Archives for Oil

‘It’s Been a Wondrous Career’

Jack Sorenson remembers the day his cowboy lifestyle collided with his dreams of being an artist. He was 9 years old and helping to break a horse on the family’s dude ranch and frontier town located on the rim of the Palo Duro Canyon—not far from Amarillo, Texas. He remembers being bucked off that horse—and he remembers what he was thinking as it happened. “Between the time I left the saddle and the time I hit the ground, I had the thought to protect my right arm,” Sorenson says. Now, as he turns 70, the toll of all the tumbles
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Storyteller With a Brush

Patrick Saunders has worked at a variety of jobs, from marketing and teaching to a stint as a Hallmark artist. Today he is a fine artist who paints everything from pet portraits to landscapes to florals. It took quite a while for him to get to where he is today but the route was well worth his effort. One thing that    hasn’t changed over the years, however, is his focus on telling stories with his art. Saunders, who lives in San Antonio, Texas, has earned a myriad of awards for his work, including a gold medal from the Oil
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Born to Be an Artist

“I like to live as much of what I’m going to paint as possible, so I do a wagon train every year,” says Sandpoint, Idaho-based oil painter Julie Jeppsen. She doesn’t mean that she paints a wagon train every year; she means that she organizes and directs an entire real live wagon train—and then she paints it. “We live out in the wagon, with a team of horses pulling it,” she says. “My kids are all involved in it, and so are my grandkids. It’s an experience I can have with them. Last year, on our wagon trip, we had
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Following Her Heart

Don’t try to pidgeon-hole Jennifer Johnson—or her art. Her subjects are varied, but her goal with each is the same: to celebrate the past. She captures nature’s vibrancy with bright, bold colors, pays tribute to the charm of the 1930s and 1940s, and shares her love of wildlife. “All of my paintings have a story from my own experiences, stories told to me by my parents and grandparents and even people I meet at art events who share their adventures,” Johnson says. “When it feels right in a piece, I love to include a touch of whimsy and humor because
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The Power of Paint

Before Brad Teare was a professional illustrator, before he was an abstract artist, and before he became the revered Western landscape painter he is today, he was the drummer in a rock band that had one particular revelatory night. Gigging in and around Oklahoma and Kansas with a lot of original music in their repertoire, the band, Frostfire, was playing one of its own songs in a rowdy, rough, and noisy bar. As their song continued, the noisy patrons grew less so, paying more attention to the band. When the song ended, the house erupted in applause. While most of
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The Studio

Kyle Polzin’s studio at his home in Austin, Texas, isn’t a grand, architectural space but it suits him just fine. A former study, the room is just off the entryway to the home he shares with his wife Leigh and their two teenage daughters. Surrounded by oak trees, his house sits on one-and-a-half acres of property in a quaint neighborhood that overlooks Austin and the surrounding hill country. Earlier this summer, Polzin was hard at work in his studio, preparing paintings for a show he’ll have in September at Legacy Gallery in Santa Fe, New Mexico. The painting resting on
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‘I Love Beauty’

Larry Riley pulled back a bit from painting a few years ago but he didn’t pull back from creating. During COVID, when galleries were closed, he turned away from his easel and began to make classical guitars. It wasn’t the first time during his 76 years on earth that he veered from the road he was on and let his curiosity lead him. He’s taken chances—and reaped rewards—by mapping his own route. In 1982, after spending nine years taking care of people’s teeth, Riley sold his dentistry practice and turned to fine art. Later, after spending about 40 years as
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Changing Lanes

Wyoming sculptor and painter, J. C. Dye, says an artist needs two lifetimes: one to master the art of sculpting and painting and another to reap some rewards. As a 76-year-old who has enough experience to fill at least two lifetimes, one reward is being recognized as one of the top sculptors in the United States. He’s earning kudos for his paintings as well, something he turned to when foundries began closing, and he found himself waiting up to a year to have a sculpture cast. Dye’s years as a rancher provided with him with intimate knowledge of the cowboy
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A Noble Pursuit

Amy Lay admits that it took her a few years to recognize the value of the art degree she earned from Eastern Oregon University in 1994. At the time, most of the faculty members were interested only in abstract art and didn’t appreciate her passion for wildlife and nature. Since those were the only subjects that interested her, Lay often felt that her instructors snubbed her. But there was one professor who encouraged her to take the time to explore and to develop her own style. Thirty years later, the style that emerged from that exploration has become the hallmark
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The Studio of Joseph McGurl

Just off Upper Cape Cod, Massachusetts, is a small stretch of land called Amrita Island, where Joseph McGurl has lived for almost 30 years. It’s also where he has his studio and paints landscapes of both the East Coast and the West Coast. That stretch of land has a history as colorful as McGurl’s paintings. In 1867, British immigrant Thomas Baxendale and his wife Esther purchased the land and built a mansion and several “cottages.” Those structures housed visiting scholars from Harvard University, who would present seminars on world peace, children’s issues, animal welfare, and other concerning topics. Today the
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