolades he has received during the 44 years he painted the American West. Terpning will celebrate his 98th birthday November 5. He’s still sharp as a tack, but he hasn’t painted for the
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Driven by Intuition

People, places, and painting—those are the things Robert Goldman loves. His award-winning, nuanced landscapes not only capture light and color, they have captured the attention of a growing roster of collectors throughout the world. Goldman’s life is punctuated with drawing classes, degrees, studies with other artists, and participation in critique groups as he challenges himself to develop new skills and new ways of seeing. He seeks out the opinions of others and pays attention to their advice. And he credits much of his success to the teachers and artists who have influenced him along the way. In the early ‘80s,
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The Studio of Don Oelze

Some days, Don Oelze’s studio, tucked into a ponderosa forest under a mound of artistic boulders, resembles a movie studio as much as a painting studio. “I have a couple of really big photo shoots at my house every year,” Oelze says, adding that other artists join him for those shoots, which include models in authentic costumes and horses and a wagon outside on a hill. Oelze’s studio is divided into two halves in a 1,400-square-foot outbuilding that is just feet from his house. He currently paints in what he calls Studio B, while most of the props, costumes, and
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