Archives for Oil

Peaceful Feelings

Peaceful Feelings

January 1, 2022 | by

When Paul Dykman steps outside his rural Montana home, his first instinct is to look up. “I look up, and I see the mountains; I see the amazing sky,” he says. “And I think, ‘Lord, how did you do that? Will you please show me how to do that?’ “It’s so beautiful. I look around and wonder how to get that certain color in the sky or the hue of the mountain. It’s not easy to emulate what God finds so easy to do.” Dykman has spent the past 20-plus years trying to do just that. Read the full article
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A Sense of Joy

A Sense of Joy

January 1, 2022 | by

Terry Cooke Hall is a bit of an enigma in that she doesn’t check any of the traditional art boxes you might have in mind for a master artist. For instance, she chose to study art at Palomar College in San Marcos, California, rather than at the prestigious Art Center College of Design in Los Angeles. That decision had more to do with fear than fundamentals. “Not enough strength of character,” she says lightly. “If I think back to that time, it was fear of moving to the big city by myself.” Read the full article in the January/February 2022
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Capturing the Human Experience

Capturing the Human Experience

January 1, 2022 | by

An elderly woman in her Sunday-best hat, a father carrying his son on his shoulder, a man waiting at a bus stop, another asleep in his favorite chair. These evocative images of humble, hard-working people who are often overlooked by the world at large are so powerful in their simplicity that they motivated one New York art critic to describe their creator, Dean Mitchell, as a “modern-day Vermeer.” “My work is primarily about the human experience,” Mitchell says. “I want it to be a commentary on the reality of life as lived by the ordinary people in this country.” Read
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A Master In His Prime

A Master In His Prime

January 1, 2022 | by

George Carlson has never subscribed to any “ism.” As the only person in history to be honored with the Prix de West Purchase Award—the top prize in Western Art—in two different media, he also has never seen himself as a “Western artist,” at least not in the way it has celebrated iconic landscapes, cowboys, and indigenous people. But Carlson does believe in a way of seeing that is articulated by many, going back to the ancient Greeks. It is embraced by American master realist Andrew Wyeth and by Carlson’s friend, painter Robert Lougheed. Their maxim is this: Nature provides all
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Painting Nature’s Majesty

Painting Nature’s Majesty

January 1, 2022 | by

Like her landscape paintings, Jan DeLipsey is a breath of fresh air. She’s wonderfully witty, laughs freely, and is an open book when talking about her life and struggles. It’s not quite what you would expect of a psychologist. A what? Yes, you read that correctly; DeLipsey is not only an award-winning artist; she’s a psychologist. “I’m 68,” she says. “I retired when I was 60 and started painting for fun. One thing led to another, and here I am. It’s the most interesting, fun thing I’ve ever done.” Read the full article in the January/February 2022 issue. The Homestead
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A Promise Kept

A Promise Kept

November 1, 2021 | by

During his 16 years of formal art training, Valeriy Kagounkin has studied everything from painting and sculpture to Italian fresco, mosaic, and stained glass. While he now focuses on capturing the American West on canvas, he also feels a duty to serve the community with his other skills. One of Kagounkin’s most recent projects—painting a mural on an eight-story building—has seen him perched atop a lift in 90-degree temperatures, breathing in smoke-filled air from the wildfires raging near his home in Sacramento, California. “It is what it is,” he says. “This is real artwork.” Except for a few difficult times,
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Patience and Precision

Patience and Precision

November 1, 2021 | by

Randal M. Dutra has enjoyed a varied career in art for more than 46 years. He began his studies in 1975, working from life at a Canadian game farm, and in 1977 he enrolled at the Art Students League in New York. During his early art career, he also learned from several respected mentors, including Clarence Tillenius, Robert Lougheed, and George Carlson. In 1981, Dutra became involved in cinematic visual effects. During his 25 years in the movie business, while concurrently producing fine art, he worked with Steven Spielberg, George Lucas, and Disney on several films, two of which earned
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Discipline, Control, and Wisdom

Discipline, Control, and Wisdom

November 1, 2021 | by

If you log onto Rick McClure’s Facebook page, you might think for a minute that you’ve wandered into an online Buddhism class where the teacher has become the student, asking his former pupils to critique his teaching skills. “Generous and sincere,” offered one. Another responded, “Doesn’t hesitate to share all the tips and techniques he’s spent a long career learning.” And a third asked, “Is this a trick question?” Not necessarily. Art professionals will tell you that great art teachers share many characteristics, including passion, dedication, and perseverance. Being a great artist and a great teacher are not mutually exclusive;
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‘Color is Everything To Me’

‘Color is Everything To Me’

November 1, 2021 | by

In early August, Kathy Anderson was hard at work in the studio at her home in Redding, Connecticut. She had just returned from a 12-day reunion in Montana with members of the Rocky Mountain Plein Air Painters and was preparing to head to Vermont the following week to paint with the Putney Painters. Anderson was also working on a painting for a show in October and that afternoon was scheduled to give a video tour of her studio for the Scottsdale Artists School. Later that week she would be serving as an awards judge for a local art show. And,
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Chasing Perfection

Chasing Perfection

November 1, 2021 | by

There are things you have to give up if you’re going to run a ranch, raise a family, and pursue a career as a wildlife artist all at the same time. Chad Poppleton, who took over the operations of his dad’s ranch in northern Utah’s Cache Valley a year ago, is doing all three—and doing them well. Most days, he’s up early to do chores and get work done around the ranch. Once those jobs are done, he heads to his studio and paints for several hours. Then he loops back to the ranch for more chores and to wrap
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